Kendrick Lamar and Don Cheadle Go Head to head in this video for the single, “DNA” from Lamar’s new album DAMN.
Kendrick Lamar – DNA.
I ran into Don Cheadle once on Michigan Ave. in Chicago. It was cold but sunny and we were walking toward each other when he recognized that I had recognized him. We both played it cool though. He flashed that Cheadle smile as an acknowledgement that yes, it was indeed him. I nodded and we kept walking.
In case you haven’t heard, June 1 marks the 50th anniversary of the release of The Beatles’ eighth studio album, Sgt. Pepper’s Lonely Hearts Club Band. Debates rage as to whether this is simply a great album or the greatest album, but there’s no question of its musical and culture importance as a work of art. You cannot watch anything about the 1960s that doesn’t reference it as a touchstone. It is endlessly dissected and studied and what better opportunity to do so once again than with an anniversary!
Coming on May 26 is a mega super duper deluxe reissue of the album itself with various packaging and trappings. As reported pretty much everywhere, “The ‘Anniversary Editions’ of “Sgt. Pepper” will include a single CD version with the new stereo mix (priced at $18.98 on Amazon) and a deluxe two-CD and digital version ($24.98) containing 13 alternate takes of all the “Sgt. Pepper” songs in the original sequence plus five additional takes.”
It also includes news stereo and 5.1 surround mixes. I still marvel at the remastered versions of the album (stereo and mono) that came out in 2009 so I can barely contain my excitement to hear this new set.
Also in the mix is a new documentary about the album, which claims to have “rare archived footage of their heyday, including footage that hasn’t been seen since the 60’s.” Directed by Alan G. Parker and produced by Reynold D’Silva and Alexa Morris, It Was Fifty Years Ago Today! Sgt Pepper & Beyond is also due out May 26.
What the band describes as, “Telling the story of a man who is stuck in his head and riddled with social anxiety to the point where he is unable to leave his apartment,” the video for “Trouble” is a little bit of synth-y dream pop and a little bit outer space/inner space anxiety.
Featuring Kyle Pacek (Guardians Of The Galaxy) and David Child (Life Hold On), the video shows that if you free your ass, your mind will follow.
The Knocks – TROUBLE ft. Absofacto (Official Video)
From the Testify EP, out now on Big Beat Records/Neon Gold. Catch this New York duo on tour.
They say you shouldn’t trust anyone who doesn’t like puppies or babies. That’s kinda how I feel about anyone who doesn’t love Spoon. I mean…what’s not to love? Soulful vocals and witty lyrics; smart, economical instrumentation; beats and rhythms that make you DANCE; all peppered with hoots, hollers, grunts and groans that let you know rock music is supposed to be visceral.
Full transparency: Jake Brown was not always on the Spoon train and I can tell you that there were several whispered conspiratorial conversations around the office keg. We considered executing the 25th Amendment until he started to come around. I am pleased to say the state of the GLONO union is now strong.
Hot Thoughts is Spoon’s ninth studio album and builds on the same blue print established way back on 2001’s Girls Can Tell. This is a band who is consistent, if not creatively challenging. Once they broke (albeit slightly) from the jagged corners of their first two albums, the mold was set and they’ve honed the product more than redesigned it. And I am totally down with that. It’s a wonder how consistent, and consistently good, Spoon is. Given how shitty things are elsewhere in this country it’s really nice to know we can count on a solid record from this band every 24 to 36 months.
One area of exploration I have enjoyed from these guys is their occasional dips into dance-y pop music. I think it started with 2005’s “I Turn My Camera On,” which is a staple of any indie kid’s dance mix. This year we have “Can I Sit Next To You” as an early contender for Summer Jam 2017. It’s the kinda song that will make middle-aged dudes pine for pool parties that don’t include swim diapers.
If you’re reading this then you probably already have the new album so I’m not going to sell it. But I’d love to open up a conversation in the comments about the elements of Spoon that make them our favorite band. Because there are common elements, some of which are noted above and some of which get turned into criticism for other bands. Why?
