50 Years Ago in Rolling Stone: Issue 27

Rolling Stone issue #27 had a cover date of February 15, 1969. 32 pages. 35 cents. Cover photo of Karen Seltenreich by Baron Wolman.

Having learned a big lesson back in Issue 22 about the power of controversy and nudity, Jann Wenner came up with a 14,000-word, 15-page spread on the story of groupies “and other girls” including the GTOs, the Plaster Casters, Trixie Merkin, and various others. It featured lots of Baron Wolman’s photographs and scandalous tales of women who enjoy hanging out with rock stars.

It apparently achieved the desired result. According to Joe Hagan’s Sticky Fingers, Wenner spent $7,000 on an ad in the New York Times to promote the issue. “When we tell you what a Groupie is, will you really understand? This is the story only Rolling Stone can tell, because we are the musicians, we are the music, we are writing about ourselves.”

A few years ago, Wolman’s photos — and lots of outtakes — and the original text were published as a new book (Groupies and Other Electric Ladies) along with new interviews with several of the women and a foreword by Holly George-Warren. Amanda Petrusich reviewed it for the New Yorker: Reconsidering the Groupie. The Guardian posted some quotes and photos.

Features: “The Groupies and Other Girls” by Jerry Hopkins, John Burks, and Paul Nelson; “Beatles as Cinderella: A Soviet fairy tale” by A. Martynova; “The Motherfuckers: Fillmore East vs. The East Village” by Paul Nelson; “I Was Trying To Describe You To Someone” by Richard Brautigan.

News: “Tim Hardin’s Mom Blows Her Mind”; “2 New Yorkers”; “Arlo & Alice’s Restaurant Hit the Flicks”; “Nudity Gimmick for Bubblegum Music”; “Apple is Alive & Healthy in the UK”; “Stones USA Tour Still Uncertain”; “Who Finishing Rock Opera”; “Record Industry Ups LP and Single Prices”; “The Cream: Final Album and Farewell Film Due”; “Chess Does It Again – Electric Wolf: Man, It’s Dogshit.” Plus Random Notes on Tiny Tim, Grace Slick, Pat Boone, the Lovin’ Spoonful, and the Fugs.

Continue reading 50 Years Ago in Rolling Stone: Issue 27

New St. Vincent video: Masseduction

Video: St. Vincent – “Masseduction”

St. Vincent – MASSEDUCTION

From MASSEDUCTION, out now on Loma Vista.

St. Vincent just won the Best Rock Song Grammy for “Masseduction” and now she released a video for it. She was up against songs by Greta Van Fleet and Ghost so you know this is a very good rock song. But you knew that already.

At the Grammys she performed a smokin’ mashup with Dua Lipa’s “One Kiss.”

St. Vincent: web, twitter, amazon, apple, spotify, wiki.

Continue reading New St. Vincent video: Masseduction

New Ben Kweller video: Heart Attack Kid

Video: Ben Kweller – “Heart Attack Kid”

Ben Kweller – Heart Attack Kid (Official Video)

Directed by Robert Strange and Ben Kweller. From Circuit Boredom, due sometime soon on the Noise Company.

I dig Ben Kweller’s grungy Southern rocker look. It suits him.

If you’ve noticed that Kweller has been pretty quiet lately, there’s a very good explanation for that. He and his entire immediate family were all almost killed in a carbon monoxide accident.

“We were in this sweet little cabin and in the middle of the night, Lizzy woke up and said, ‘Ben, get up! Something’s wrong–I feel horrible,'” Kweller says. “I immediately jumped out of bed and collapsed to the ground. We instinctively crawled to the front door and opened it. Fresh air rushed in the cabin. I called 911. We grabbed the boys out of bed, trying to shake them awake, and managed to get everyone outside in the snow. The boys were crying and falling in and out of consciousness–it was like something out of a horror film. When the ambulances arrived, they tested our blood and said our CO levels were so high, we were 15 minutes away from not waking up. Fifteen minutes! We spent the next day in the hospital on pure oxygen and days after that feeling lethargic and mush-brained. When we got back home, I was an incapacitated zombie.”

Fortunately, everybody’s okay, but it took him a few years to be “start the machine back up again” and get back into the recording studio.

Glad he did. I’ve been following Kweller since I first heard “Family Tree” on college radio in 2002. He was just a kid then, but Sha Sha is still one of my favorite albums of that era. And he’s produced tons of great stuff since then as well.

