Phantom Planet: Escape to The OC

Summer and Seth are still doing the dirty deed...Fantasy worlds have really been quite popular lately. It makes sense – the next few months will be nightmarish no matter what you think about anything, so why not live like the dungeon masters? You’d darn your frayed tunic, and inexplicably start attaching “Mr.” to your friends’ first names. If however you’re like me, and an elitist streak makes you at the very best lawful evil, then you’ll never make it in the land of magic missles and dexterity. You might instead take as your fantasy refuge the gleaming Cali artifice that is the TV Orange County, Newport, “The OC.” Now is the time, cynical Race of Man! To help with your quest, Glorious Noise will provide a running interpretation of events in “The OC.” It won’t be an episode summary; it won’t be objective. It probably won’t even be politically correct, to use a phrase from a different fantasmical era. But it will revel weekly in the frivolous escapism of a TV show about cool teenagers and boobs, and the conflicted, sarcastic parents who love them. The teenagers, that is. So dive in to this well-bred fantasy, because it’s better than that escape hatch to Bangkok idea you’ve been planning for November. One night in Newport will make a hard man humble.

JTL

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Kanye West – The College Dropout

Kanye WestThe College Dropout (Roc-A-Fella)

It’d have been beneficial to Kanye West if he had followed the year 50 Cent had, because 2004 will see the coronation of a new golden boy in hip-hop.

Sure, the Shady/Aftermath crew had 50’s hype rolling long before Get Rich or Die Tryin’ came out, a luxury West hasn’t had. Kanye’s star is rising much more quickly then Curtis Jackson could have ever hoped for, however, and for good reason—The College Dropout is a great album, maybe the best true mainstream hip-hop album since Talib Kweli’s (coincidentally Kanye-produced) Quality. The Chicago beat-wizard, who’s also done work for Jay-Z and Alicia Keys, steps in front of the microphone and despite some lyrical missteps finds time to shine with a few jaw-dropping lines and a consistent sense of the elements that can make hip-hop so strong.

Of course, while most of the talk is about the fulfilled anticipation of West finally dropping lines, his beats are still what writes the checks; and here he is just as strong as ever. West’s style turns a cold shoulder towards the direction the Neptunes and Timbaland—hip-hop’s other two mega-producers—head in, rejecting blips in favor of 60’s soul samples and golden AM-radio nostalgia.

The College Dropout is too heavy on skits, but their presence falls in line with the satire of higher education that permeates everything from the album’s title, content, and artwork. For a debut, West sounds confident in his voice and ability and that confidence comes through in spades. Kanye rhymes like he not only realizes the success about to come but expects it and won’t except anything less. He doesn’t come off as cocky, though, just assured; and he makes sure to credit God for everything—not only his record deal and his success, but also his life following a near-fatal car accident that could have killed anyone else.

Kanye’s got all the tools to make the Roc-A-Fella boss proud and seems destined to lock the top-dawg spot now that HOVA is retired (for now). Everybody wondered if Kanye could really hold it down as an MC, and The College Dropout answers all doubts—he may make a few mistakes along the way, but this drop-out has an entry-level position everyone should envy.

The Grey Album: The Return of Sampling, The End of New Music, and The Fall of Western Civilization

The Grey AlbumIt’s the most significant rap album since Paul’s Boutique, arguably the only one since the Beastie’s groundbreaking acid trip that can really lay claim to a significant political stance in the upcoming epic battle over corporate copyright laws. While the Beasties may not have set out to craft the ultimate “fuck you” to Disney and the late Sonny Bono, revisionist history says they came damn close. DJ Danger Mouse, however, just put his foot so far up the RIAA’s asshole, Nutty McShithead will be tasting his boot-soles for years.

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Coldplay – Live 2003

ColdplayLive 2003 CD & DVD (Capitol)

For anyone who ever doubted Coldplay’s musical authenticity, this CD/DVD combo is a firm “What were you thinking?!” slap across the face. As everyone else who was with Coldplay all along should know, Live 2003 represents the culmination of their career thus far and must not be overlooked.

Coldplay also released Live 2003 as a CD-only album, but the bonus DVD, which contains over 90 minutes of footage from Sydney, Australia’s Horden Pavilion as well as a tour documentary and song lyrics, is what makes this release so notable.

Besides featuring an additional five songs that aren’t on the CD – “Daylight,” “Trouble,” “Don’t Panic,” “The Scientist” and “Life is for Living” – the DVD’s cinematography is excellent and the visual quality stunning. Alternating between shots from the crowd and from the stage, the video not only places the viewer in the position of the fan, but also offers a VIP view of the entire concert experience. Throughout the show, the crisp live recording captures each instrument, including the vocals, at the utmost clarity and with calculated balance.

Although lead singer, guitarist and pianist Chris Martin gets the most face time, he deserves the attention. The video establishes him as an enigmatic frontman with an amiable yet intense personality and remarkable stage presence. His musicianship, as well as the rest of the bands’, is seemingly perfect within the Britpop/dream pop/rock confines that they operate. On both the album and the video, the group sounds very tight and rehearsed, yet also satisfyingly expansive. Arena rock can indeed be a passionate affair.

Both collections of songs feature a mixture of singles and deeper album cuts, as well as two unreleased songs – “Moses” and “One I Love.” Musically, the most invigorating moments come when they expand upon their style to a psychedelic, Pink Floyd-esque jam. Guitarist Jon Buckland fits into this mold perfectly with his occasional wailing, almost ambient single-note leads. Guy Berryman’s droning yet dynamic bass lines tend to carry the melodies and play well off of Martin’s vocals and the chunking rhythms laid down by drummer Will Champion.

The quieter moments, which often feature Martin alone with his piano and his fabulous voice, are unfortunately less enjoyable when mediated and were likely more stirring at the concert itself.

The album’s standout selections include “A Rush of Blood to the Head,” “Shiver” and “See You Soon.” The video also manages to breathe new life into the previously overplayed singles “Yellow,” “Clocks” and “The Scientist,” all of which are quite impressive in modified live form.

After only two studio LPs, the members of Coldplay have established themselves as world-class musicians. Live 2003 showcases all that they’ve been able to accomplish and would be a worthy purchase for just about any music or concert video appreciator, as it proves that moving, dramatic and heartfelt rock can still be done well and without cliché. Coldplay fans, you were right all along.

Also, check Johnny Loftus’ review of a Coldplay show from way back in February, 2001.

The Mountain Goats: Documenting sordid little scenes in living color

We shall all be healed.The Mountain Goats at the Empty Bottle

Chicago, February 28, 2004

When the Mountain Goats rolled into town on Saturday, they brought with them a wave of mild weather that lasted the weekend. A 60-degree February day in Chicago is the kind of miracle that the Mountain Goats can conjure up.

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Rock and roll can change your life.