Category Archives: Shorties

New Spoon video: Can I Sit Next To You

Video: Spoon – “Can I Sit Next To You”

Spoon – Can I Sit Next To You

From Hot Thoughts, due March 17 on Matador.

Like a lot of Spoon songs “Can I Sit Next To You” takes a few spins to reveal its mysteries. Simple and supple, groovy and woozy, each sound placed deliberately in the mix, this becomes the soundtrack to walking through crowded streets on a sunny day. “Gonna get kicks every night / no one’s holding me back / no one’s changing my mind.” Let’s go.

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Listen to Frontier Justice 2/19/17

The Thousand Points Of Light Memorial Waterfall lies dry at the center of the Super 7 Mega Mall food court tetrahedron, and everybody’s got an opinion as to why. Hair triggers, we have them. In this new reality of hot takes and burning questions, it’s fun to clamber onto a roof and shout “BELL BOTTOMS” over and over into the night sky. Jon Spencer Blues Explosion strut their way outta “Frontier Justice” in its college radio days and into this new consciousness, the latest FJ delivery system being Spotify. And speaking of that new consciousness, on this set JSBX drops into the void between Danny Brown‘s stuttering, claustrophobic “Ain’t It Funny” on one side and Lady Gaga‘s “Diamond Heart” on the other. Young, wild Americans, both.

Spotify: Frontier Justice 2/19/17 (35 songs, 2 hr 3 min)

At the top of the set, Norway’s Sigrid makes her debut with “Don’t Kill My Vibe” and M.I.A. returns with the typically martial “P.O.W.A.” Minor Threat and Agent Orange remind us that the establishment was riling up the youth in the early moments of the Me Decade, Patti Smith remains royalty, and “Said It Already” is new, incisive and grooving from young Londoner Ama Lou. Elsewhere, Tommy Genesis oozes volatility and effortless after-hours club cool on “Art,” and Dai Burger wants to be your class president. Did you know Michelle Branch is back? Hopeless Romantic is her first full-length in 13 years; it was written and co-produced with Patrick Carney of the Black Keys, and sounds like it. Angel Olsen released one of 2016’s best records in My Woman — The engrossing, cinematic “Sister” is a highlight — and digging deep into the Spotify Sound Vaults reveals classic material in a new light: Elvis Presley brings both vulnerability and bluesy swing to an alternate take of “Heartbreak Hotel,” and The Supremes are full of funky soul on “Bad Weather,” the 1973 nugget produced and written by Stevie Wonder.

There’s some Ratt along the way, because after all, what goes around comes around (and they’ll tell you why), L.A. Witch is back with cool new stuff for Suicide Squeeze, RTJ remind us to stay hungry and pissed, and Eminem is no less than unhinged on “No Favors,” one of the many standouts on Big Sean‘s terrific new record I Decided.

Making playlists isn’t protest. It’s not political action. But it can be a soundtrack for both dancing and dissent, and do its best to uphold the art of discourse, which in these polarizing times is increasingly under attack. And if you want to completely check out, there’s always room on Goat‘s delightfully weird magic carpet. Here, “Try My Robe.”

JTL

You can also try an Apple Music playlist. Let me know if this works. -ed.

Continue reading Listen to Frontier Justice 2/19/17

New Dawes video: Roll with the Punches

Video: Dawes – “Roll With The Punches”

Dawes – Roll With The Punches (Official Video)

Dawes is back with a new video from their 2016 album We’re All Gonna Die. This one co-stars Mandy Moore who looks sad and pretty as ever.

I’m still not 100% sold on the slick direction of their last couple of albums. It’s all a little too 80s Don Henley…or something. But still, this band has released one of my favorite songs of the millennium (2009’s “When My Times Comes”) and one of my favorite albums of the decade (2011’s Nothing Is Wrong), so I’m willing to give them the benefit of the doubt.

