I’ve been accused—and Jeff will undoubtedly underline this in a big way—of writing too much about Honda. But discovering that there is something called the “Civic Tour,” finding that it is split in two, with the second half being designated “v.2001.2,” and reading this line: “The Civic Tour allows Honda to reach out to our … Continue reading Driven to Distraction
In a recent interview with a USA Today reporter, Hilary Rosen, CEO of the Recording Industry Association of America, said, in reaction to a line of questioning related to the nullification of Napster through the efforts of that group, “Consumers want to know their access to music is going to give them the most choice, … Continue reading Choice, Value & Connection
The “Week in Review” section of the Sunday New York Times is not a straight-up chronicle of what happened during the preceding week; rather, it is a section where some of the key events of the week are essayed. So, for example, the April 22 edition examines the situations in the Middle East and in … Continue reading Gabba gabba hey, Grey Lady
Kevin Costner seemed to be on top of the movie world. Handsome. Charming. Known to be the dead guy in the tuxedo that Lawrence Kasdan left on the cutting room floor at the start of The Big Chill. He was on a roll. Then came a day in late July 1995. Waterworld was released. And … Continue reading Madonna: Drowning in a Sea of Bombast
“As a pop music critic, I’ve had fun diving into the role of a crank: lonely protector of the true text. It’s a ridiculous role—and it’s amazing how much work it offers.” —Greil Marcus “Myth and Misquotation” The Dustbin of History
Bill Flanagan really must have some juice. Encomia on his novel A&R are provided by Elvis Costello, Lou Reed, Peter Buck, and Tom Petty. Someone more cynical than I might say that this constitutes a large portion of the literate throng among the rock community. I’m not saying that. Flanagan, according to the dust jacket, … Continue reading Musical Maturity?
Back in the 1930s, a group that mainly consisted of poets created a practice known as “New Criticism” The method, based on close reading, basically said that a given work of art is the thing that must be analyzed as it is. That is, instead of bringing anything to the work, the work, literally, stood … Continue reading Bangs’ Life vs. His Art
As Johnny writes below: “The problem was, I couldn’t locate Simpson on the stage. There was Daly and his bland, olive loaf smile. There were the three galoops vying for her hand. But where was Jessica?” and: “But the sad truth is that no one really knows who Jessica Simpson is, beyond those 70s Farrah … Continue reading Money for Nothin’…and MTV
A front-page story in a recent edition of the LA Times looked into the creation of web sites for entertainment products—films—by alleged fans. As the story, “Fake Fans, Fake Buzz, Real Bucks” by Dana Calvo (20 March ’01), opens: “The 34-year-old computer whiz in Silver Lake got a phone call from the friend of a … Continue reading Is This Website Real & How Do You Know?
Back when this site was young, there was a spirited discussion about the phenomenal and physical attributes and values of Britney Spears; consequently, it surprises me that there hasn’t been an analysis put forth about what Spears has recently put out, the lead Pepsi commercial that was broadcast during the Academy Awards telecast. Her packaged … Continue reading Oops!. . .and the Joy of Monosyllabic Thinking