Category Archives: Shorties

50 Years Ago in Rolling Stone: Issue 25

Rolling Stone issue #25 had a cover date of January 4, 1969. 32 pages. 35 cents. Cover photo of the MC5’s Rob Tyner.

I hadn’t originally intended on continuing this series into 1969. By the end of 1968 Rolling Stone had firmly established its identity as the leading voice of the rock and roll generation. It was no longer the ramshackle underground newspaper that gave away roach clips to new subscribers. It was serious.

So it seemed like a good place to stop. But the January 4 issue has that glorious photo of Rob Tyner on the cover, and well…it looks like I’ll be doing more of these after all. 1969 was a pretty exciting year and Rolling Stone was there to cover it.

It’s a shame more of this content isn’t available online. Eric Ehrmann’s MC5 cover story, published before their debut album was released, is hilarious in all its myth-making, jive-talking hagiography.

Features: “Detroit’s MC5: Kick Out the Jams” by Eric Ehrmann; “The Blind Leading the Deaf Through a Desert” by Jann Wenner; “Beggar’s Banquet” by Jon Landau; “Taj Mahal” by Tom Nolan; “Jose Feliciano” by Ritchie Yorke; “The Ghost Children of Tacoma” by Richard Brautigan.

News: “No More Traffic; Winwood-Clapton Rumors” by Ritchie Yorke; “God Save The Cream” by Jonathan Cott; “Your Ears Are In Good Hands”; “Janis Joplin’s New ‘Revue'”; “Jools [Julie Driscolll] Denied Work Permit”; “Family Dog Shot Down.”

Columns: Perspectives by Ralph J. Gleason (“It Ain’t Really Funny” on the Man coming down on the Kids: “there are more people out there in the boonies than are covered by our philosophy…”); Books by John Grissim, Jr. (Hunter S. Thompson’s Hells Angels and Frank Reynolds’ Freewheelin’ Frank); Cinema by John Luce (Jean-Luc Godard’s Weekend); “Pardon Us, But It’s Christmas” (a note about how they’re skipping an issue because the printer is closed on Christmas Day — printing takes places three and a half weeks before the issue’s cover date); Random Notes on Allen Ginsberg, the Rolling Stones, the Beatles, Motown, Arthur Brown, Bing Crosby, and a disgruntled message about Vox guitars and amplifiers:

Continue reading 50 Years Ago in Rolling Stone: Issue 25

New Steve Gunn video: Vagabond

Video: Steve Gunn – “Vagabond”

Directed by Jason Evans. From The Unseen In Between, out January 18, 2019 on Matador.

I like spooky music. Not necessarily scary music–though I have a small corner of my heart that’s draped in black set aside for Ministry as well–but music that is a bit unsettling. There are certain tones and vocal inflections that for one reason or another leave me at ill-ease. And I like it. I made an entire mixtape of 70s Creepout songs that were probably never intended to scare anyone when they were written.

Steve Gunn makes some spooky music and he’s one of my favorite artists of late. He has a good sense of melody and a great ear for guitar tones. Did he maybe spend some nights as a child falling asleep under a pile of coats while his parents partied in another room? My guess is yes.

Steve Gunn: web, twitter, amazon, apple, spotify, wiki.

New Sharon Van Etten video: Seventeen

Video: Sharon Van Etten – “Seventeen”

Directed by Maureen Towey. From Remind Me Tomorrow, out January 18 on Jagjaguwar.

Wow. This is a powerful song and an intense video. On its surface it’s another song — like “Comeback Kid” — about looking back at your younger self. But it’s easy to imagine this being sung from the perspective of a parent to their snotty teenager.

Now you’re a hotshot
Think you’re so carefree
But you’re just seventeen
So much like me

Until I had a kid I never really appreciated the shit my poor mom dealt with to raise me. I realize that individuation is an essential part of human development but I regret having been such a dick to her as an adolescent (and beyond).

There’s a scene in the “Seventeen” video that breaks my heart: where young Sharon Van Etten runs up to get under current Sharon Van Etten’s umbrella. It’s a perfect snapshot of how kids still need the comfort and protection of their parents, even after they no longer think they want it.

My own kid is a tweener now and I know our days are numbered. He’s already pushing away in various frustrating ways. I think I’m afraid that he’ll be just like me. Hopefully he’s nicer to his mom than I was at least.

Sharon Van Etten: web, twitter, amazon, apple, spotify, wiki.

