All posts by Stephen Macaulay

Maybe He Can Get the Buick Gig Tiger Lost

Little Steven“Let’s see. . .IMG”—that’s IMG Sports & Entertainment, which participates in “product and brand licensing; consulting services; event ownership and management; collegiate marketing, media, and licensing; fashion events and models representation; golf course design; and client representation in golf, tennis, broadcasting, speakers, European football, rugby, cricket, motor sports, coaching, Olympic and action sports”—”represents Tiger Woods, Eli and Peyton Manning, Venus Williams, Jeff Gordon, and. . .Stevie Van Zandt.”

So says Steven Van Zandt, who, according to the IMG bio, “is a musician, songwriter, arranger, record producer, actor, human rights activist, and radio disc jockey.” And can we now add corporate flack?

Christmas Music Quiz

A Christmas Gift for YouWhile some FM stations have been running all Christmas music, all the time since approximately Halloween, we’ve decided to wait until the actual month the holiday occurs for our first-ever Christmas quiz. While this may not exactly be all about rock and roll, we’re willing to bet that Christmas has changed your life at least as much as it has.

The questions are based on data collected by the American Society of Composers, Authors and Publishers (ASCAP) during the past five years, based on radio airplay monitoring, of the top 25 Christmas songs.

1. What is the #1 most-performed Christmas song?

2. OK. Let’s assume you got that one right, Rudolph. Clearly you know that when it was first played, Guy Lombardo and His Royal Canadians made it a hit. Here’s a tougher one about the same song: What group/performer version is the most currently played?

3. What downer song by The King makes the list?

4. What does Phil Spector have to do with Christmas?

5. “Happy Xmas/(War Is Over)” by John Lennon isn’t on the list. What anthem is?

6. Lighting round. Name the tunes associated with the following—Christmas songs, that is:

   a. The Pretenders

   b. Bobby Helms

   c. John Mellencamp

7. Bonus question. Egg nog: Brandy or rum?

Answers after the jump…

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The B Side

The B List: The National Society of Film Critics on the Low-Budget Beauties, Genre-Bending Mavericks, and Cult Classics We Love“. . .rock ‘n’ roll is always a quintessentially B art form. Its potency, even the bulk of its charm, has always been about no respect for artistic authority, musical elegance, refinement of taste, or virtuosity.” So write David Sterritt and John Anderson in the introduction to one of the 11 sections in their eclectically focused selection of essays culled from sources ranging from the Los Angeles Times to tcm.com, The B List (Da Capo Press; $15.95). The section in question is titled “Whole Lotta Shakin’: Rock, Pop, and Beyond,” and it contains essays on the movies The Buddy Holly Story, King Creole, American Hot Wax, The Girl Can’t Help It, and Greendale. The essay on Neil Young’s Greendale, by Sam Adams, contributing editor at Philadelphia City Paper, is quite possibly worth the better part of the price of this collection of essays on that movie as well as 57 others that Sterritt and Anderson encompass in the subtitle The National Society of Film Critics on the Low-Budget Beauties, Genre-Bending Mavericks, and Cult Classics We Love.

Sterritt, chairman of the National Society of Film Critics and a film professor at Columbia, and Anderson, a writer for venues including Variety, miss the point vis-à-vis B movies and rock and roll. A better way of looking at it is that a B movie is to a full-blown feature what a B side is to a disc. Peter Keough, a film editor at the Boston Phoenix, writes in one of the collected essays, “Traditionally, the term B movie refers to those cheap, readily accessible, generally lurid exploitation films from pulpy genres designed to fill the second billing for the main feature.” The occasion of his essay is Francis Ford Coppola‘s The Conversation (1974), which was made just after The Godfather. Clearly, Coppola didn’t make a film that had “no respect for artistic authority;” Keough points out that Coppola acknowledged Michelangelo Antonioni‘s Blow-Up (1966) as inspiration for the film; Blow-Up was nominated for two Academy Awards (director; screenplay), and while it didn’t win either, let’s face it: back then, mainstream was the only stream so far as the Academy was concerned. Keough writes that The Conversation represented a “new kind of B picture,. . . an intensely personal expression of the filmmaker’s soul.”

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Shine On You. . .

He Is. . .I Say: How I Learned to Stop Worrying and Love Neil DiamondThe recent coverage of Glen Campbell here is remarkably coincident with the rise of a performer of similarly long pedigree who, some would say, has had a recent resurgence, while others—David Wild, foremost among them—would say he’s never really stopped shining. Yes, I am talking about Mr. Neil Diamond.

First, permit me a digression. . . .

It had the makings of a good road trip. A new car. A full tank of gas. Clear weather. A challenging route. My navigator, although I didn’t know him all that well, was a personable fellow, who can read a map and, more importantly, drive well, so I didn’t need concern myself with our getting lost or spinning uncontrollably over the edge of a mesa. But I was to learn more about him. And I was to have an out-of-control experience of another sort.

A couple hours into the trip, when the radio stations had gone from bad to worse to static (no satellite radio in the car), my colleague reached into a satchel and extracted his iPod. He hooked it into the aux jack. Neil Diamond’s Home Before Dawn had just been released, and he dialed it on. I was to discover that my navigator, a man a few years younger than Diamond, spent his Thursday nights as a singer is a bar where Thursday night meant “Karaoke Night.” When management saw that the stage was empty and it seemed as though it was going to stay that way, up went the ringer, my navigator, who would belt out Aerosmith, Meatloaf, Rod Stewart, Bonnie Tyler. . .it didn’t matter.

