Category Archives: Shorties

Lollapalooza 2017 lineup: Look familiar?

When you look at the 2017 Lollapalooza lineup released yesterday, a lot of those names might look familiar. Of the nine BIG FONT headliners only one (Blink-182) has never played Lolla before. Extending that to the 22 artists comprising the top five rows adds three more newbies: Wiz Khalifa, Big Sean, and Liam Gallagher.

If you’ve gone to Lolla over the past several years, you’ve probably already seen 18 of the top 22 acts. That’s 82%. Adding in the next three rows brings us to a total of 39 artists; 28 of them (72%) are Lolla veterans. This year will mark the Killers’ fourth Lollapalooza and it’ll be the fifth time for Cage the Elephant, Kaskade, and our beloved Spoon.

The undercard consists of an additional 21 groups that have played Lolla before and 108 that haven’t. So if you’re looking for new experiences, get there early!

I realize people don’t necessarily go to Lollapalooza every year and there’s certainly nothing wrong with seeing the same band a bunch of times. And you can’t blame the artists for cashing in on the festival circuit gravy train. But if you’re starting to feel a little deja vu when these lineup announcements come out, it’s not just your imagination. We have all been here before.

Big font headliners

CHANCE THE RAPPER: 2013
THE KILLERS: 2015, 2009, 2015
MUSE: 2007, 2011
ARCADE FIRE: 2005, 2010
THE XX: 2010
LORDE: 2014
BLINK-182: n00b!!!
DJ SNAKE: 2015
JUSTICE: 2012

Medium font rows 3-5

ALT-J: 2013, 2015
RUN THE JEWELS: 2014
CAGE THE ELEPHANT: 2007, 2009, 2011, 2014
WIZ KHALIFA: n00b!
BIG SEAN: n00b!
THE HEAD AND THE HEART: 2012, 2014
FOSTER THE PEOPLE: 2011, 2014
THE SHINS: 2006, 2012
RYAN ADAMS: 2006
KASKADE: 2009, 2010, 2012, 2015
PORTER ROBINSON: 2012
ZEDS DEAD: 2012
LIAM GALLAGHER: n00b!

Continue reading Lollapalooza 2017 lineup: Look familiar?

Spoon: The Band We Can All Count On

They say you shouldn’t trust anyone who doesn’t like puppies or babies. That’s kinda how I feel about anyone who doesn’t love Spoon. I mean…what’s not to love? Soulful vocals and witty lyrics; smart, economical instrumentation; beats and rhythms that make you DANCE; all peppered with hoots, hollers, grunts and groans that let you know rock music is supposed to be visceral.

Full transparency: Jake Brown was not always on the Spoon train and I can tell you that there were several whispered conspiratorial conversations around the office keg. We considered executing the 25th Amendment until he started to come around. I am pleased to say the state of the GLONO union is now strong.

Hot Thoughts is Spoon’s ninth studio album and builds on the same blue print established way back on 2001’s Girls Can Tell. This is a band who is consistent, if not creatively challenging. Once they broke (albeit slightly) from the jagged corners of their first two albums, the mold was set and they’ve honed the product more than redesigned it. And I am totally down with that. It’s a wonder how consistent, and consistently good, Spoon is. Given how shitty things are elsewhere in this country it’s really nice to know we can count on a solid record from this band every 24 to 36 months.

One area of exploration I have enjoyed from these guys is their occasional dips into dance-y pop music. I think it started with 2005’s “I Turn My Camera On,” which is a staple of any indie kid’s dance mix. This year we have “Can I Sit Next To You” as an early contender for Summer Jam 2017. It’s the kinda song that will make middle-aged dudes pine for pool parties that don’t include swim diapers.

If you’re reading this then you probably already have the new album so I’m not going to sell it. But I’d love to open up a conversation in the comments about the elements of Spoon that make them our favorite band. Because there are common elements, some of which are noted above and some of which get turned into criticism for other bands. Why?

Continue reading Spoon: The Band We Can All Count On

New Craig Finn video: God in Chicago

Video: Craig Finn – “God In Chicago”

Craig Finn – God In Chicago (Official Video)

From We All Want The Same Things, out March 24 on Partisan Records.

The thing with spoken word pieces is that you have to sit still and pay attention, and while that can be tough to carve out time for, “God In Chicago” makes it worth your while. “Her mom found her brother, then she found a container wrapped up in a newspaper stuffed in a duffle bag with hockey pads and seven grand in rubber bands.” As far as opening sentences go, that’s a pretty great start to a story. You might be able to guess where it goes from there: she calls the narrator and they drive to Chicago to sell the contents of the container and have a night on the town.

