New Flaming Lips video: Sunrise (Eyes Of The Young)

Video: The Flaming Lips – “Sunrise (Eyes Of The Young)”

The Flaming Lips – Sunrise (Eyes Of The Young) [Official Music Video]

Well it looks like Wayne Coyne made it through his midlife crisis and is back to making music again. I’ll admit I was turned off by Coyne’s recent behavior where he left his wife, allegedly started taking drugs after years of relative sobriety, and began running around with Miley Cyrus (not that there’s anything wrong with that). Around that same time the Flaming Lips had become the feel-good, never-turn-down-a-festival-appearance party band, making a cartoon mockery of the fundamental weirdness that had made them so appealing in the first place.

Remember when it just seemed INSANE that “She Don’t Use Jelly” became a hit? That was 22 years ago, bubba, and Yoshimi was 14 years ago. You can’t begrudge a band for sticking with it and gaining fans and success, but it would be hard to argue that they hadn’t gotten sidetracked over the past few years. There’s more to life than confetti cannons and balloons.

I was pleased with the slow-burn psychedelia of their Riot Fest performance this year. There were still confetti cannons and balloons, of course, but the music didn’t pander to the shirtless party bros. They weren’t taking their music — or their audience — for granted. Longtime Lips fans will give all the credit for any return to form to Steven Drozd, and maybe that’s fair. Drozd is said to be the only real musician in the band, but even if that’s accurate, Wayne Coyne is still the front man and is clearly responsible for steering the ship. From the three songs they’ve released so far from Oczy Mlody, due January 13 on Warner Bros, they’re heading into some interesting territory.

Continue reading New Flaming Lips video: Sunrise (Eyes Of The Young)

Once again yet even more Lester Bangs in Rolling Stone

One of the things that inspired us to start Glorious Noise in 2001 was Jim DeRogatis’ biography of Lester Bangs, Let It Blurt. Our first big, multi-post project was to dig through a bunch of old copies of Rolling Stone magazine and liberate original record reviews written by Bangs but never republished.

Then sometime around 2006 the Stone finally put a bunch of their old reviews online. We linked to as many as we could find. And then after a year or so we found even more.

Since then, RS.com has undergone a redesign or two and none of those old links work anymore. The people who make the decisions apparently didn’t think it was worth the effort to make the old links redirect to the updated content, so they’re all effectively dead now. Additionally, some of the reviews that were up in 2006 and 2007 don’t seem to have made the transition (Tony Williams’ Emergency, for one example). And worse yet, they weren’t even captured by the Internet Archive’s wayback machine. So boo.

The Web taketh away, but the Web also giveth. Now there are several new Lester Bangs reviews online that I hadn’t seen before. Blessed be the name of the Web.

The Velvet Underground: The Velvet Underground (RS33, May 17, 1969)

“Can this be that same bunch of junkie-faggot-sadomasochist-speed-freaks who roared their anger and their pain in storms of screaming feedback and words spat out like strings of epithets? Yes. Yes, it can, and this is perhaps the most important lesson the Velvet Underground: the power of the human soul to transcend its darker levels.”

Continue reading Once again yet even more Lester Bangs in Rolling Stone

The world’s worst Elvis impersonator: Kate Moss

Video: Elvis Presley – “The Wonder You” (with the Royal Philharmonic Orchestra)

Elvis Presley – The Wonder of You (Official Video Starring Kate Moss)

This is preposterous. It’s ludicrous on several levels. First of all, why are they adding “lush new arrangements” by the Royal Philharmonic Orchestra to Elvis recordings? The original single version, recorded live in Las Vegas, was good enough to spend 12 weeks on the charts in 1970 and peak at #9. Why add a new orchestral accompaniment? It sounds fine, but completely unnecessary.

And why cast Kate Moss to lip sync and roll around on a couch and a piano? What demographic are they marketing this toward? It just seems misguided and weird.

Sure, Kate Moss is cool and pretty. I’ve harbored a crush on her since I first saw her Calvin Klein ads in 1992 when I was in college. Years later I was amused by the outrage when video emerged of her huffing blow in the studio with Pete Doherty and Mick Jones while they were recording the Babyshambles debut. I guess it’s kind of cool that a 42 year old lady can still be seen a sex symbol…or something.

But really, what’s the point? I know there is a legion of geriatric diehards and collectors who buy everything with Elvis’ name on it, and this is actually the second collection of Royal Philharmonic overdubs. The first one, If I Can Dream, was apparently successful enough to warrant a sequel. I suppose we can all be thankful that at least this new volume doesn’t contain a “duet” with Michael Bublé.

I love Elvis. And I truly believe that anybody who claims to care about music should own the Sun sessions and the 1969 American Sound recordings (Elvis at Sun and Suspicious Minds are good collections). And if you like “The Wonder of You” by all means check out Elvis on Stage, where the original version appears; it’s a very fun recording of Elvis at his vocal peak backed up by a great band led by James Burton.

