The reports of the existence of the “last” Blockbuster store in Bend, Oregon, is treated as though here is something that is completely quaint and old-timey: “Yes, son, way back when we used to go to a store and rent movies on discs. And sometimes we actually bought them!”
And on the subject of buying discs, while Best Buy, which had been the #1 music retailer, had announced that it was going to stop selling CDs, it has modified that. It will continue to but with a greatly minimized selection; there will probably be more selection of Keurig coffees.
In this era of downloading and streaming, the notion of buying physical artifacts like discs is becoming increasingly unthinkable.
While vinyl discs are making something of a comeback, you rarely hear any arguments about the fidelity of the sound as being a reason for this occurrence. Perhaps that has something to do with the fact that many of the purchasers of vinyl probably have some crappy Crosley record player upon which the latest novelty is played. Sure, there are audiophiles who have never given up the grooves, but they’re becoming like philatelists in the age of email, which has then given way to texting.
But a question that seems to go unasked is who benefits from this? And I would argue that it is the purveyors of the digitally based music (or video) products.