Craig Finn says, “It’s a story about a guy and a girl pushed together to try to fix a problem. In doing so, they push into unchartered territory for both of them. Going to a bigger city without supervision for the first time is a huge moment, no matter how you get there. I was trying to capture that. Also, I wanted to show how easy it is sometimes to take a break, if briefly, from our regular lives.”

I remember being a teenager and driving to the city for the first time. We didn’t have to sell any drugs, thank goodness, but my homie and I got loaded and ate Harold’s chicken with our shirts off in somebody’s University of Chicago dorm room. We listened to Spacemen 3 and Starship Beer and went to a silly hat party. He wore a fez. Good times.

Continue reading New Craig Finn video: God in Chicago

New Dandy Warhols video: Thick Girls Knock Me Out

Video: The Dandy Warhols – “Thick Girls Knock Me Out (Richard Starkey)”

The Dandy Warhols – "Thick Girls Knock Me Out (Richard Starkey)" Official Music Video

Gotta love the Dandies. It’s been twenty years since they released The Dandy Warhols Come Down on Capitol Records, and ten years since Capitol dumped them, and they’re still at it. Still pounding away at chuggy, psychedelic garage rock.

This one’s pretty fun, shouting out Paul McCartney’s Kisses On the Bottom and “It Don’t Come Easy” by “that other Beatle.” LOL.

Hook, hooky hook, mama. Look at you slammin’. Indeed. Look at you!

Hey we’ve got a new single called “Thick Girls Knock Me Out (Richard Starkey)” – if you ask my opinion you should plunk down the $1.29 to buy it on iTunes, maybe we can get a pot of coffee outta the deal.

“Thick Girls” is also available on all the premium streaming services (Spotify, Google Play, Amazon, Apple Music, etc), just in case you need it even cheaper than $1.29. Nevertheless play it a lot, put it on repeat, those .004 cents checks really add up ?

Continue reading New Dandy Warhols video: Thick Girls Knock Me Out

Broke Mack: Have you ever been in a hot tub?

Video: Ice Cube – “Who’s the Mack?”

Ice Cube – Who's The Mack

I didn’t even realize Ice Cube made a video for this song from Amerikkka’s Most Wanted until I was googling around, looking for something or other and stumbled across it on YouTube. Priority Records released a promotional 12″ in 1990, but it didn’t chart.

The best part about this video–other than Cube looking like an adorable little kid–is the ending where after spending the whole song rapping about different types of con artists in his own community, he visually opens up the definition to include White America. There’s “President Mack” (sitting POTUS George H. W. Bush), “Busted Mack” (televangelist Jim Bakker who had recently been found guilty on 24 counts of fraud and conspiracy), and best of all, “Broke Mack” (Donald Trump).

In June 1990, the Wall Street Journal reported the news of Trump’s impending financial distaster. So I’m assuming this video was made shortly after that. People magazine even had a cover story in July titled “Poor Donald!” But nobody summed it up better than Ice Cube: Broke Mack. You knew the game and you still ended up on your back.

Continue reading Broke Mack: Have you ever been in a hot tub?

TRAX: MisterWives – Machine

Audio: MisterWives – “Machine”

MisterWives – Machine (Audio)

MisterWives is the band nineteen-year-old-me would’ve loved — a cool girl out front, being super posi and singing huge, soaring hooks. There’s also a groove, and that’s like No Doubt in its earlist, best moments. And oh yeah, there’s a horn section. There are less and less great things in this world, right? It’s a fucking hellscape out there. Who does not want to jump up and down in rhythm with a bass player wearing a drug rug.

This song goes the other way.

Yo, dummy: We’re not part of your machine.

JTL

New Conor Oberst video: Till St. Dymphna Kicks Us Out

Video: Conor Oberst – “Till St. Dymphna Kicks Us Out”

Conor Oberst – Till St. Dymphna Kicks Us Out (Official Video)

From Salutations, due March 17 on Nonesuch.

So apparently Oberst’s last album, Ruminations, was just a collection of demos for this new album.

According to Nonesuch:

When Oberst wrote and recorded the songs on Ruminations, entirely solo—with just voice, piano, guitar and harmonica—he intended to ultimately record them with a full band. In the midst of putting together that band, the passionate responses Oberst was getting to those first solo recordings, from friends and colleagues, encouraged him to release the songs as-is, in their original sparse form, as his seventh solo album: Ruminations, which was released in October 2016. Meanwhile, Oberst simultaneously moved ahead with his plans to record with the band. Salutations includes full-band versions of the ten songs from Ruminations, plus seven additional songs.

So that’s kinda weird, right? Feels like a rip-off. Like maybe they should’ve just held on to the ten demos on Ruminations and included them as a bonus disc with Salutations. Who does Oberst think he is, Ryan Adams?