New Rivers Cuomo video: Two Broken Hearts

Video: Rivers Cuomo – “Two Broken Hearts”

Single out now.

Well at least it’s better than the stupid Toto covers. I hate to sound like Leslie’s Jones’ character on the SNL bit, but I am what I am. By the way, have you watched that sketch with people who are not total nerds? It’s uncomfortably unfunny. And there I am, all like, “No it’s funny because I am Leslie Jones. No really, that is exactly what I’m like. Exactly!” And they’re all like, “Weezer? I didn’t even know they were still a band…” Good times.

Rivers Cuomo: web, twitter, amazon, apple, spotify, wiki.

Via punknews.

Continue reading New Rivers Cuomo video: Two Broken Hearts

New Tess Parks and Anton Newcombe video: Monochrome Wound

Video: Tess Parks & Anton Newcombe – “Monochrome Wound”

Directed by Jean de Oliveira. From From Tess Parks & Anton Newcombe, out now on A Recordings Ltd.

Oh, man…this is some witchy shit. Tess Parks teams up with Brian Jonestown Massacre bossman Anton Newcombe for a duet (of sorts) and a tour around Aleister Crowley’s Thelema Abbey in Cefalú in Sicily? Hell yes.

Described by Wikipedia as, “This idealistic utopia was to be the model of Crowley’s commune, while also being a type of magical school, giving it the designation ‘Collegium ad Spiritum Sanctum’, A College towards the Holy Spirit. The general program was in line with the A∴A∴ course of training, and included daily adorations to the sun, a study of Crowley’s writings, regular yogic and ritual practices (which were to be recorded), as well as general domestic labor. The object was for students to devote themselves to the Great Work of discovering and manifesting their True Will.” It’s now a run-down shack in the middle of the woods, which is oddly appropriate as a metaphor and a monument.

The song is a spooky, sultry rambler right in line with Anton’s mellower takes with BJM accented by Tess Parks’ smoky vocals; this is what my desert dreams are made of.

Tess Parks: web, twitter, amazon, apple, spotify, wiki.

Anton Newcombe: web, twitter, amazon, apple, spotify, wiki.

New Raconteurs videos

Video: The Raconteurs – “Now That You’re Gone”

Directed by Dikayl Rimmasch. Single out now on Third Man.

I am a big fan of Jack White’s, more so his approach to the music business even than much of the music he makes. He’s an aesthete, which makes for great branding, but sometimes needs to be challenged by other influences. My favorite examples of his work are when he partners with somebody else. Someone like Loretta Lynn. Or Brendan Benson.

The Racanonteurs are by far my favorite Jack White joint, mainly because he has a foil in the pop sensibilities of Brendan Benson and the backing of one of my favorite rhythm sections in Jack Lawrence and Patrick Keeler of The Greenhornes (my second favorite Third Man Records act).  

But Jack’s been a busy boy and it’s been more than a decade since we last heard from The Raconteurs. They’re back now, with Benson confirming some tour dates via Twitter, and a couple of killer new videos.

“Sunday Driver” is a great example of the successful smashing of sounds that make The Raconteurs so good. The intro sounds like a Greenhornes’ jammer with a garage-psyche break under Benson’s melody. Success in a most unlikely way!

“Now That You’re Gone” is my favorite of the two though. A simmering break up songs accompanied by a super hot video of lust and destruction. Oh yes.

A new album is due later this year and I cannot fucking wait.

Continue reading New Raconteurs videos

GLONO’s 21 Best Songs of 2018

Happy New Year!

Once again, as always, there were a ton of great songs released last year. Narrowing it down to the 21 best is a bit ridiculous, but it’s a digestible chunk of music to summarize the year.

My absolute favorite song of the year was also the most surprising: the Oak Ridge Boys’ “Pray to Jesus” blew my mind the first time I heard it and continues to blow we away with each listen. The fact that the Oak Ridge Boys of “Elvira” fame (1981) are not only still together but still sounding this good and recording material of this quality doesn’t make any sense. Or maybe it does! Everything was crazy in 2018.

In addition to “Pray to Jesus” we’ve compiled twenty more great songs from 2018 sequenced for maximum listening pleasure. Please enjoy!

21 Best Songs of 2018 on Spotify

Continue reading GLONO’s 21 Best Songs of 2018

2018: Good Riddance

What a year. How naive were we to think that 2016 was bad just because Prince and David Bowie died, Mitch McConnell was mean to President Obama, and Hillary Clinton lost the election to a game show host who made an entire career out of lying and cheating?