“Heart Attack Kid” is a clear sign of good things to come.

And friends: make sure you have a working carbon monoxide detector in your home. It could save your life!

Ben Kweller: web, twitter, amazon, apple, spotify, wiki.

New Kacey Musgraves video: Rainbow

Video: Kacey Musgraves – “Rainbow”

Kacey Musgraves – Rainbow (Official Music Video)

From Golden Hour, out now on MCA Nashville.

Fresh off scoring the #1 album on the Village Voice Pazz & Jop poll and sweeping the Grammys (Country Song, Country Album, Country Solo Performance, and Album of the Year) Kacey Musgraves releases another single from Golden Hour. This is an optimistic piano ballad co-written years ago with Shane McAnally and Natalie Hemby.

The sky has finally opened
The rain and wind stopped blowin’
But you’re stuck out in the same ol’ storm again
You hold tight to your umbrella

It can be heard as a different take on the same metaphor as “Silver Lining” from 2013’s Same Trailer Different Park, maybe even a prequel.

I’m happy that everybody has finally caught up to Kacey Musgraves. She’s been subverting the country establishment for years now. And she’s been on a cosmic trajectory that has achieved a critical consensus that’s pretty uncommon these days. The only thing left for her to tackle is country radio.

Kacey Musgraves: web, twitter, amazon, apple, spotify, wiki.

Continue reading New Kacey Musgraves video: Rainbow

New King Gizzard and the Lizard Wizard video: Cyboogie

Video: King Gizzard & The Lizard Wizard – “Cyboogie”

King Gizzard & The Lizard Wizard – Cyboogie (Official Video)

Video by Jason Galea. Single out now on Flightless.

Jake and I often talk about the lack of fun in indie rock. I mean…just look around at all the beard stroking and head nodding going on and you can just tell these folks can’t dance.

Our friends in King Gizzard & The Lizard Wizard cannot be accused of taking themselves too seriously. No, these kids have decided to don motorcycle helmets and climb into a synth patch board to crank out nearly seven minutes of old school electro fuzz. It may not be a meat helmet, but Goddamnit, they’re having fun!

King Gizzard and the Lizard Wizard: web, twitter, amazon, apple, spotify, wiki.

New Mekons video: Lawrence of California

Video: Mekons – “Lawrence of California”

Mekons "Lawrence of California" (Official Music Video)

From Deserted, out on Bloodshot/Sin Records.

If I’m being honest–and really, there’s no other point in doing this–this song and video are boring. That’s hard for me to say because I love that Mekons are still doing their thing, but this just isn’t…my thing.

Mekons: web, twitter, amazon, apple, spotify, wiki.

New Strand of Oaks video: Weird Ways

Video: Strand of Oaks – “Weird Ways”

Strand of Oaks – Weird Ways

From Eraserland, out March 22 on Dead Oceans.

I’ve spent a fair amount of time in recording studios over the years. Some professional, some home studios and some just comprised of a 4-track and some SM57 microphones. I’ve spent even more time in rehearsal studios, all of which makes me an amateur but enthusiastic gearhead. I love seeing what gear other bands use and how they mic their kits or where they position their amps in a live room. I’ve spent way too much of my life tracking down studio footage and snap shots of The Beatles recording. It’s kinda my thing.

So the new video from Strand of Oaks is totally my thing. Here we see the band working up the melodic, guitar-crashing sound machine of their latest single in what looks like every recording studio in Portland, Oregon. It made me feel creative and also a little homesick, which is why I listen to music in the first place.

Strand of Oaks: web, twitter, amazon, apple, spotify, wiki.

Glorious Noise is 18. And we like it.

Alice Cooper – I'm Eighteen

Every year around this time I ask myself a question: Why are we doing this?

There’s no really good answer. I guess the hope is there’s somebody out there who likes rock and roll music but doesn’t want to have to seek out good new stuff. So we’re providing a service.

The reality, of course, is if you’re bothering to go to a web site like this you’re already seeking stuff out. You don’t need us.

So are we in it for the money? Well, let’s just say a couple weeks ago we started messing around with ads again for the first time in years, and so far the results would suggest no. Google tells me that in the last seven days we’ve made $1.08. We’ll see how it goes, but if it stays like that I’ll yank the ads. It’s not worth it to have to look at men’s underwear and stupid t-shirts every time I open a web browser.

