Category Archives: Shorties

I Am Trying to Break Your Heart Filmmaker’s Diary

Documentary director Sam Jones kept a “filmmaker’s diary” of his experience working on a movie about Wilco. The documentary would eventually be called “I Am Trying to Break Your Heart” but I remember a short period of time when the film’s web site called it “I’m Trying to Break Your Heart.” (The Internet Wayback Machine tells me the title was updated on wilcofilm.com some time between March 26 and May 23, 2002.)

Jones rolled out the diary to the site every couple of weeks after transcribing his handwritten notes from months before, starting with his writing to Wilco’s manager about the idea in October 2000. The final entry was uploaded in February 2002 after only getting through August 2001. Jones said, “We will continue to update the diary every few weeks with new entries, and have no intention of stopping until the entire story has been told.” Nevertheless, he did not persist. By 2004 the web site was abandoned and in 2005 the wilcofilm.com domain registration was not renewed.

Before he quit the project, Sam Jones contributed over 40,000 words to his filmmaker’s diary. Quite an effort! It would have been cool if he would have seen it through, but even in an incomplete state, it’s a really cool achievement. Inquiries to Jones were not immediately returned. We’re reprinting it here.

October 26, 2000

This film began with an idea and a letter. The idea was that a band that I really loved was probably in the studio recording their fourth record, and there should really be a movie about that. The letter, once I tracked down his address, was sent to the band’s manager, Tony Margherita. It said, in many more words, basically the same thing. But everything that happened next was probably largely a result of those many more words, because they had a conviction that has carried me through the project. I wrote in the letter that I believe Wilco is a band that will stand the test of time. Like The Band, the Clash, Big Star, the Velvet Underground, and Bob Dylan, Wilco makes dense, emotional, timeless records that will keep being discovered by new generations of music lovers.

November 3, 2000

I received a phone call from Tony Margherita, Wilco’s manager, who told me that the idea sounded very promising, and that Jeff Tweedy and Tony would like me to fly to Chicago to meet them. I asked Tony about the schedule and he informed me that the band was about 30% into the making of the new record, tentatively titled “Here Comes Everybody,” and that they were recording entirely in their Chicago loft with no producer or record company personnel present. We talked more about what the band would be doing for the next year, and it seemed very feasible that I would be able to get the whole record-making process on film. Tony suggested I fly to Chicago the next week to talk.

Continue reading I Am Trying to Break Your Heart Filmmaker’s Diary

New Ice Cube video: Ain’t Got No Haters

Video: Ice Cube – “Ain’t Got No Haters” (ft. Too Short)

From Everythangs Corrupt, out now on Lench Mob/Interscope.

Back in the day I bought a used copy of Short Dog’s In The House from my local record shop. Only when I got home did I realize it was the “clean” version. Which, on a Too Short album, is ridiculous. One of the songs, a duet with Ice Cube, was pretty much a solid beeeeeeeeep.

This new song would only require a couple of beeps.

“Ain’t Got No Haters” can be heard as a sequel to Cube’s 1993 hit “It Was a Good Day,” set in a utopian world where “These police, they never light me up” and even “Fuckin’ up at work, they never write me up.”

Too Short’s verse contains this gem:

Thirty years later still spittin’ flows
Gettin’ paid to call these bitches hoes

Ain’t nothin’ but a word to Short Dog after all.

Ice Cube: web, twitter, amazon, apple, spotify, wiki.

New Rhiannon Giddens video: I’m On My Way

Video: Rhiannon Giddens – “I’m On My Way”

Directed by Laura Sheeran. From there is no Other, due May 3 on Nonesuch.

You might know Rhiannon Giddems from the Carolina Chocolate Drops. Their 2010 album Genuine Negro Jig made a big splash with a fiddle-banjo-beatbox cover of “Hit ‘Em Up Style.”

Giddens has been plenty busy since then, releasing two more Chocolate Drops albums, some solo stuff, and a bunch of collaborations. And now she’s teamed up with Sicilian multi-instrumentalist Francesco Turrisi and recorded a new album in Dublin.