And in the car I was to experience this, over and over again, but in a different way. His all-time favorite and audio mentor, I was to learn, is Neil Diamond. This was not Neil and Streisand in the car. No, this was pure, unadulterated Diamond lust. For hours.

All I could think about was hitting a tree.

Continue reading Shine On You. . .

Who's First?

Pete and RogerLet’s say that Paul McCartney and Ringo Starr decided that they’d kick off 2009 with a worldwide tour, starting in Liverpool, moving on to Hamburg, then going everywhere else. Would this be a “Beatles‘ Reunion”? I don’t think so. Even though it represents 50% of the band, even though Paul was certainly as integral to the group as John Lennon was, and even though, it must be admitted, it was pretty much a toss up between George Harrison and Ringo, the two members of the band don’t constitute the band, period.

So consider the case of the band currently known as “The Who.” Which includes Pete Townshend and Roger Daltrey. Keith Moon is long passed; he hasn’t been a member of the band for 30 years. John Entwistle has been gone for six. And, arguably, The Who stopped being The Who as the members went on to do other things (including Entwistle playing in the “All Starr Band”).

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Todd Rundgren: A Wizard, A True Bore

Todd Rundgren - ArenaTodd RundgrenArena (Hi Fi Recordings)

The phrase “jack of all trades, master of none” describes someone who does lots of different things, all of them adequately, none of them extraordinarily. With few exceptions, those who are good—really good—at one thing, don’t do as well when it comes to others. Think back some years ago when renowned basketball player Michael Jordan decided that he really should be playing baseball. Does anyone even remember what team he played for? Does he?

The jack of all trades is the handyman, sui generis. If you need a new light fixture or a bit of carpentry, you call him in. If you want to have your place rewired or a room remodeled, chances are the jack of all trades is not the person you opt for. If you go to the doctor for an ailment, if it is a run-of-the-mill problem, then she can undoubtedly deal with it, no problem. If it turns out that you have some dread tropical disease, do you really think the general practitioner is the one who is going to provide a cure?

This brings me to Todd Rundgren. Singer. Songwriter. Producer. Multi-instrumentalist. The man can do it all, it seems. And throughout his career, he has created works that are various and varying. Whether it is Philly Soul or Martian Utopianism, Rundgren has done it. He’s performed a capella. He’s performed with a retread version of the Cars.

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"Water, Water…"

D'eau!While the benefit concert/charity recording has long been a fixture in the music industry, Thierry Deruelle, president of startup music label Aquamuzic is undertaking something rather unusual. Deruelle is claiming that Aquamuzic will “give 100% of its net profits to drinkable water projects in the developing world.”

In a press release on the subject, Deruelle is quoted, “So many people on this planet can’t even safely drink their water and we need 3 iPhones?”

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Thar He Blows. . .?

Gershwin Plays GershwinWhile many of us may not be all that fascinated with Moby—it is rather remarkable to consider that Play goes back to 1999, so time fades—it seems that Mr. Hall isn’t all that fascinated with his own music or that of his contemporaries. Indeed, to describe what is generally heard on iPods and from turntables as “trivial” is probably to give the music too much credit, vis-à-vis what he argues in a post on his blog.

Moby is completely smitten with George Gershwin’s 1924 composition Rhapsody in Blue. Unfortunately, that work’s power has undoubtedly been diminished for many people by its use in United Airlines commercials. Nothing like associating shitty airline service with one of the musical masterpieces of all time (and no, I believe that, I am not channeling Moby).

This raises an interesting point to speculate on: What music that has been made in the past several years truly has the sustaining power that Gershwin’s composition has? Certainly, there are more than a few Beatles’ songs (although Rhapsody in Blue is a composition for piano and orchestra and is considered to be a “classical composition,” we shouldn’t lose sight of the fact that Gershwin earned much of his daily bread by writing for Tin Pan Alley). But who else?

Is Moby right?

The Kids are All. . . Well

For many of us, “Smoke on the Water” is the sort of song that one can imagine being big in a Will Farrell movie. But apparently, students at the London Tech Music School take it far more seriously because, according to a story from Reuters, they picked it as the #1 guitar riff of all time. That’s right, a song from ’73. The only reasonably contemporary cut that makes the list of 25—and it is at 19—is “7 Nation Army” by the White Stripes. Between Deep Purple and the White Stripes are several shades of industrial gray, with the likes of Motorhead, Metallica, and Iron Maiden all making the cut. Well this is the “Tech” music school, after all.

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Van Morrison – Keep It Simple

Van Morrison - Keep It SimpleVan MorrisonKeep It Simple (Lost Highway)

A Life Well Lived—& Sung

A remarkable thing—I was going to use the word “the,” but it would be exceedingly limiting—about Van Morrison is that the man has been making music since 1964. There aren’t many about whom the same can be said, particularly not if you consider that, say, the Rolling Stones have been making music for a long, long time, but there have been additions and deletions to the lineup over the years, and Van Morrison is, well, Van Morrison.

What’s all the more unusual about this is the fact that Van Morrison has really never had much in the way of hits. Sure, we all love “Moondance” and “Brown Eyed Girl,” but then for those who aren’t partisans, the recognizable tunes are few and far between. What’s all the more astounding about this is that Keep It Simple is his 35th disc. Thirty-fifth. How many performers of any era or genre can say that?

How many performers have you heard pissing and moaning about the possibility of getting recording contracts or of keeping them? Probably at least 35. Yet somehow, Morrison has continued on. Has he ever sold out an arena? Has he ever had the opportunity to kick back and not work? Has he ever done anything but exhibit a dedication to his art and his craft? I think that the word “No” would fit for all of those.

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