Category Archives: Shorties

New Ice Cube video: That New Funkadelic

Video: Ice Cube – “That New Funkadelic”

From Everythangs Corrupt, out now.

It’s kind of insane to think I’ve been loving Ice Cube for almost thirty years. I remember it was my freshman year of college, before everybody’s friend groups had solidified, when you’d leave your dorm room door open and people would just pop in to comment on your posters or the music on your stereo. I can’t remember his name or even what he looked like, but some dude came by and for whatever reason he decided I needed a tape with Straight Outta Compton on one side and Eazy-Duz-It on the flip. And I’m not sure if I’m just making this up but I think he also told me to look out for Ice Cube’s upcoming debut solo album. Before that I had only known about Eazy-E, but this benevolent stranger (was he an angel?) schooled me on how Cube wrote all the songs and was the guy to watch.

It took a while for those albums to sink in. So many words coming at me so fast! But I knew this was “important” music so I invested my time. I listened to that tape over and over until I knew all the words and could pretty much figure out what they were talking about. I appreciated it, of course, when they would define some of their slang in the middle of a song, like in “I Ain’t tha 1” when Cube taught me that “Ganked means getting took for your bank or your gold or your money or something.” Anyway, before I knew it, I was a superfan, convinced that I was down with the capital C-P-T.

It’s ridiculous and embarrassing now to look back at my 19 year old self who truly believed that I could understand the African American experience because I had read some Malcolm X and Toni Morrison and listened to a bunch of hop hop. A couple years later a sociology professor busted my chops for using hip hop lingo in the underground newspaper my friends had started. I couldn’t grasp how she could possibly question my authority to appropriate this culture. Sure, I was a suburban white kid attending a small, private liberal arts college, but but but… I was down!

Even when I picked up Small Talk at 125th and Lenox on vinyl and listened to “Comment #1” I naturally assumed that Gil Scott-Heron was talking about some other “four year revolutionary.” Not me! Turns out, I was that “silly trite motherfucker” after all. That’s a tough pill to swallow for an idealistic young person. But so it goes.

Regardless, even after my heavy doses of self-reflection, I still love Ice Cube.

And Funkadelic.

Which reminds me: Did I ever tell you about the time I listened to all of the Funkadelic albums in reverse chronological order in one sitting? That, my friends, was an experience.

Ice Cube: web, twitter, amazon, apple, spotify, wiki.

Continue reading New Ice Cube video: That New Funkadelic

New Phoebe Bridgers video: Killer

Video: Phoebe Bridgers – “Killer”

Directed by Gus Black. From Stranger In The Alps, out now on Dead Oceans.

We kicked off this year with a Phoebe Bridgers video and now we’re pretty much closing it out with one. And what’s a better topic for the day after Christmas than creating an Advance Health Care Directive for your loved ones to carry out when you’re too ill to make decisions for yourself?

But when I’m sick and tired
When my mind is barely there
When a machine keeps me alive
And I’m losing all my hair
I hope you kiss my rotten head
And pull the plug
Know that I’ve burned every playlist
And given all my love

Right on.

This song was originally recorded acoustically in 2015 with Ryan Adams and released as a 7″ on his Pax Am label.

Bridgers told the Telegraph that she and Adams “ended up hanging out all night and recording a song together called Killer. Then, a couple of weeks later, he was suddenly trying to hook up with me. I was super-down and had just broken up with my high-school boyfriend. We slept together on his 40th birthday and I’d just turned 20.” She wrote “Motion Sickness” in response (“I hate you for what you did… I faked it every time… why do you sing with an English accent… you were in a band when I was born”). Ouch.

The version of “Killer” on Stranger In The Alps is piano-based and features harmonies from John Doe of X.

And Ryan Adams is a creep.

Phoebe Bridgers: web, twitter, amazon, apple, spotify, wiki.

Audio: Phoebe Bridgers – “Killer” (2015 version)

From the single (Pax Am, 2015).

Video: Phoebe Bridgers – “Motion Sickness”

Directed by Justin Mitchell. From Stranger In The Alps, out now on Dead Oceans.

New Monkees video: Unwrap You At Christmas

Video: The Monkees – “Unwrap You At Christmas”

Directed by John Hughes. [Oh really? -ed.] From Christmas Party, out now on Rhino.

Ho ho ho, everybody!

“Unwrap You At Christmas” was written by Andy Partridge and it’s weird that Micky sounds like he’s trying to sound like XTC. Probably imitating the demo a little too closely. Still, it’s a good pop song as if you’d expect anything less from then pen of Andy Partridge. I’m not complaining. So hey hey, new Monkees!

Christmas Party follows 2016’s Good Times and carries on several of its ideas: produced by Adam Schlesinger featuring new songs written by Partridge, Rivers Cuomo, and some vintage stuff so Davy Jones can be included. This one also features a new song written by Peter Buck And Scott McCaughey.

