Five years ago we discovered the Greatest Rock and Roll Photo Ever and came up with 101 reasons why it was so great. I’ve stared at that photo for hours since then and dreamed of being at that show, sweating in an off-season ski lodge, sipping sodas with teenagers, rocking out to the System!
Well, video footage from that Mount Holly show still has not surfaced, but we’ve got the next best thing. Footage from the same era (bassist Dan Honaker is even wearing the same shirt!) has been posted to YouTube. Three songs from Barry Richards’ “Turn-On” TV show bring our beloved photo to life. It’s so cool to see young Seger tearing it up. And his band was something else. Drummer Pep Perrine (once again sporting his dog collar!) looks like Iggy Pop. Detroit!
Bob Seger System – “Ramblin’ Gamblin’ Man” (live in 1970)
In last year’s wrap up I wrote, “I wouldn’t be surprised if within a few years Billboard starts incorporating streams into their year-end charts somehow.” In fact, they started doing it in November. Which proves that actual sales of albums are becoming irrelevant as more and more people turn to streaming instead of purchasing.
Personally, I still like physical media. I found a dope old school integrated amplifier for $20 at a garage sale this summer and after some minor repairs it’s powering my main system that I’ve been putting together over the years. I upgraded the cartridge on my turntable and I’ve finally got a setup I’m pretty happy with. I wish new vinyl sounded better, but I’ve been having fine luck in the used bins. It’s a great time to buy used CDs too. Neil Young might be crazy and crotchedly (and Pono was doomed from the start) but he’s right about the difference between lossy sound files and high fidelity recordings: the average listener might not be able to consciously hear the difference, but you can certainly FEEL it.
That said, my favorite album of the year is one that I downloaded for 99 cents via the Microsoft Music Deals app: Taylor Swift’s 1989. Even as crappy old MP3s it’s still totally infectious. I also just ordered it on vinyl, allegedly for my 8 year old who got his own record player from Santa. Other highlights for me this year were Run the Jewels 2, the CSNY 1974 box, Spoon’s They Want My Soul, Tweedy’s Sukierae (which I wasn’t really expecting to like as much as I do), Jenny Lewis’ The Voyager, and Conor Oberst’s Upside Down Mountain. And I was super excited that Tim Warren and Crypt Records resurrected Back from the Grave for Volume 9 of the ultimate sixties punk compilation series 18 years after the release of Volume 8.
So anyway, here’s the Soundscan data for 2014 compared to as much prior history as I could scrape off the internet. If you can help me fill in any gaps (especially 1991-1995, the early Soundscan era), I would certainly appreciate it.
Last night Billboard announced some big changes to the way it calculates its Billboard 200 album chart, incorporating streams and individual track sales. Who cares, right? I do.
Billboard has been charting albums since 1945 under many different names and formulas, but since May 1991 it’s been based on album sales as reported by Soundscan. They used to exclude “catalog” albums from the chart, which seemed ridiculous to me around the time of Michael Jackson’s death when his old albums were selling better than any current releases. I campaigned hard to have these included in the Billboard 200, because I believed the main album chart should reflect which albums people are actually purchasing. That’s what it’s all about: the top selling albums.
Taylor Swift has sold 1,287,000 copies of 1989 in its first week of release. That’s a lot of albums. Only 18 other albums have managed to move a million copies in a week since 1991 when SoundScan started tracking sales.
And that 1.287 million isn’t even counting everybody in the U.S. who legally purchased 1989. Microsoft was selling the album for 99 cents via its new Music Deals app, but none of those sales are counted. (Billboard’s Keith Caulfield confirmed this to me in a tweet.) We may never know how many additional albums were sold this way. I can personally vouch for one sale.
First week album sales are a measure of true fandom. Real fans get excited to support their favorite artists, and the number of selfies with the 1989 CD on Instagram is anachronistically hilarious. I wonder if half of those kids even own a CD player. Doesn’t matter. They need it.
It’s sometimes tough to remember that even back before Spotify, YouTube, the Pirate Bay, and Napster, it was still rare as hell for an album to break that million/week point. In the first seven years of SoundScan tracking, only one album managed it: The Bodyguard soundtrack in 1993. After that it was almost six more years before another album did it: Garth Brooks’ Double Live at the end of 1998.
I am very excited by the idea of a new Father John Misty album. I spent most of 2012 and 2013 obsessing over Fear Fun after being turned on to him by my sister-in-law. She had heard the song he did with Phosphorescent on the Aquarium Drunkard satellite radio show. I got into the album and finally saw him live at Lollapalooza where he stole the show and blew my mind. It was only then that I dug hard into the FJM mythology, finally catching up on the major Magnet profile and picking up the record on vinyl so I could read his self-consciously ridiculous “novel” that was included in the liner notes.
So yeah, I’m a total fanboy. And now there’s a new song from I Love You, Honeybear, his new Jonathan Wilson-produced album due February 10, 2015 on Sub Pop. And with the announcement of the album and tour, there’s also a new 4,000-word bio/listening guide.
Video: Father John Misty – “Bored in the USA” on David Letterman
The performance makes me a little nervous that his sense of humor has gotten pissier and more darkly sarcastic. Gone are the swoon-worthy dance moves, dismissed last year as “the demonic clown thing that I’d been doing,” replaced with an uncomfortable laugh track. He’s still clearly “fucking with artifice” but now I’m afraid he might be going too negative. What the world does not need right now is another fucking bummer.
John Lennon released four solo albums before the Beatles officially broke up, but three of these were experimental recordings made with Yoko Ono and the fourth was a live album recorded in Toronto with an under-rehearsed band featuring Eric Clapton. These four albums are generally dismissed as non-canonical, and they were not included in Spotify’s recent addition.
His first “proper” solo album, John Lennon/Plastic Ono Band, came out in December 1970 and remains the best album released by any former Beatle. It’s raw, honest, and brutal. 1971′s Imagine is very good as well, but unfortunately for John it was all downhill from there. Most of his recorded output between 1972 and 1975 is…spotty, to put it gently. Lennon was uncomfortable with the natural sound of his own voice and buried it in echo and reverb and schlocky production. He took a break from the music business until 1980 when he was inspired to go back in the studio to record Double Fantasy and enough outtakes for the posthumously released Milk and Honey.
Here are the 17 best songs from what’s available now on Spotify.
The Libertines at Alexandra Palace
London, September 28, 2014
Peter announced from the stage that next time The Libertines play the U.K. they will have some new songs.