She recently told the Irish Times, “The way that both of us approach music is very similar because we’re both very educated about where the music is coming from. But when it comes to playing, we’re both just playing what we feel. […] The banjo is my chosen instrument, it’s what I write my music on. I play a replica of a banjo from the 1950s. It was the first commercial-style banjo in the United States so it’s the first one that white people played. Before that there would have been many years of black folks playing home-made plantation instruments: they would have been using gourds as banjos, and then it changed to the hoop and the skin stretched over that, and from then on that’s what all banjos looked like. Mine’s fretless, so it’s a kind of a bridge from the pure black instrument that it used to be to what’s become now – seen as a totally white instrument even though that transition was a lot more grey. There were a lot of black people who played the banjo for a long time into the late ’50s.”

It’s cool to hear how they are combining different backgrounds and instruments and it still comes together sounding like deeply American, spiritual music.

Rhiannon Giddens: web, twitter, amazon, apple, spotify, wiki.

New Wallows video: Scrawny

Video: Wallows – “Scrawny”

Directed by Dillon Dowdell. From Nothing Happens, out now on Atlantic.

I’d have never heard of this group except that the leader of my favorite band has been pimping them nonstop on social media. Turn out one of the Wallows is her boyfriend!

They’re a major label indie rock band comprised of child actors, so it’s fully understandable if you don’t want to give them a chance. I totally get it but this song is pretty catchy and the video is kinda funny.

The chorus goes “I’m a scrawny motherfucker with a cool hairstyle” which, you know, certainly evokes a time in one’s life.

Wallows: web, twitter, amazon, apple, spotify, wiki.

New Monnone Alone video: Do it Twice

Video: Monnone Alone – “Do it Twice”

Directed bu Lily Youngsmith. From Summer of the Mosquito, due May 10 on Lost and Lonesome. 7″ out now.

The former Lucksmith is back with a new single, and yet more evidence that we should all pack up and move down under where everybody is so much cooler.

Mark Monnone says the song “is written from the point-of-view of a mid-40s gentleman, looking back over the years and realising his greatest achievements – the things that have really left an imprint on his being and still bring a twinkle to the eye – are the things that didn’t work out so well; awkwardly handled social interactions, frustrating miscommunications, situations that went monumentally wrong and made the heart beat ever faster and really fire up the perspiration glands. With this in mind, for the video, it was obvious the first thing we needed to get our hands on was a green screen.”

Obviously! If you’re a fan of clever, jangly pop music do yourself a favor and check it out.

We interviewed Mark Monnone way back in 2002: Perfect in the Summertime: Lucksmiths Interview by Helen Wilson.

Monnone Alone: bandcamp, fb, amazon, apple, spotify, wiki.

New King Gizzard video: Fishing For Fishies

Video: King Gizzard & The Lizard Wizard – “Fishing For Fishies”

From Fishing For Fishies, due April 26 on Flightless.

Why’s everybody so shiny? Not from fish oil, that’s for sure.

I don’t want to be fishing for fish
I just want to let them freely swim

I’ve heard that it’s okay to eat fish because they don’t have any feelings, but what do I know?

Well I know it’s good to see bands having fun and not taking themselves too seriously. And kicking out happy little ditties like this. I’m hoping there’s a whole generation of young parents who are exposing their two-year-olds to this video.

Kinda reminds me Grandaddy’s “Nature Anthem” which I used to play for my kid once he got old enough to start paying attention to lyrics. Before that his favorite video was MGMT’s “Time to Pretend” but as soon as a kid starts singing along, you have to make tough decisions about listening to songs about shooting heroin and fucking with stars.

Kids figure out irony down the line, of course, but for a while it’s best to stick with jams about fishing and climbing up the side of a mountain. What else can we do?

King Gizzard and the Lizard Wizard: web, twitter, amazon, apple, spotify, wiki.

New L7 video: Burn Baby

Video: L7 – “Burn Baby”

Directed by Courtney and Hillary Andujar. From Scatter The Rats, due May 3 on Blackheart Records.