Too bad this time they couldn’t convince Noel Gallagher and Paul Weller to collaborate on a Christmas song; their “Birth of an Accidental Hipster” was a highlight of Good Times.

But if you’ve ever wanted to hear Micky Dolenz cover Big Star’s “Jesus Christ,” Christmas Party‘s got you covered.

Of course, my favorite Monkees holiday song has always been and always will be “Riu Chiu.” (It’s included as a bonus track on the Target exclusive edition.)

The Monkees: web, twitter, amazon, apple, spotify, wiki.

Continue reading New Monkees video: Unwrap You At Christmas

New William Shatner video: Rudolph The Red-Nosed Reindeer

Video: William Shatner – “Rudolph The Red-Nosed Reindeer” (ft. Billy Gibbons)

From Shatner Claus – The Christmas Album, out now on Cleopatra.

Yep. You’re welcome. It’s hard enough to fall asleep the night before Christmas without Captain Kirk plaguing your nightmares. Sweet dreams!

William Shatner: web, twitter, amazon, apple, spotify, wiki.

50 Years Ago in Rolling Stone: Issue 24

Rolling Stone issue #24 had a cover date of December 21, 1968. 32 pages. 35 cents. Cover photo of the Beatles.

This is the final issue of 1968. By this time the magazine had firmly established its identity. It was now a professional publication with a copy editor (Charles Perry) and at last a managing editor in John Burks who would run the magazine while Wenner “focused on expanding the business and procuring the big interviews,” according to Joe Hagan’s Sticky Fingers. Burks was a real journalist, a former Newsweek correspondent whom Wenner hired to placate Ralph Gleason, who was “furious at [Wenner] for letting Rolling Stone come out late and riddled with errors…and leaving behind a trail of angry and unpaid writers” (pg. 119).

Over the next two years John Burks, with support from Greil Marcus and Gleason, would turn Rolling Stone into a serious journalistic enterprise, exemplified in 1970 by the in-depth coverage of Altamont in January and Kent State in May. (Of course, Wenner being Wenner, by the end of 1970 he fired almost everybody, including Burks and Marcus, and took back control.)

The opinions and priorities that he presented in these first 24 issues would continue to shape the rock and roll canon for the next forty years, although over the past ten years or so this canon has started to be questioned and re-evaluated. There was a lot more going on during the sixties than what was featured in the pages of Rolling Stone. But Wenner’s provincial attitude about the superiority of the San Francisco rock scene and his blind deification of John Lennon remains intact for a lot of people to this day. And not just Boomers!

One surprising thing about this first full year of Rolling Stone is how much coverage black music received. Throughout the 70s it got way, way whiter but at first there was a lot of coverage of soul, jazz, and R&B.

It also surprised me that there were woman on the masthead this whole time. Sue C. Clark was the New York Desk the whole year. The editorial assistants were mostly women from the get go including sisters Janie and Linda Schindelheim. (Jane was Wenner’s girlfriend whose dad gave her the money to help found the company.) Susan Lydon, Henri Napier, Elizabeth Campbell, and Catherine Manfredi all had early bylines. Not to suggest it wasn’t a total sausage fest, but Rolling Stone got a ton of support (and column inches) from women.

Features: “Beatles” by Jann Wenner (White Album review); “A Short Essay On Macrobiotics” by John Lennon; “Dion: Today I Think I Got a Chance” by Ritchie Yorke; “Three Short Short Stories” by Richard Brautigan; “Lou Adler” by Jerry Hopkins.

News: Beatles’ Record-Busting LP May be All-Time Biggest; Stones Plan World Tour, Xmas TV Show in Works; Doors New Riot-Concert Tour A Smash in Phoenix, Arizona; Graham Nash to leave the Hollies; New Motown Suit; Detroit Scene; Burdon Quits to make Flicks, Animals Hassled in Japan; Zeppelin Signs; King Elvis Figures the time is Right, Does Big TV Special; More Hassles for Family Dog.

Columns: Perspectives by Ralph J. Gleason (“So Revolution is Commercial”); Soul Roll by Jon Landau; Visuals by Thomas Albright (“The Portable War Memorial Commemorating VD Day”); Cinema by Roger Ebert (“Two Virgins and Number Five”); “Yoko Talks About It” by Yoko Ono; Random Notes on Aretha Franklin, Grace Slick, Cream, Jefferson Airplane, Otis Rush, and Johnny Winter.

Continue reading 50 Years Ago in Rolling Stone: Issue 24

New Beths video: Have Yourself A Merry Little Christmas

Video: The Beths – “Have Yourself A Merry Little Christmas”

Single out now on Carpark Records.