Then again, who cares anyway since nobody buys music anymore, and we can just stream them together or separately or not at all. The concept of the “album” as a cohesive piece of work is probably antiquated and anachronistic (and rockist!) at this point. Or maybe not. The only scarcity left in the music marketplace is people’s attention, and I’d rather not spend mine on demo collections when your ultimate intention is to put out a full-band album. But that’s just me.

Continue reading New Conor Oberst video: Till St. Dymphna Kicks Us Out

New Spoon video: Can I Sit Next To You

Video: Spoon – “Can I Sit Next To You”

Spoon – Can I Sit Next To You

From Hot Thoughts, due March 17 on Matador.

Like a lot of Spoon songs “Can I Sit Next To You” takes a few spins to reveal its mysteries. Simple and supple, groovy and woozy, each sound placed deliberately in the mix, this becomes the soundtrack to walking through crowded streets on a sunny day. “Gonna get kicks every night / no one’s holding me back / no one’s changing my mind.” Let’s go.

Continue reading New Spoon video: Can I Sit Next To You

Listen to Frontier Justice 2/19/17

The Thousand Points Of Light Memorial Waterfall lies dry at the center of the Super 7 Mega Mall food court tetrahedron, and everybody’s got an opinion as to why. Hair triggers, we have them. In this new reality of hot takes and burning questions, it’s fun to clamber onto a roof and shout “BELL BOTTOMS” over and over into the night sky. Jon Spencer Blues Explosion strut their way outta “Frontier Justice” in its college radio days and into this new consciousness, the latest FJ delivery system being Spotify. And speaking of that new consciousness, on this set JSBX drops into the void between Danny Brown‘s stuttering, claustrophobic “Ain’t It Funny” on one side and Lady Gaga‘s “Diamond Heart” on the other. Young, wild Americans, both.

Spotify: Frontier Justice 2/19/17 (35 songs, 2 hr 3 min)

At the top of the set, Norway’s Sigrid makes her debut with “Don’t Kill My Vibe” and M.I.A. returns with the typically martial “P.O.W.A.” Minor Threat and Agent Orange remind us that the establishment was riling up the youth in the early moments of the Me Decade, Patti Smith remains royalty, and “Said It Already” is new, incisive and grooving from young Londoner Ama Lou. Elsewhere, Tommy Genesis oozes volatility and effortless after-hours club cool on “Art,” and Dai Burger wants to be your class president. Did you know Michelle Branch is back? Hopeless Romantic is her first full-length in 13 years; it was written and co-produced with Patrick Carney of the Black Keys, and sounds like it. Angel Olsen released one of 2016’s best records in My Woman — The engrossing, cinematic “Sister” is a highlight — and digging deep into the Spotify Sound Vaults reveals classic material in a new light: Elvis Presley brings both vulnerability and bluesy swing to an alternate take of “Heartbreak Hotel,” and The Supremes are full of funky soul on “Bad Weather,” the 1973 nugget produced and written by Stevie Wonder.

There’s some Ratt along the way, because after all, what goes around comes around (and they’ll tell you why), L.A. Witch is back with cool new stuff for Suicide Squeeze, RTJ remind us to stay hungry and pissed, and Eminem is no less than unhinged on “No Favors,” one of the many standouts on Big Sean‘s terrific new record I Decided.

Making playlists isn’t protest. It’s not political action. But it can be a soundtrack for both dancing and dissent, and do its best to uphold the art of discourse, which in these polarizing times is increasingly under attack. And if you want to completely check out, there’s always room on Goat‘s delightfully weird magic carpet. Here, “Try My Robe.”

JTL

You can also try an Apple Music playlist. Let me know if this works. -ed.

Continue reading Listen to Frontier Justice 2/19/17

New Dawes video: Roll with the Punches

Video: Dawes – “Roll With The Punches”

Dawes – Roll With The Punches (Official Video)

Dawes is back with a new video from their 2016 album We’re All Gonna Die. This one co-stars Mandy Moore who looks sad and pretty as ever.

I’m still not 100% sold on the slick direction of their last couple of albums. It’s all a little too 80s Don Henley…or something. But still, this band has released one of my favorite songs of the millennium (2009’s “When My Times Comes”) and one of my favorite albums of the decade (2011’s Nothing Is Wrong), so I’m willing to give them the benefit of the doubt.

And they must be reading my mail, because they just released a streaming-only live album called We’re All Gonna Live. “The album includes selections recorded over the first four shows of the An Evening With Dawes tour, and was mixed, mastered and released within 15 days.” No time for slickness there, pally. Right on.