You know I love Father John Misty. Sure, I’ve poked a little fun at the TMI tendencies of his latest album, but I still really love it. His live show at this point is legendary, so it’s always great to see him perform on television. And as expected, he doesn’t phone it in for Conan.
This live version of the title track starts out sexy and gets progressively more intense until it’s downright scary by the end. I prefer it to the orchestrated album version.
I’m not so sure about Tillman’s appearance though. My man Phil calls it the “sexy hobo look.” He looks clammy and his bushy beard makes him seem bloated like a late-era Jim Morrison. Dude needs to visit a barber. Clean yourself up, man!
I hate podcasts. Transcribe that shit, you lazy motherfucker. Don’t make me spend 45 minutes listening in real time. I like to blare my own music and just skim your stupid little interview in between battles on Clash of Clans.
That said, sometimes it’s cool to hear people’s voices. Talking to each other. Shooting the shit. Personality comes across a lot clearer than on the page. I say I hate podcasts, but the truth is that pretty much every time I listen to one I like it. Marc Maron does great interviews and I can’t imagine that edited transcriptions would convey the enthusiasm he brings to the table.
And now our pals at Buddyhead have jumped into the podcast scene with Buddyhead Radio.
Welcome to Buddyhead Radio! Our new, sometimes-weekly, radio show / podcast hosted by Travis Keller that focuses on art, music, film and the internet.
In this third episode, Travis gets over the fear of hearing his own voice played back to him and gets to talk with the always interesting, and always charming, Duane Denison. Their talk covers if there’s ever going to be a new album from The Jesus Lizard, life in Nashville, giving guitar lessons, Kurt Cobain and a whole lot more in between all that! We think you’ll enjoy listening…
And that’s true. I did enjoy listening. You might too.
I am generally torn when it comes to my favorite defunct bands reforming. Sure, I am as easily swayed by nostalgia as the next guy, if not more so. But I am also keenly sensitive to the concepts of legacy and expectation, and we all know what can happen to the former if you miss the latter.
And so it’s with cautious optimism that I’ve been waiting for the return of The Likely Lads. The Libertines have been maybe my favorite band of the last 15 years. They personified so much of what I love about music: Punk attitude with smart lyrics and even smarter melodies, all wrapped up in a dream of Albion.
Today marks the beginning of the test with the release of a new video and song, “Gunga Din,” which is somewhat appropriate in the context of the relationship between Peter Doherty and Carl Barat. The Rudyard Kipling poem of the same name is about an English soldier in colonial India and his water carrier, who eventually sacrifices his own life to save the soldier…despite abuse. Without getting too analytical about it, let’s just say the two have had swings of abuse and intense love over the years that seems to have returned to a place of genuine appreciation, respect and brotherly affection.
The video finds our heroes stumbling and sweating their way through crowded streets in what I am guessing is Thailand, where the band wrote most of the new album as Doherty was completing a stint in rehab.
The 12-track record will be titled Anthems For Doomed Youth and comes out on September 4. Info on the various version is available on the band’s website.
Directed by Jenny Lewis. Starring Fred Armisen, Zosia Mamet, Leo Fitzpatrick, Feist, and Vanessa Bayer. From the album The Voyager, produced by Ryan Adams. This is one of my favorite albums from last year. I never got into Rilo Kiley, but Lewis won me over when I saw her with the Postal Service at Lollapalooza in 2013. She’s a super charismatic performer. And her videos are full of her famous pals, which comes across as a lot more charming than you might expect.
Jenny Lewis – Just One Of The Guys [Official Music Video]
Directed by Jenny Lewis. Starring Anne Hathaway, Brie Larson, Kristen Stewart, and Tennessee Thomas.
Lewis told Rolling Stone that Adams was “the most unique producer I’ve ever worked with, in his approach and behavior… He made me listen to five or six Creed songs, really loudly on these beautiful tube speakers. My ears were bleeding. And it was Creed! He was like, ‘This is great music. I want you to hear it.’ And by the third song, I was like ‘Huh. Umm. Yeah, I can maybe see that.'”
I’m just glad that not much Creed oozed into The Voyager, like it did on Adams’ own self-titled 2014 album. Yuck!
The Rentals – It's Time To Come Home [OFFICIAL MUSIC VIDEO]
I love the Rentals. I still think Return of the Rentals is an underrated 90s classic. Maybe “Friends of P” had “one hit wonder” written all over it (one minor hit, of course: it peaked at No. 82 on the Hot 100), but it works great in the context of a perfectly conceptualized and executed album. Neither Return of the Rentals nor its 1999 follow-up Seven More Minutes charted on the Billboard 200 but they both rank pretty high on my personal all-time Top 200 Albums chart.
And it’s good. None of the people from the first two albums other than Matt Sharp have anything to do with it, but the guy from the Black Keys plays the drums on it, so that’s kind of a big deal, right? It came out last August, but they finally got around to making a video for it, and it looks like a bunch of semi-futuristic, quasi-scientific mumbo jumbo, so it’s pretty much perfect!
If you would’ve told me back in 1991 that the Charlatans would still be making music twenty-something years later, I would have scoffed. Back then, as much as I enjoyed their Some Friendly album, it was obvious to anybody reading imported copies of the NME that these guys were total bandwagon-jumping posers. The Stone Roses were the real deal and everybody else was a sad imitation. But time has a funny way shaking things out. So here we are in 2015 and the Charlatans are still touring and releasing albums and making videos.
Several years ago I saw the Muggs open up for my beloved Quasar Wut-Wut in Chicago. Being drunk and being in Chicago, I naturally heckled the band. It’s what we do. By the end of their set they had won me over with their high energy Detroit rock and roll.
One interesting feature of the Muggs is that the bass parts are played on a Rhodes keyboard. You might think this is a clever affectation. But you’re wrong. Turns out their bass player had a stroke and the right side of his body is paralyzed, so instead of quitting the band he now uses his left hand to play bass on the Rhodes. And it sounds awesome.
“Applecart Blues” is from their new album, Straight Up Boogaloo, out now. Buy it from the band or on vinyl from Bellyache Records.
Peter Doherty – Flags of the Old Regime [official video]
Pete may be the ultimate poster boy for fuck ups across the world, so it’s easy to forget what a touching songwriter he can be when he’s not making headlines in British tabloids. At least they care in the UK; over here, his latest album–Babyshambles’ Sequel to the Prequel–didn’t even get a domestic release. Too bad, because it’s solid.
Hopefully this is all a good sign for the impending Libertines reunion recordings, happening now in Thailand where Doherty has completed yet another stint in rehab. Maybe I’m foolish for hoping he can keep it together long enough to make a worthy successor to the first two Libs LPs, but his most recent material certainly suggests he hasn’t yet smoked away all of his talent and charms.