“Have Yourself A Merry Little Christmas” is, of course, the saddest Christmas song ever. Which is why it’s one of the best. The lyrics promise that our troubles will be out of sight, but the melody tells the truth: our troubles are here to stay, next year and forever after.

The song was originally sung by Judy Garland and nobody can conjure false optimism better. Frank Sinatra recorded his version in a state of near suicidal depression in the midst of his breakup with Ava Gardner, but the lyrics were still too sad for him. He asked the songwriters to change the line “until then, we’ll have to muddle through somehow” and they came up with “hang a shining star upon the highest bough.”

Sixty years later the Beths have recorded a version that perfectly captures this doomed attempt at jolliness. And their video nails it as well. Puppet videos rarely evoke this much emotional connection. I’m not going to spoil the ending but you should watch it.

The Beths: bandcamp, twitter, amazon, apple, spotify, wiki.

New Gerard Way video: Dasher

Video: Gerard Way – “Dasher” (ft. Lydia Night)

Directed by Aaron Hymes. Single out now on Reprise.

‘Tis the season.

Last time we checked in on Gerard Way he was getting spooky for Halloween. Now he’s got a Christmas song. Did we miss his Thanksgiving single? Can we expect a New Years song next?

Turns out Way’s been playing “Dasher” live since at least 2014, but he finally got around to recording a studio version. And he recruited Lydia Night from the Regrettes to call in for a spoken interlude in the middle.

When you go, can you come
This way
‘Cause I feel safe in your arms
And she’s got dashes in her stars

Nothing better than a melancholy holiday jam.

Gerard Way: web, twitter, amazon, apple, spotify, wiki.

New Juliana Hatfield video: Lost Ship

Video: Juliana Hatfield – “Lost Ship”

Directed by Rachel Lichtman. From Weird, due January 18 on American Laundromat.

Cool original new song from Juliana Hatfield fresh on the heels of her Olivia Newton-John cover album. She never stops working!

Hatfield told Vanyaland, “Rachel Lichtman of the awesome Network 77 hipped me to this place called Deer Island in Winthrop, Massachusetts and we shot the video there. It’s right in my backyard, practically, but I had never been there before. It was such a cool sci-fi setting, with the wind and those gigantic egg-shaped structures which are part of the waste treatment facility out there. Rachel made this a beautiful haunting video.”

Directed Lichtman added, “I feel like Juliana and I created something that so beautifully captures the powerful freedom of the chosen isolation described in ‘Lost Ship.’ Juliana seems a futuristic goddess, luxuriously alone, atop what looks like the remnants of the industrialized world; she’s not bothered or indebted or compromised. We shot it just the two of us on the last warm day of summer, and I think that energy translates through and captures the essence of this brilliant song.”

Juliana Hatfield: web, twitter, amazon, apple, spotify, wiki.

New Chuck D video: TiredOf45

Video: Chuck D – “TiredOf45”

Directed by David C. Snyder. From Celebration of Ignorance, out now on SpitSLAM.

Like Chuck D, I too am tired of our orange fuhrer…to put it mildly. But I don’t quite get why Chuck is putting it as mildly as he is in this song. He’s no stranger to bold statements, so why’s he going soft on the most dangerous president this country has seen in our lifetime?

I guess it’s more a celebration of Lebron James than it is a condemnation of Trump, but still. Even the chorus (“Lebron building schools, 45 building walls”) is too easy. I mean, come on, he was harder on Elvis who never hurt anybody than he is on the man who is undermining democracy. Maybe things are so awful right now that even the great Chuck D has a hard time articulating it?

Promises promises
Now we missin Obamas
Now this guy 45
I wanna rush em like Thurman Thomas

Because I am a dork I had to google “Thurman Thomas” who turns out to be an NFL running back known for his rushing in the 1990s.

So let’s all hope we can make it through the current administration’s defensive line and move the ball of justice forward! Or something like that. Anyway, fight the power.

Chuck D: web, twitter, amazon, apple, spotify, wiki.

Via punknews.

New Sharon Van Etten video: Jupiter 4

Video: Sharon Van Etten – “Jupiter 4”

Directed by Katherine Dieckmann. From Remind Me Tomorrow, due January 18 on Jagjaguwar.

This song was originally written by Sharon Van Etten and given to Donna Missal, who recorded it and said, “The title of the song comes from the demo – originally titled Jupiter because the main synth sound that you hear driving the instrumental was recorded on a Jupiter synth.”

Van Etten’s version is a little slower and moodier than Missal’s. It captures the desperation of falling in love.

I’ve been waiting, waiting, waiting my whole life
For someone like you
It’s true that everyone would like to have met
A love so real.

Sharon Van Etten: web, twitter, amazon, apple, spotify, wiki.

Continue reading New Sharon Van Etten video: Jupiter 4