It can be downright depressing if you dwell on it.

But it would be more depressing at this point to just quit. I like GLONO being the O.G. that’s been around since 2001, and we’ve published a bunch of good stuff over the years. I’m super proud of our small part in helping kick off the careers of some great writers.

Plus, it’s still exciting to have to meet the challenge of finding something new and good to post every day. There’s lots of great music being released all the time, and it’s fun to find it and share it.

One other thing that’s been cool this year was finally starting an instagram account in September. I had stubbornly and stupidly been opposed to it. Seemed a little too late/dollar short. But DP made the case: “People love photos! And we actually have an archive of some pretty dope ones.” I had never considered re-purposing our backlog of hundreds of photos from fests and shows over years.

So yeah, we’ve been posting to instagram every day since then and we’ve managed to attract 292 followers. So thanks to everybody who’s followed us. Again…worth it? I dunno. But it’s been fun to look through the photos. We’ve shot a lot of bands!

I apologize for the somewhat negative tone. The past two years have been mentally exhausting and psychically debilitating in a lot of ways. It’s tough to stay positive. There are signs of hope for the future, maybe, but it’s a slog to find them when you’re overwhelmed by soul-crushing news every fucking day for 748 days straight…and counting.

Then again, I’ve been through many times in which I thought I might lose it. The only thing that saved me has always been music. A wise man said that.

So the state of this web site, I guess, is alright.

Previous birthdays: 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2009, 2010, 2011, 2012, 2017, 2018.

Continue reading Glorious Noise is 18. And we like it.

New Automne video: Pendant Que Les Champs Brulent

Video: Automne – “Pendant Que Les Champs Brûlent”

🔥 Pendant Que Les Champs Brûlent – Automne 🔥

Single out now on ATPD Records.

Niagara’s “Pendant Que Les Champs Brûlent” was a big single in France in 1990. The duo were offered an American deal, but they refused to record English-language versions of their songs so they never got signed over here. (Note: This is not the same Niagara who sang with Detroit’s Destroy All Monsters.)

Automne’s cover is more upbeat and seems to bring out a bit of playful sixties yé-yé that’s missing from the moodier synthpop original. Can’t you imagine girls in mini dresses frugging to this?

While the fields burn
I am waiting for my tears to come,
And when the field dances
May nothing ever reach me.

The video was shot on an island in the Marne River, southeast of Paris, where the band rehearses. Guitarist Perry Leopard tells me, “The island has no bridges, so we have to take a row boat any time we’re packing up gear to play out of town!”

If you’re curious about that little push-button synth contraption, it’s a Pocket Piano built by Critter and Guitari but no longer available. This is the company that designed the Septavox synthesizer specifically for Third Man Records.

Automne: web, facebook, youtube, amazon, apple, spotify, wiki.

Continue reading New Automne video: Pendant Que Les Champs Brulent

Boo Who

Many years ago, when I was perhaps 5 years old, my dad was driving my brother and me somewhere in downtown Detroit, which, in retrospect, I realize was somewhere near Woodward Avenue and Campus Martius, where there is planned slowing due to a circular pattern to streets in that area (an interesting fun fact about the street layout in downtown Detroit, it was designed by Augustus B. Woodward, who used Pierre Charles L’Enfant’s model for Washington DC, meaning that this is not a grid pattern, as is the case in cities like New York and Chicago).

I looked out the window of the Pontiac Catalina and saw something that I will not forget: There was a black horse pulling a black wagon being driven by a man dressed all in black, including a black stovepipe hat. The wagon was carrying a black. . .casket.

This, I was to learn, was a stunt for a movie that was being shown at the Fox Theatre, The Premature Burial, which was based on a story by Edgar Allen Poe.

Appropriate. Memorable. And the sort of thing that isn’t executed much or as well today.

Which brings us back to The Who. Or, as previously indicated, the brand known as “The Who.”

In support of the Moving On! Tour there are three buses—the sorts of things that are the jump-on, jump-off tourist variety—that are painted with a scheme that resembles the bus on the cover of the 1968 album Magic Bus—The Who On Tour that are rolling in Chicago, New York and LA for the next couple weeks.

Continue reading Boo Who

Rock and roll can change your life.