And they must be reading my mail, because they just released a streaming-only live album called We’re All Gonna Live. “The album includes selections recorded over the first four shows of the An Evening With Dawes tour, and was mixed, mastered and released within 15 days.” No time for slickness there, pally. Right on.

Killer Mike and El-P find out if NPR has rhythm

Video: Run the Jewels – Tiny Desk Concert

Run The Jewels: NPR Music Tiny Desk Concert

This is so great. I love these guys. They exude the righteous joy performers feel when they know they’re doing something awesome. RTJ can be fun and playful and serious and cutting all within the same verse. I wonder if Mike and El realize how much we need them right now and how perfect they are for this moment in time.

Songs performed:
“Talk To Me”
“Legend Has It”
“A Report To The Shareholders”

John Darnielle on Star Wars and very strong rum

It’s always fun when the Mountain Goats’ John Darnielle has a new project out because he goes out of his way to do interesting things to promote it. In this case his new novel, Universal Harvester, is out February 7 from publisher Farrar, Straus and Giroux, and instead of just going out on a regular book tour (which he’s also doing, of course), he’s also reviewing rum for the Wall Street Journal and composing a ditty for the director of the new Star Wars movie.

The WSJ article (“One Very Strong Rum, Multiple Alternate Realities”) is classic JD, incorporating references to Joan Didion, James Beard, and one’s careless, younger self. My favorite quote is: “Add a tablespoon [of rum] to pretty much any standard cake recipe and you’ve got yourself the kind of grown-up dessert that’ll allow you to imagine yourself in a Fitzgerald novel, preferably closer to the beginning than the end.”

I sometimes forget that I became a fan of John Darnielle from his writing (for Michael Goldberg’s InsiderOne/Neumu and JD’s own Last Plane to Jakarta zine/blog) before I ever heard a note of his music. But once I heard his music I immediately became obsessed, scaring off most of my friends and family with my zealotry. I’ve cooled off since then but every once in a while I still geek out.

When I saw his tweets about a new song inspired by a jokey twitter conversation with Rian Johnson, I didn’t know who that was. As much as I love Star Wars I’ve tried (and apparently succeeded) in remaining spoiler-free when it comes to news about the upcoming movies. For anybody who doesn’t know: Johnson is the director of Episode 8: The Last Jedi.

Darnielle’s summary:

I was saying how there’s an urgent need to speak out about the many deeds of the ultimate Jedi who wastes all the other Jedi and eats their bones. Rian agreed, and told me to get to work, that the story must be told! So I wrote the song and recorded it with a little help from my kids, who you’ll hear excitedly jumping in and out of the room while I work. Enjoy!

Hear it below…

Continue reading John Darnielle on Star Wars and very strong rum

Bowie Gets Posted

One thing that probably isn’t thought about a great deal—or at all—is the subject of postage stamps. If they’re thought of, it is in the context of suddenly finding oneself in the need of one.

But they can be thought about in relationship to music.

That is, the U.S. Postal Service actually has a broad list of musicians that it has put on stamps over the years. This includes:
• Louis Armstrong
• Ray Charles
• Elvis Presley
• Johnny Cash
• Sarah Vaughn
• Janis Joplin
• Jimi Hendrix

Now it seems that while there is a number of philatelists who collect the first-day covers and press sheets (with our without die cuts), there are plenty of people who, when going into their local post offices in need of stamps and are faced with the choice between a pickup truck and Janis make the Mercedes-Benz choice.

Back in the day when comic books ran ads for things like “X-Ray Specs,” there were sometimes ads for stamps that were—and are—printed by small countries that were trying to cash in on celebrities, whether it was a stamp with a superhero on it or some voluptuous Hollywood star that happened to be in the news. One could argue that that was probably a more sensible approach financially for putting ink on paper than plenty of other alternatives. They’d seize something of topical interest and turn it into a stamp that would certainly never be used.

It used to be that in the U.S. someone had to be dead (see previous list) before they’d get their face on a U.S. Postal System stamp. That changed in 2012.

