Roger Daltrey was a member of The Who, a band that he fundamentally established in 1964 with John Entwistle, Keith Moon and Pete Townshend.
Some people might argue that Roger Daltrey is a member of The Who, given that at the recent Desert Trip concert (a.k.a., Oldchella), a band named “The Who” performed.
Without going all Abbott & Costello (or a Hortonesque Dr. Seuss) about it, how can there be The Who when 50% of the band no longer exists: who’s left? Keith Moon died in 1978. John Entwistle died in 2002. (Daltrey had a bad case of meningitis last year and it almost seemed as though he’d be the answer to who’s next; fortunately he recovered and seems to be back on his game).
If we look at the band that is masquerading as The Who, know that Keith Moon was replaced by Kenny Jones, who was with the three original members starting in 1978. He was replaced in 1988 by Zack Starkey.
As for the bass position, that was taken up in 2002 by Pino Palladino.
So when does a specific “band” stop being that band in more than a marketing sense?
Isn’t the elimination of 50% of the musicians—especially musicians of the caliber of Moon and Entwistle, and with all due respect, does anyone actually think that Jones, Starkey and Palladeno are as good as those two were?—good enough to argue that it is something other than it once was?
After all, if you heard that a band was “decimated,” you’d probably think, “Geeze, there must not be much left.”
But that would mean that only 10% was eliminated, a far cry from the 50% of The Who (and it could be reckoned that with the replacement of Jones by Starkey, it would be a change of on the order of 65%).
Would Paul McCartney and Richard Starkey—I mean Ringo Starr—constitute “The Beatles”? Even at his most mendacious, it seems that McCartney doesn’t think so, either.
But now in their 52nd year of playing together, Daltrey and Townshend soldier on.
To be sure, they’ve done things other than play in the cover band known as “The Who.”
Ever since he appeared in Ken Russell’s 1975 film Tommy, Daltrey has been an actor, a performer on stage and screen (Who music isn’t just used as theme music for the various C.S.I.s; Daltrey has performed on the show as many characters, including playing, for reasons I can’t begin to understand, a middle-aged African-American woman).
Perhaps even more remarkable than that bit of acting is the fact that in 2008, late-middle aged American president George W. Bush awarded Daltrey and Townshend with the Kennedy Center Honors.
My interest in Daltrey was piqued by the recent announcement that he is collaborating with Rolls-Royce on the car manufacturer’s “Inspired by British Music” vehicles. It won’t be a “Roger Daltrey” edition, but “The Who” edition.