Oops, this is kind of old news since this song has already been replaced at No. 1 by Ariana Grande’s “Thank U, Next,” but we missed it last week.
Travis Scott scored his first number one record with “Sicko Mode” which had 37.2 million U.S. streams and 24,000 downloads sold in the week ending Nov. 29, and 65.1 million in all-format airplay audience in the week ending Dec. 2.
A remix by Skrillex might have pushed it over the top, but who knows? Billboard lumps all versions together in its chart formulations.
It’s a weird song. 5+ minutes long with a bunch of unrelated sections. And of course it features Drake. Because no commercially aspirational rapper can hope to achieve mainstream success without the help of the Canadian Champagne Papi. (Unless you’re Cardi B. Which you’re not.)
So weird it only stayed in the top spot of the pop chart for one week before that coveted position was reclaimed by Frankie Grande‘s little sister.
Directed by Karena Evans. From Scorpion, out now on Young Money/Cash Money/Republic Records.
Drake’s “In My Feelings” has been #1 since the week ending July 12, and I’ve been trying to ignore it this whole time. But this week marks eight weeks in the top spot of the Hot 100, so I guess it’s time to accept it.
Starting to wonder if maybe my dislike of Drake is irrational… I have never liked singy hip hop. I came up with hardcore. I’ve always believed, as Chris “Mac Daddy” Kelly so eloquently stated in 1992, that “R&B-rap is bullcrap.” I didn’t even like “Regulate” back in the day. This seems completely arbitrary and ridiculous at this point. Nevertheless, implicit biases are hard to shake.
Is “In My Feelings” a good song? I don’t know. It’s a good meme. And it’s better than Post Malone, right? But it’s been the number one song in America all summer, so I suppose it’s earned closer scrutiny. I’ve listened to it a bunch of times in a row now, and it’s catchy for sure. I dig the video. Is that what New Orleans is like now? I haven’t been there since before Katrina.
But yeah, Drake. This is pop music in 2018. He’s led the Hot 100 for a 27 weeks this year in total, so this is what we’ve got. Love it or lump it.
Directed by Karena Evans. Single out now on Young Money/Cash Money/Republic Records.
After eleven weeks at the top of the chart, Drake knocks his own “God’s Plan” out of first place with his new single, “Nice For What,” with 60.4 million U.S. streams and 88,000 downloads sold in the week ending April 12 as well as 31 million in all-format radio airplay audience in the week ending April 15.
Since the Hot 100 began in 1958, only 12 other acts have replaced themselves at No. 1. The Beatles were the first to do it, and they did it twice in 1964: “I Want to Hold Your Hand” was replaced by “She Loves You” which was then replaced by “Can’t Buy Me Love.” And then nobody else did it for 30 years when Boyz II Men finally knocked out “I’ll Make Love to You” with “On Bended Knee” in 1994. How about that?
Also noteworthy is that “Nice For What” is only the 30th single to debut at No. 1 on the Hot 100. This wasn’t even possible before the Soundscan era, and Michael Jackson was the first with “You Are Not Alone” in 1995. And that’s not even a good MJ song!
The video features a bunch of apparently famous women being glamorous and empowered. Drake, meanwhile, ice skates around a futuristic set in a puffy coat to prove he’s still Canadian. How long will “Nice For What” remain at Number One? Will Drake pull a Beatles move and knock himself out of first place again with his next single? Stay tuned and find out!
From Scary Hours, out now on Young Money/Cash Money/Republic Records.
Drake knocks out Camila Cabello after only one week at the top of the chart. “God’s Plan” had 82.4 million U.S. streams and 127,000 downloads sold in the week ending Jan. 25, as well as 24 million in all-format airplay audience in the week ending Jan. 28.
I know I’m not the intended audience for mainstream pop hip hop, but this sounds so boring and repetitive to me. Maybe they’re trying to sound hypnotic but it ends up coming across as narcoleptic. Is everybody on ludes these days? (Oh…right, I guess we are.)
But at least there’s one funny part of this song:
She say, “Do you love me?” I tell her, “Only partly.
I only love my bed and my mama. I’m sorry.”
“God’s Plan” is only the 29th song to debut at #1 in the Hot 100’s 59-year history. The first song to do it was Michael Jackson’s “You Are Not Alone” in 1995 and the previous one was DJ Khaled’s “I’m The One” last year.
Yesterday, word of Michael Jackson‘s death spread like a riot through the social networks. But once the conjecture had been put to bed and the tributes and eulogies posted, most feeds marveled at the novelty of music videos on MTV. In its zeal to cover the passing of an icon — instead of the latest thug-lite nursery rhyme from Akon — the network had blown the dust off the Betacams and started spinning MJ’s old jams nonstop. It was just like 1983, only without Duran Duran or Synchronicity to play foil to the dominance of Thriller. MTV also blew the dust of John Norris‘s crypt. That wasn’t as great of an idea.
Back then, there were too many great songs. They defined an era; they continue to define wedding receptions. Nowadays, we’re dealt jams from “rising hip-hop star” Drake, whose “Best I Ever Had” used the “unauthorized” tag to find its way to No. 3 on the Billboard Hot 100. Drake’s like a Target version of Lil Wayne, his collabo partner for a different, equally “unauthorized” chart gainer. While Weezy isn’t even a rapper anymore — he’s a bounty hunter like Dengar, or a man who plays guitar for reasons we don’t understand, or a guy spitting the insane fantastic — Drake can’t muster much more than a few empty mumbles.