And then 2017 seemed bad too. But now 2018 had us actually locking children in cages and condoning the dismemberment of journalists, so it’s hard to imagine 2019 getting much worse, but who knows? There are 365 days to prove me wrong, and when crazy stuff happens literally every single day of the year, I’ll probably look back at this post and shake my head and think, awww, how cute, you didn’t think it could get worse…

I find myself wishing Hunter S. Thompson was around to help put our current events into context. His writing about the 70s still seems so relevant today. But then again, Nixon looks like Alexandria Ocasio-Cortez compared to today’s G.O.P. And Reagan looks like Beto O’Rourke.

But hey, at least the Dems won the House and there was a bunch of good music released this year.

We posted something every weekday for the whole year, a consistency we hadn’t achieved in the 17-year history of this website.

And as I said last year, “We are not an algorithm. We’re a few dudes with dayjobs and strong opinions who tend to gravitate toward guitar music with something to say. You can trust us.”

So once again, we’ve been compiling the songs we’ve posted into a massive playlist which you can stream for yourself to decide if our taste jibes with your own. Dig it.

And let’s hope things get better in 2019.

Continue reading 2018: Good Riddance

New Speedy Ortiz video: I’m Blessed

Video: Speedy Ortiz – “I’m Blessed”

Animation by: Hannah Darrah. From Twerp Verse, out April 27 on Carpark.

Speedy Ortiz opened up for Liz Phair this summer and you can hear why they were a good match when you listen to this song.

I’m blessed, I am a witch
And I float above everyone who would do harm on me
They crane their necks
They call me a bitch
For using my powers at a party

It’s a bummer that women still need to write songs about empowerment in 2018, but until the patriarchy is toppled I’m happy there are artists out there like Speedy Ortiz to tell it like it is.

Speedy Ortiz: web, twitter, amazon, apple, spotify, wiki.

New Ice Cube video: That New Funkadelic

Video: Ice Cube – “That New Funkadelic”

From Everythangs Corrupt, out now.

It’s kind of insane to think I’ve been loving Ice Cube for almost thirty years. I remember it was my freshman year of college, before everybody’s friend groups had solidified, when you’d leave your dorm room door open and people would just pop in to comment on your posters or the music on your stereo. I can’t remember his name or even what he looked like, but some dude came by and for whatever reason he decided I needed a tape with Straight Outta Compton on one side and Eazy-Duz-It on the flip. And I’m not sure if I’m just making this up but I think he also told me to look out for Ice Cube’s upcoming debut solo album. Before that I had only known about Eazy-E, but this benevolent stranger (was he an angel?) schooled me on how Cube wrote all the songs and was the guy to watch.

It took a while for those albums to sink in. So many words coming at me so fast! But I knew this was “important” music so I invested my time. I listened to that tape over and over until I knew all the words and could pretty much figure out what they were talking about. I appreciated it, of course, when they would define some of their slang in the middle of a song, like in “I Ain’t tha 1” when Cube taught me that “Ganked means getting took for your bank or your gold or your money or something.” Anyway, before I knew it, I was a superfan, convinced that I was down with the capital C-P-T.

It’s ridiculous and embarrassing now to look back at my 19 year old self who truly believed that I could understand the African American experience because I had read some Malcolm X and Toni Morrison and listened to a bunch of hop hop. A couple years later a sociology professor busted my chops for using hip hop lingo in the underground newspaper my friends had started. I couldn’t grasp how she could possibly question my authority to appropriate this culture. Sure, I was a suburban white kid attending a small, private liberal arts college, but but but… I was down!

Even when I picked up Small Talk at 125th and Lenox on vinyl and listened to “Comment #1” I naturally assumed that Gil Scott-Heron was talking about some other “four year revolutionary.” Not me! Turns out, I was that “silly trite motherfucker” after all. That’s a tough pill to swallow for an idealistic young person. But so it goes.

Regardless, even after my heavy doses of self-reflection, I still love Ice Cube.

And Funkadelic.

Which reminds me: Did I ever tell you about the time I listened to all of the Funkadelic albums in reverse chronological order in one sitting? That, my friends, was an experience.

Ice Cube: web, twitter, amazon, apple, spotify, wiki.

Continue reading New Ice Cube video: That New Funkadelic