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New Tribe video: We The People…

Video: A Tribe Called Quest – “We The People…”

A Tribe Called Quest – We The People….

We all saw them do it on SNL last week and now here’s the official video for the first single from the new Tribe new album, We Got It from Here… Thank You 4 Your Service. Here’s the oral history of how this record came to happen; it’s a good read, so check it out.

All you Black folks, you must go
All you Mexicans, you must go
And all you poor folks, you must go
Muslims and gays, boy, we hate your ways
So all you bad folks, you must go

Seems rather timely.

Continue reading New Tribe video: We The People…

Watch FIDLAR on Conan

Video: FIDLAR – “West Coast” (live on Conan)

FIDLAR "West Coast" 11/09/16 – CONAN on TBS

I love this band. They were definitely the highlight of Lollapalooza this year for me. This is a song from their second album, Too, and they’re on tour now so you should check them out if they come near your town. I’d love to see them in a club. “West Coast” is a super fun pop song about getting wasted and running away, a sentiment I’m sure we can all appreciate this week.

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“Uptown Funk” is certified Diamond with 11 million units

You might have seen the news that “Uptown Funk” has been certified Diamond by the RIAA, which means that it achieved 10 million sales. Billboard says that “Uptown Funk” has sold over 12,422,016 in downloads and 938,694,569 audio streams in the U.S.” and that the video “has streamed over 1.9 billion times.”

The RIAA’s certification requirements state that units are defined as follows:
• Each permanent digital download counts as 1 Unit for certification purposes.
• 150 on-demand audio and/or video streams will count as 1 Unit for certification purposes. [Note: this contradicts Billboard saying “100 streams counting as one certifiable unit.”]

But if those numbers are accurate, that would add up to 31,346,646.46 certifiable units. And the RIAA only has 11 million units certified for “Uptown Funk.” So who knows? Math is hard.

This is only the thirteenth Diamond single since the RIAA established the certification in 1999. The first single to be certified Diamond was Elton John’s Princess Diana tribute “Candle In The Wind 1997” and it took almost 16 years for the next one: Bieber and Luda’s “Baby.” If you look at the rest of the list there’s certainly plenty of garbage, but there are also some jams.

1. Elton John – “Candle In The Wind 1997 / Something.You Look Tonight” (October 9, 1997)
2. Justin Bieber – “Baby (Feat. Ludacris)” (May 9, 2013)
3. Eminem – “Love The Way You Lie (Feat. Rihanna)” (May 9, 2013)
4. Eminem – “Not Afraid” (June 10, 2014)
5. Lady Gaga – “Bad Romance” (May 29, 2015)
6. Imagine Dragons – “Radioactive” (July 6, 2015)
7. Katy Perry – “Dark Horse” (October 29, 2015)
8. Katy Perry – “Firework” (October 29, 2015)
9. Macklemore & Ryan Lewis – “Thrift Shop (Feat. Wanz)” (November 19, 2015)
10. Lady Gaga – “Poker Face” (November 30, 2015)
11. Florida Georgia Line – “Cruise” (April 1, 2016)
12. Carly Rae Jepsen – “Call Me Maybe” (September 28, 2016)
13. Mark Ronson – “Uptown Funk Feat. Bruno Mars” (October 18, 2016)

Continue reading “Uptown Funk” is certified Diamond with 11 million units

Paul McCartney at Pappy and Harriet’s Looks as Amazing As You’d Imagine

How many times have you watch a bar band cover The Beatles? How many times has that band actually included a Beatle?

On his way to Desert Trip, AKA Oldchella, Paul McCartney and band stopped off to play a quick set at Pappy and Harriet’s, a high desert bar with a capacity of 300 people. Yes, three HUNDRED people.

By the looks of this fan video of the band playing “A Hard Days Night,” I probably would have peed my pants and then exploded had I been there.

Paul McCartney A Hard Days Night live at Pioneertown 10/13/2016

Photo via Paul McCartney’s Facebook.

Timeline of the early Beatles solo era

George Harrison was the first Beatle to put out a solo project when he released his Wonderwall Music soundtrack on November 1, 1968. At that point, the Beatles were still together and had just wrapped up the recording of the White Album. They would spend the month of January 1969 filming and recording what eventually became Let It Be. By the end of August 1969 Abbey Road was in the can, and the next month John Lennon told the other Beatles, “The group’s over, I’m leaving.” They all kept quiet about it while they renegotiated their record contracts. But Paul McCartney told Life magazine in November 1969, “The Beatles thing is over. It has been exploded, partly by what we have done, and partly by other people. We are individuals, all different.” Nobody seems to have picked up on this at the time though.

It wasn’t until April 1970, when Paul released McCartney, that the world figured out that the Beatles had in fact broken up. By that time, though, there had already been six prior solo albums released and three singles.

