Tag Archives: Father John Misty

New Father John Misty video: Pure Comedy

Video: Father John Misty – “Pure Comedy”

Father John Misty – Pure Comedy

Another feel good party anthem from everybody’s favorite optimist, FJM. No official info yet on whether this is from his third album or just another one-off single he’s been upping of late, but it appears that he and video director Matthew Daniel Siskin have been thinking about the miracle of birth and the inauguration of our new orange fuhrer.

Siskin, by the way, is Beyonce’s webmaster (or something).

Update: Clever nerds have discovered a cached merch page indicating that a new album, also titled Pure Comedy, is due March 31. Plus: album artwork.

Update #2: NPR reveals that Pure Comedy is due April 7 on Sub Pop Records.

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Dumb new Father John Misty ditty: This Is America

YouTube: Father John Misty – “This Is America”

This is America with Father John Misty | Brad Neely’s Harg Nallin’ Sclopio Peepio | Adult Swim

I don’t watch whatever show this video is promoting, but the song is kinda funny. Let’s hope Josh Tillman gets back to work on the third FJM LP. He gave us more of a hint of what that might actually sound like (maybe?) when he released “Real Love Baby” a couple months ago.

Personally, I wouldn’t mind if he finished up his album of Taylor Swift/Velvet Underground mashups…but that’s probably just me.

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Photos: Father John Misty at Lollapalooza 2015

Father John Misty is one of my favorite artists of the past several years. His two albums are both awesome, and he played my favorite set at Lollapalooza 2013. I already bought my tickets to (finally) see him in a non-festival environment in September. So I was definitely excited for his set this year. But he was in a foul mood and I left disappointed.

In 2013 he was mean but funny, making fun of meatheads in the back of the crowd as well as the douchebags in the VIP sections. This year his shtick was more of a whiny crybaby, bitching about his lousy time slot (Friday at 2:30, an hour earlier than in 2013 and on a crappier stage — the Petrillo shell has no jumbotrons) and griping about how he doesn’t sell a lot of albums. He just seemed grouchy. And we knew he had abandoned “the demonic clown thing” but it was a bummer to watch him half-ass his way around some ironic “robot” moves. He just didn’t appear to be having any fun.

You used to be able to watch three songs from the livestream, but those have been unceremoniously yanked. No idea why. Maybe because he was such a grumpalumpagus.

I’m hoping he’s in a better mood on his tour in September. In the meanwhile, check out some of GLONO photographer Jolie Brown’s pictures of the set.

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Father John Misty does Honeybear live on Conan

Video: Father John Misty – “I Love You, Honeybear” (live on Conan, 07/15/15)

You know I love Father John Misty. Sure, I’ve poked a little fun at the TMI tendencies of his latest album, but I still really love it. His live show at this point is legendary, so it’s always great to see him perform on television. And as expected, he doesn’t phone it in for Conan.

This live version of the title track starts out sexy and gets progressively more intense until it’s downright scary by the end. I prefer it to the orchestrated album version.

I’m not so sure about Tillman’s appearance though. My man Phil calls it the “sexy hobo look.” He looks clammy and his bushy beard makes him seem bloated like a late-era Jim Morrison. Dude needs to visit a barber. Clean yourself up, man!

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Has Father John Misty become Roger Clarvin?

Father John Misty - I Love You, HonerybearJosh Tillman aka Father John Misty describes his new album, I Love You, Honeybear, as “a concept album about a guy named Josh Tillman” and his relationship with his wife. Being the kind of writer he is, he refuses to stoop to sentimental cliché; instead, he engages in mean-spirited honesty and sarcastic self-loathing. To call Father John Misty “sardonic” at this point is itself a cliché.

And yet this is an album of love songs.

“She and I have created a circumstance in which it’s safe to discuss everything, all this intense, deep-down shit,” Tillman told Pitchfork. “But there’s an anxiety because I don’t know if I trust the world with my intimacies. These songs were written about our experience, now it’s time to universalize them.”

This anxiety is not unjustified. At times I Love You, Honeybear veers close to the oversharing territory mined by Will Ferrell and Rachel Dratch as Roger and Virginia Clarvin. “At this point during the soak, my lover and I usually crave spiced meats.”

One’s bourgeoisie sense of propriety might be offended to hear about the “mascara, blood, ash and cum on the Rorschach sheets where we make love.” Then again, the reference to Rorschach tests is telling, since Tillman is clearly proud enough of this line to print it on tote bags. What do you see in that line? If you’re skeeved out by it, well maybe these aren’t the love songs for you. If you appreciate the image, there’s plenty like it to follow.

These twisted tales are set against instrumentation far more lush than what we heard on Fear Fun. Almost every song features strings. Whereas a lot of Fear Fun sounded like the White Album, Honeybear sounds more like Mind Games or Walls and Bridges. The heavy-handed arrangements work great on intense songs like “An Ideal Husband” where everything sounds overwhelming and evil. But “When You’re Smiling And Astride Me” sounds too much like terrible mid-70s puss-pop/soft rock; the slide guitar tone, the soul sister background vocals, the cloying strings, it’s just too much schmaltz.

“True Affection,” on the other hand, uses synth bloops and programmed beats and sounds out of place. Tillman wrote that song “on tour while trying to woo someone with text message and email and trying to make a connection that way and the frustration of that,” he told Grantland. “So that song had to be synthetic and inorganic.” Interesting concept, sure, but a little too clever for the song’s own good.

But these quibbles don’t diminish the impact of the album as a whole. High points such as “Chateau Lobby #4,” “The Night Josh Tillman Came To Our Apartment,” and “Nothing Good Ever Happens At The Goddamn Thirsty Crow” more than make up for the occasional misstep. Producer Jonathan Wilson knows how to get a good performance down on tape, and as Tillman says, he is “truly singing [his] ass off all over this motherfucker.” His voice is incredible throughout.

I like Father John Misty. I feel like I get Tillman’s sense of humor, and I appreciate the high bar he set for himself on this album. “My ambition, aside from making an indulgent, soulful, and epic sound worthy of the subject matter, was to address the sensuality of fear, the terrifying force of love, the unutterable pleasures of true intimacy, and the destruction of emotional and intellectual prisons in my own voice.” Honesty and earnestness obviously do not come easy for him, but he’s trying…in his own Misty way. He’s still a smartass, for sure, but isn’t that the best kind of person to spend your life with?

Continue reading Has Father John Misty become Roger Clarvin?

New Father John Misty Album in February

I am very excited by the idea of a new Father John Misty album. I spent most of 2012 and 2013 obsessing over Fear Fun after being turned on to him by my sister-in-law. She had heard the song he did with Phosphorescent on the Aquarium Drunkard satellite radio show. I got into the album and finally saw him live at Lollapalooza where he stole the show and blew my mind. It was only then that I dug hard into the FJM mythology, finally catching up on the major Magnet profile and picking up the record on vinyl so I could read his self-consciously ridiculous “novel” that was included in the liner notes.

So yeah, I’m a total fanboy. And now there’s a new song from I Love You, Honeybear, his new Jonathan Wilson-produced album due February 10, 2015 on Sub Pop. And with the announcement of the album and tour, there’s also a new 4,000-word bio/listening guide.

Video: Father John Misty – “Bored in the USA” on David Letterman

The performance makes me a little nervous that his sense of humor has gotten pissier and more darkly sarcastic. Gone are the swoon-worthy dance moves, dismissed last year as “the demonic clown thing that I’d been doing,” replaced with an uncomfortable laugh track. He’s still clearly “fucking with artifice” but now I’m afraid he might be going too negative. What the world does not need right now is another fucking bummer.

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