“As a pop music critic, I’ve had fun diving into the role of a crank: lonely protector of the true text. It’s a ridiculous role—and it’s amazing how much work it offers.” —Greil Marcus “Myth and Misquotation” The Dustbin of History
Bill Flanagan really must have some juice. Encomia on his novel A&R are provided by Elvis Costello, Lou Reed, Peter Buck, and Tom Petty. Someone more cynical than I might say that this constitutes a large portion of the literate throng among the rock community. I’m not saying that. Flanagan, according to the dust jacket, … Continue reading Musical Maturity?
Back in the 1930s, a group that mainly consisted of poets created a practice known as “New Criticism” The method, based on close reading, basically said that a given work of art is the thing that must be analyzed as it is. That is, instead of bringing anything to the work, the work, literally, stood … Continue reading Bangs’ Life vs. His Art
As Johnny writes below: “The problem was, I couldn’t locate Simpson on the stage. There was Daly and his bland, olive loaf smile. There were the three galoops vying for her hand. But where was Jessica?” and: “But the sad truth is that no one really knows who Jessica Simpson is, beyond those 70s Farrah … Continue reading Money for Nothin’…and MTV
A front-page story in a recent edition of the LA Times looked into the creation of web sites for entertainment products—films—by alleged fans. As the story, “Fake Fans, Fake Buzz, Real Bucks” by Dana Calvo (20 March ’01), opens: “The 34-year-old computer whiz in Silver Lake got a phone call from the friend of a … Continue reading Is This Website Real & How Do You Know?
Back when this site was young, there was a spirited discussion about the phenomenal and physical attributes and values of Britney Spears; consequently, it surprises me that there hasn’t been an analysis put forth about what Spears has recently put out, the lead Pepsi commercial that was broadcast during the Academy Awards telecast. Her packaged … Continue reading Oops!. . .and the Joy of Monosyllabic Thinking
“That Sting—he’s a really good singer.” —Sting, in a pre-Academy Awards interview during which he explained that (a) he was unlikely to receive an Oscar for “My Funny Friend and Me,” a song that he and David Hartley wrote for “The Emperor’s New Groove (he was right) and (b) what the members of the Academy … Continue reading Time to Put Out the Red Light, Sting