Which explains things like Harry Potter stamps. After all, the U.S.P.S. isn’t immune to a need for revenue, and presumably a whole lot of Muggles would be more than glad to have a Potter collection stashed away in an album.

Meanwhile, over in the U.K. the Royal Mail has announced that for the first time in its history it is devoting a stamp issue to an individual artist or cultural figure:

David Bowie.

That’s right, there is a set of 10 Bowie stamps that will go in sale on March 14, that include:
• The covers of Hunky Dory, Aladdin Sane, Heroes, Let’s Dance, and Blackstar
• Four stamps showing Bowie in live performances (The Ziggy Stardust Tour, 1972; The Stage Tour, 1978; The Serious Moonlight Tour, 1983; A Reality Tour, 2004).

Incidentally: the Royal Mail, after 500 years, was privatized in 2015. Clearly its motives are not unlike those of the aforementioned small countries. Or the U.S.P.S., for that matter.

Nana Grizol video: TV Song

Video: Nana Grizol – “TV Song”

Nana Grizol – TV Song

The press release calls them “Elephant 6-affiliated folk-punks” which, I’ll admit, is enough to get my attention. I don’t remember ever hearing either of Nana Grizol’s first two records, Love It, Love It (2008) or Ruth (2010), but I like the sound of this song enough that I might have to go back and check them out. The new album, Ursa Minor, is due March 31 on Orange Twin Records.

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New Boss Hogg album coming soon: Brood X

Cristina Martinez and Jon Spencer are bringing back their New York art/punk/scuzz band Boss Hogg just when we needed them. We hadn’t heard from them since 2000’s Whiteout until they released a four-song EP in July. Along with veterans Jens Jurgensen on bass and Hollis Queens on drums, and newcomer Mickey Finn on keys, they’re releasing the full-length Brood X on March 24 on In The Red. Follow them on Facebook for all the latest revolutionary insurrection.

I’ve always thought Boss Hogg was cool. I still have my turntable mat from their eponymous 1995 album even though I got rid of the record years ago. I’m happy to hear they’re still making a ruckus.

And you can stream a couple of songs below…

Continue reading New Boss Hogg album coming soon: Brood X

New Father John Misty video: Pure Comedy

Video: Father John Misty – “Pure Comedy”

Father John Misty – Pure Comedy

Another feel good party anthem from everybody’s favorite optimist, FJM. No official info yet on whether this is from his third album or just another one-off single he’s been upping of late, but it appears that he and video director Matthew Daniel Siskin have been thinking about the miracle of birth and the inauguration of our new orange fuhrer.

Siskin, by the way, is Beyonce’s webmaster (or something).

Update: Clever nerds have discovered a cached merch page indicating that a new album, also titled Pure Comedy, is due March 31. Plus: album artwork.

Update #2: NPR reveals that Pure Comedy is due April 7 on Sub Pop Records.

Continue reading New Father John Misty video: Pure Comedy

Yes, People Still Listen to the Radio

While I anxiously await Nielsen’s year-end music sales report, I thought I’d share a few highlights of their recent recap of the state of the radio industry at the end of 2016:

• “radio’s reach is larger than any other format [TV, PC, devices] and only continues to grow year-over-year”

• “radio reaches 93% of U.S. each week” (That’s 225,207,000 adults!)

• Old people (55+) love the “News Talk Information” format. Overall, it was #1 with a 9.6% share.

• Young people love Pop Contemporary Hit Radio (CHR). It was #1 among both 18-34 year olds (with 12.2%) and 35-54 year olds (with 8.8%).

The way the radio industry describes its formats is weird and creepy though. You’d think I’d be used to it after 20 years of the Telecommunications Act of 1996, but I’m not. I still get skeeved out when I read about “Hot Adult Contemporary” and “Urban Adult Contemporary” which are different from plain old “Adult Contemporary” and, of course, “Urban Contemporary.” But what can you do?