I maintain a playlist called Golden that pulls together a bunch of songs that give me fall shivers and nostalgic heartstring tugs. There’s loads of Beck’s Sea Change, Kurt Vile’s Walking on a Pretty Day, Steve Gunn’s Sundowner, Elliott Smith, Damien Jurado, Lord Huron, and now…Chris Staples.
Staples’ new album, Golden Age, shares more in common with those songs and that feeling than its title. There’s a type of sadness, without being maudlin. And maybe that’s to be expected. After a rough patch where Staples was diagnosed with Type 1 diabetes that resulted in pancreas failure, a bike accident that required surgery, and the dissolution of a long-term relationship, Chris Staples is afforded some sad bastard time.
But that’s what’s great about this record: it’s not sad bastard music. Don’t get me wrong, I LOVE me some of that. But Staples’ album maintains a bit of pop bounce with lovely melodies and simple production. It’s been described as a “subtle” record, which I guess is as good anything I would come up to describe the production. Because subtlety implies hidden complexity, and this record has that in spades.
Give a listen to lead off track “Relatively Permanent” and tell me you aren’t ready to sit down with Chris, have a beer, and talk about where you grew up.
Dawes have released a new single ahead of their fifth studio album, which is titled We’re All Gonna Die. The video, and the single, show our boys fully embracing much of the “we’re all fucked so let’s party” attitude that dominates the Top 40 these last few years. It’s a pretty catchy tune too with a chorus that alerts us to the fact that “when the tequila runs out we’ll be drinking Champagne.”
Dawes – When The Tequila Runs Out (Official Video)
We’re All Gonna Die, will be released via the band’s own HUB Records on September 16. Preorders taken now.
Be Here Now was the 1997 follow-up to Oasis’ massive hit, (What’s the Story) Morning Glory? To say the former met with mixed reviews given the bar set by the latter is an understatement. In hindsight, everyone seemed to just be confused. Lots of people initially praised it as “bold” and “ambitious,” only to turn around and poo-poo it as “self-indulgent” and “bloated.” Noel Gallagher himself adding to the chorus. As The Chief said in Live Forever: The Rise and Fall of Brit Pop:
“It’s the sound of … a bunch of guys, on coke, in the studio, not giving a fuck. There’s no bass to it at all; I don’t know what happened to that…And all the songs are really long and all the lyrics are shit and for every millisecond Liam is not saying a word, there’s a fuckin’ guitar riff in there in a Wayne’s World style”.
Of course, they say hindsight is 20/20 and with 20 years of reflection, maybe we can give Be Here Now another look…another listen.
Posting on Facebook, Gallagher said, “As the years went by I’d started to accept that the songs on Be Here Now were in fact insanely long… too long! Someone (I can’t remember who) had the idea that we re-visit, re-edit the entire album for posterity’s sake.”
A total album remix? Now that’s interesting. And this might not set off the shit storm George Lucas faced when he revisited the original Star Wars trilogy. No, this was not tampering with a beloved title, but the opportunity to right some wrongs. Han will always shoot first.
Alas, “We got as far as the first track before we couldn’t be arsed anymore and gave up….it does sound fucking mega though!”
Oh well. Here then is the remix of the lead-off track, “D’you Know What I Mean,” which hilariously is only one second shorter than the original. Also, where’d those big ass NWA drums go?
If I am being honest, I am just as guilty as anyone—maybe more so. I see “legacy” acts touring and think, “Why bother? They can’t be as good as in their prime.” Sometimes I’ve been proven right when a band that hasn’t spoken in 20 years gets together for a tour only to realize they stopped speaking for a reason and should leave us all out if it. But sometimes I am proven wrong; gloriously wrong.
Graham Nash has always been the secret ingredient. His harmonies are unmatched, and that’s evident in the work he’s done from The Hollies, to CSN(Y), and anything else he’s lent that magical voice to. It’s a high harmony, which is a big responsibility to hold in a singing group because those are the notes everyone really hears. Guys like David Crosby and Chris Hillman have a special gift for the harder to find middle parts, but they can also hide a little easier. With Nash, it’s right out there hovering over the entire song. That means his voice needs to be in top form, lest we all walk away just a little disappointed.