When you look at the timeline from the release of Wonderwall Music through the end of 1970, it’s crazy how much stuff they put out.

November 1, 1968: Wonderwall Music (George)
November 11, 1968: Unfinished Music No. 1: Two Virgins (John)
November 22, 1968: The Beatles (White Album) (Beatles)
January 13, 1969: Yellow Submarine (Beatles)
April 11, 1969: “Get Back” (Beatles)
May 30, 1969: “The Ballad of John and Yoko” (Beatles)
May 9, 1969: Unfinished Music No. 2: Life with the Lions (John)
May 9, 1969: Electronic Sound (George)
July 4, 1969: “Give Peace a Chance” (John)
September 26, 1969: Abbey Road (Beatles)
October 6, 1969: “Something”/”Come Together” (Beatles)
October 20, 1969: Wedding Album (John)
October 20, 1969: “Cold Turkey” (John)
December 12, 1969: Live Peace in Toronto 1969 (John)
February 6, 1970: “Instant Karma!” (John)
February 26, 1970: Hey Jude album (Beatles)
March 6, 1970: “Let It Be” single (Beatles)
March 27, 1970: Sentimental Journey (Ringo)
April 17, 1970: McCartney (Paul)
May 8, 1970: Let It Be album (Beatles)
May 11, 1970: “The Long and Winding Road” (Beatles)
September 25, 1970: Beaucoups of Blues album (Ringo)
October 5, 1970: “Beaucoups of Blues” single (Ringo)
November 23, 1970: “My Sweet Lord” (George)
November 27, 1970: All Things Must Pass (George)
December 11, 1970: John Lennon/Plastic Ono Band (John)
December 28, 1970: “Mother” (John)

* When UK and US release dates differ, the earlier of the two is displayed.

Image is a detail of the cover of Electronic Sound, painted by George Harrison.

Hillary Clinton is Not the Lesser of Two Evils: She is GOOD

I consider myself a connoisseur of reality television. I realize that many smart people dismiss the genre in favor of make-believe stories, and I get it. There is a lot of really terrible reality tv. Of course, there is also a lot terrible scripted tv. Sturgeon’s revelation, yo. At its best, reality tv features all the hallmarks of any good narrative: interesting character development, unexpected plot twists, a reflection of a societal value.

The Apprentice was never great television. But it was entertaining for a while. I watched most of the first twelve seasons of The Apprentice/Celebrity Apprentice. I enjoyed the premise of contestants working together on teams to complete a mission each week with one person from the losing team being eliminated. Celebrity Apprentice often exposed a different side of famous people than what is typically showcased in official publicity campaigns. You could find out who was actually smart (Joan Rivers, Arsenio Hall, Bret Michaels), and who was as dumb as you’d thought they would be (Gene Simmons, Rod Blagojevich).

The host, Donald Trump, fell into the latter class. On the show, he came across as a self-important buffoon. In the “boardroom” at the end of each episode where Trump decides who gets fired, he would ask the contestants and his advisors for their opinions on who should be “fired” and why. Revealing the attention span of a toddler, Trump would frequently cut short these discussions and make a brash decision based on something stupid that had nothing directly to do with the challenge. One week somebody would get fired for not defending themselves strongly enough in the boardroom; the next week another person would get fired for being too argumentative and abrasive. It was arbitrary. After the contestants left the boardroom, Trump inevitably would say to his advisors, “That was the right decision, don’t you agree?”

It was hilarious. His insecurity was so obvious. He’s so blatantly the “tough guy” with no real backbone. He’s Francis from Pee Wee’s Big Adventure. This was all completely clear when you watched the show. And it was funny.

But it’s not funny anymore.

Because now instead of his ill-informed decisions sending Khloé Kardashian packing her bags, his decisions could determine who is sitting on the Supreme Court, and whether or not the United States will honor its treaties with NATO.

Even before he called Mexicans rapists, incited political violence, encouraged racism and religious discrimination, he proved himself unfit for the presidency by just being such a clown.

Continue reading Hillary Clinton is Not the Lesser of Two Evils: She is GOOD

Riot Fest 2016: I Remember Halloween

I was never a punk. In high school I was a trendy little femme who liked the Smiths and sixties music. Duckie was my fashion icon. The only punk rock I listened to was the Dead Milkmen.

The king of the punks at my school was a senior named Alex who came to class one morning with perfectly spiked hair. Multiple four-inch spikes of Ziggy-red hair held up with egg whites or Elmer’s or some other gravity defying concoction. While he was walking down the hall some big dumb jock took a donut and placed it on one of those epic spikes.

Alex left the donut on his head for the rest of the day.

To me, that epitomizes punk rock. You make a personal statement that goes against the grain, you get hassled for it, but ultimately you subvert that mockery by reclaiming it and making it your own.

I didn’t see any donuts at Riot Fest this year but there was no shortage of that same punk rock attitude.

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