After a couple singles on Don Giovanni L7 is back with their first full length album since the nineties. Scatter The Rats will be out May 3 on Joan Jett’s Blackheart Records.

Donita Sparks says, “When we decided to make a new record, Joan was there for us as the good friend she has always been. So great to stomp into Blackheart Records with her at the helm. We’re very excited to work with Joan and the entire Blackheart family. Just imagine the family dinners!”

“Burn Baby” has a bit of that classic “Pretend You’re Dead” riffology and the notorious L7 bad attitude.

I think you’re a fraud
And you know I’m a fake
But at the end of the day, we all burn at the stake.

Alright!

L7: web, twitter, amazon, apple, spotify, wiki.

New Rain Phoenix video: Time is the Killer (ft. Michael Stipe)

Video: Rain Phoenix – “Time is the Killer” (ft. Michael Stipe)

Directed by Bobby Bukowski and Bradley Gregg. From Time Gone, out now on KRO.

When Rain Phoenix was 15 she started a band with her brother River. Aleka’s Attic played shows and recorded some music but didn’t release much. It’s been just over 25 years since River Phoenix died and now his sister has put out a single with two previously unreleased Aleka’s Attic tracks, plus her own new song.

“Time is the Killer” is a haunting ballad that begins with the clever phrase, “Everybody’s dying to know where we go when we die.”

She told Rolling Stone the song is “about impermanence, our futile attempts at avoiding it and the bittersweet outcome of everything changing all the time.”

Michael Stipe was recruited out of retirement to provide a harmony vocal. “Stipe asked to hear the song. He loved it. He said yes. I am still in shock. His voice is magic.”

Rain Phoenix: web, twitter, amazon, apple, spotify, wiki.

Continue reading New Rain Phoenix video: Time is the Killer (ft. Michael Stipe)

50 Years Ago in Rolling Stone: Issue 29

Rolling Stone issue #29 had a cover date of March 15, 1969. 32 pages. 35 cents. Cover photo of Janis Joplin by Baron Wolman.

Features: “Bob Dylan: ‘I Can’t Remember Where They Come From'” by Jann Wenner; “Janis: The Judy Garland of Rock and Roll?” by Paul Nelson; “Roller Derby: Nobody Loves Us But The Fans” by John Grissim, Jr.; “The Incredible String Band” by Michael March; “The Fool” by J.M. Rose; “Flatt & Scruggs” by David Gancher; “Forgiven” by Richard Brautigan.

News: “Lloyd and Cotton, Heat Take Fall”; “John and Yoko Slapped Hard”; “L.U.V. Movement Hits the Campus”; “Students Get Naked With Playboy”; “Two LA Stations’ History of Pop”; “Beck Fires Two, Delays Tour”; “COME Opens With All-Star Staff”; “Wanted: Hip Cops”; “James Bond + Monkees = Tomorrow”; “KMPX & KSAN Fire Three Jocks”; “Melanie’s Got A Last Name”; “EYE Trouble Plagues Hearst”; “Meher Baba Dies; Silent 43 Years”; “Gabby Hayes Is Dead at 83.”

Continue reading 50 Years Ago in Rolling Stone: Issue 29

New Pip Blom video: Daddy Issues

Video: Pip Blom – “Daddy Issues”

Directed by Edward Zorab. From Boat, due May 31 on Heavenly.

“The video is a love letter to classic cinema, but also a cautionary tale,” says frontwoman Pip Blom. “Our culture makes it too easy to fall in love with things which aren’t real, and if you’re not careful you can end up in a sort of groundhog day cycle of self-induced disappointment. I think the surreal narrative of the video encapsulates that in quite a self aware way.”

I dunno. Is that really the moral of this video? To me, it seems like the kid had a really nice, fully-realized dream. Did it end up in self-induced disappointment? We don’t really see any evidence of that in the video. Life’s short; you don’t get all that many chances to bounce on a bed and play patty cake with people, so you probably ought to take advantage of the opportunities that come your way. Especially when you’re young.

Or whenever in your dreams. After all, a wise man said, you’re innocent when you dream.

Pip Blom: web, twitter, amazon, apple, spotify, wiki.