So I actually listened to the songs that Mick’s Web site is streaming from his new album, Goddess in the Doorway:
“Visions of Paradise”—Perhaps if Eddie Money had recorded this song in 1988 I might have liked it.
“Joy”—Would someone please just kill Bono?
“God Gave Me Everything”—At least this song rocks a bit. Would’ve been a nice inclusion on Steel Wheels.
“Don’t Call Me Up”—Cloying, but I like it. I can still buy Mick as a crooner. Isn’t that what old irrelevant rock stars are supposed to do, anyway? This song is good stuff; the perfect rock cliche of unrequited love turned to hate, hate that’s ultimately betrayed by feelings still unresolved. I love the way Mick says “Argen-ti-nah”, the Bon Jovi-esque guitar solo near the end, and the wonderful strings that Axl Rose only wished he could pull off with such finesse.
“Goddess in the Doorway”—Good beat, in the right Detroit techno hands it could make a dance remix as good as the Stones’ “Dance”. Why those hands would soil themselves with this album in the first place is another question.
“Too Far Gone”—Could have been a really cool song if it wasn’t so overproduced. Why is there an organ and strings in what should have been a nice stripped-down alt.country track bemoaning our fast-paced society? (Yes, Mick, you and your boys screwed up when you went disco instead of continuing to chase Gram’s Cosmic American vibe.) I still like the song, hope someone with more talented producers with better ears will record it someday.
Who knows what’s lurking in the tracks I didn’t hear, but I doubt it’d be enough to make this anything other than a middling record from someone who’s long ago given up the ghost of respectability. Jann Wenner, were he capable of it, should be embarrassed. If Lester Bangs were alive today, I think he’d need quite a bit of Romilar to get through this whole album.