Video: Kurt Vile – “Loading Zones”
Directed by Drew Saracco. New single out now on Matador Records.
Check out Kurt Vile, dodging the Philadelphia meter maids. He parks for free!
Rolling Stone issue #16 had a cover date of August 24, 1968. 24 pages. 35 cents. Cover photo of the Band by Elliot M. Landy.
Features: “Friends and Neighbors Just Call Us the Band” by Alfred G. Aronowitz; Howlin’ Wolf by Barry Gifford; The Rolling Stone Round Table with Booker T & the M.G.’s by Jann Wenner; The Newport Folk Festival by Jon Landau.
News: Race Dispute Splits Byrds’ Nest: Gram Parsons Refuses Gigs in South Africa; Tim Hardin Contracts Pleurisy; Kaleidoscope Kollapses in Kash Krisis by Jerry Hopkins; Record Sales Over One Billion in 1967; David Ruffin Leaves Temptations; Bluesbreakers Go Through Changes; Yoko Ono’s Endless Faces; Percy Sledge Has Heart Attack.
Columns: Perspectives by Ralph J. Gleason (“Deathwish of the Hippie Ethic”); Visuals by Thomas Albright (“Light Art”); “Special Report: The French Scene” by Alain Dister.
Directed by Justin Broadbent. From their new album, due September 21.
And the ones we ignore cry “come to me”
Are the ones we adore cry “give me space, give me space”
And the ones who are cruel cry “beg for me”
Are the ones that possess, they love the chase
Emily Haines said in a press release: “Lyrically, the song explores the maze of conflicts we encounter in our attempts at finding and holding onto love; the absurd mating rituals we routinely perform; and the vast divide between the desires our appearances can imply and the way we actually feel inside. The contrast between the delicate, dreamy opening and the heavy riffs of the verse and chorus match the dramatic emotional shifts we all go through when we allow ourselves to be vulnerable, the push and pull of retaining our own identities in love.”
Video: FIDLAR – “Are You High?”
Presumably from their third album, hopefully out sometime soon, probably on Mom+Pop.
They’ve released a few covers (Beastie Boys, Nirvana since then, Pink Floyd) and a couple of originals, but I’m looking forward to the release of their third full length. Still no info on when that’s going to happen but “Are You High?” is a promising sign. It’s a little more melodic and less screamy than their previous original single, “Alcohol,” but it’s still rambunctious and obnoxious, just the way we like them.
And all my homies wanna know what I’ve been doing
I think that I knew better back when I was using
Stay strong, dog. Life’s a risk worth taking.
Single out now on 8 Ball Records.
Full disclosure: I once washed dishes with Moody Little Sisters Rob Stroup and Naomi Hooley. We were up in Washington, at the foot of Mt. Adams where a group of musicians and friends would host an annual camping trip. The annual Hoot Family Campout was a welcomed wind down from what were usually busy summers in Oregon when everyone scrambles to soak up the sun before the rain returned. In the spirit of this communal event, everyone pitched in to help around the camp and I was pulling my shift in the kitchen with Moody Little Sister. We had a laugh and swapped some stories before taking our places in the breakfast buffet line. The Hoot Family is where you make fast friends and though I haven’t seen either since that morning (they moved to New Mexico and I moved to Michigan), I like to think we had a good time.
Moody Little Sister’s video for “I Got Soul” touches on community and estrangement and how, sometimes, you can pull yourself back to earth if you just stop to look around at who’s with you. Recorded with Pete Droge at Puzzle Tree Studio on Vashon Island, “I Got Soul” is the perfect blend of 70s smooth and…well…country soul. The single is the first for a planned 2019 full-length release.
Video: Tomberlin – “Any Other Way”
Directed by Laura-Lynn Petrick. From At Weddings, out now on Saddle Creek.
The more I listen to Tomberlin’s previous single, “Seventeen,” the more I like it. A bit of a sleeper, it reveals its secrets on repeated listens. I expect that “Any Other Way” will be similar.
You said that I was brave
But I just feel insane
You said to look into your face each day
Can you tell I’d never look away?
Video: Stick Arounds – “Get U Back”
From Ways to Hang On, due this fall on GTG Records. The single is available for free download from bandcamp.
Goddamn, marionettes are creepy. There’s something about how they kinda hover in between childhood memories and nightmares that ensure they always leave you looking for your mom.
The Stick Arounds have cobbled together some old footage of these spooky bastards in support of the first single from their upcoming album, Ways To Hang On, due in October. Hearty midwestern rock with big guitar hooks and desperate lyrics. It’s a simple story and one best told in a sweaty, loud bar with beer soaked floors.
Video: Skating Polly – “Camelot”
Directed by Caz Daddy Mac. From The Make It All Show, out now on El Camino.
If Skating Polly shows are half as wild as they look in this video, we should all check them out when they come through our towns. My favorite part is a minute in when Arrow Dewilde from Starcrawler attacks and strangles poor Kelli Mayo while she’s trying to sing her grungy song about bad boyfriends.
Mayo told Louder: “I met one of the most horrible, intolerable, numb-nut, scum of the earth humans last year, who treats women like dog shit using his frat boy etiquette, and this song is dedicated to him. There’s three voices in the song: the voice telling Mr. Frat Boy Lancelot to fuck off, the voice narrating the sad story of who he preys on, and the voice mimicking Mr. Frat Boy Lancelot’s ideal gal and the lengths she would go to be his miserable, underfed, trophy Barbie wife.”
I want something
I want something better
I want something better than you
Of course I do!
From the “When the Curtain Falls” single, out now on Republic Records.
Because I am a master of the new media, I also run a blog that’s focused on the cross sections of digital and culture. My partner Tom and I use it as a platform to highlight how digital media influences our real lives and how the platforms are often just an extension of who we are in the flesh. The best examples show how there are layers of meaning that go back and forth. Those things are Metastential. We host the blog, a twitter feed and even a sleeping podcast and I could have just as easily written about this video there as here.
We’ve kept an eye on the boys from Frankenmuth since their first single. They sometimes get bashed for wearing their influences a little too prominently on their frilly sleeves, but come on…who is gonna argue with some kids getting into Led Zeppelin?
Well they’ve gone all in now with the riffs and the screams and even the pants. But they’re not totally retro. Bucking the purists who mock their parents for uploading videos “wrong” and recognizing the importance portrait-oriented platforms like Instagram, Greta Van Fleet has posted their latest video the way your mom posts videos of fireworks. The boys are out there in the desert looking like the sequel to Almost Famous, fresh faced and manic in 12-megapixel glory fed through an 8mm film filter. When my eleven year old looked over my shoulder to see what I was watching he shrugged and said, “What year is that?” Mission accomplished, gang.