But no nipples.
I spent about an hour last Saturday morning hungover on my brother-in-law’s crapper. Did the same thing Sunday morning. The john is well-stocked with several issues of Maxim and Stuff, and I’ve started to like those magazines for what they are. They’re fun. And occasionally there are some interesting articles. The thing that really angers me about them is that they never show nipples. They show all kinds of cleavage and every young starlet in every imaginable sultry pose, but never any nipples.
That just seems cheap to me. A rip off. A prick tease. A Playboy-Lite for these neo-Puritanical times. Playboy at least has great fiction, intelligent interviews, and halfway-decent articles. All that and full nudity.
But still, I no longer resent Maxim and Stuff for their rather meat-headed editorial slant. There’s a certain playful anarchy going on in there. Like when they teach you step-by-step how to pick a lock. Maybe this sounds to you like a recipe for drunkfratrape disaster, but I’m hoping it’s pretty harmless. Let’s the kids think they’re being naughty without really causing any trouble.
Plus, I read an interview with a sexually precocious 17-year-old supermodel who blew off the advances of a member of a certain boy band, claiming, “The Backstreet Boys are all butt ugly.” I’ve had a soft spot for these rags ever since. Call me open-mided. Or call me a sucker. Whatever. It’s pop trash and it’s entertaining. Like watching the E! channel.
So when I read Michael Goldberg’s column, The Drama You’ve Been Craving, about publisher Felix Denis’ new music magazine, Blender, I had to pick it up. Even though Goldberg warned me not to:
If Blender succeeds by following the approach Dennis has taken with Maxim and Stuff— Maxim is currently the best-selling general-interest men’s magazine in the U. S. — we may end up longing for the days when we could count on Rolling Stone, for all its problems, to occasionally deliver a solid article about a meaningful artist such as Radiohead or Tom Waits. Clearly Blender will be targeting “generation mook,” those Tom Green/Limp Bizkit/Eminem-loving kids. I’m expecting the worst.
Well, after reading through much of the premiere issue, I think Goldberg can relax a little. Maybe.
Maybe Blender is being sneaky, and corporately co-opting “cool” like the Gap, Volkswagon, and Sprite, but Issue One contains an interview with Thom Yorke of Radiohead, a big article about Weezer, a full-page review of the new Lucinda Williams album (plus a full-page picture — a woman baring no cleavage for once), and a two-page review of the new Beach Boys reissues.
Granted, the interview with Yorke is based on dopey questions sent in via email by fans. And Weezer isn’t exactly an underground band, and the writer didn’t defend Pinkerton nearly strongly enough. And much of the rest of the issue is filled with “bootylicious” photos of Janet Jackson and Destiny’s Child. But check out this excerpt from Andy Pemberton’s editorial:
Who else would review over 200 CDs every issue and cover everyone from the big fish to the tiny minnows? Who else knows that music is beautiful and scary and sad and wise and fun – especially fun – whatever genre it’s from? Answer: no one (we checked).
Except Glorious Noise, of course. We’ll let Blender focus on the fun, and that’s okay. Fun music has it’s place. Not everybody has to be heavy and serious and snobby. And if Blender turns a few frat boys on to Lucinda Williams or Alejandro Escovedo then that’s good for everybody, right? Except for the snobs who want to keep their favorite bands as their personal pets. And we’ll let them worry about it themselves.