Tag Archives: Glorious Noise Interview

Interview with the Pee Wee Fist

The Pee Wee Fist was allegedly named after a martial arts movie about a very short ninja. The existence of this film cannot be confirmed at press time, but there is no denying that the band’s album, Flying, released last year on Kimchee Records is an exciting and adventurous debut. While some of the songs are not immediately accessible, most of them are worth putting a little effort into. They get under your skin once you get to know them.

The band is the baby of Pete Fitzpatrick, who might be better known as the guitar player and multi-instrumentalist in Clem Snide. Pete was nice enough to answer a few of our questions before he headed out on tour. They’re playing Chicago’s Beat Kitchen on Saturday, September 21, so catch them if you can.

They’ve made a couple songs available on their own website (Flying, Chinese Star in Metal Shop), and Epitonic has another one (Beauty and the Beats), so you can see for yourself.

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Interview with Inge Johansson of the (International) Noise Conspiracy

Glorious Noise Interview:

Inge Johansson of the (International) Noise Conspiracy

Glorious Noise interviewed Inge Johansson, bass player of the International Noise Conspiracy and asked him about the politics of the INC, why Sweden is kicking so much rock and roll booty, and why the Rickenbacher is the bad-assed rock bass that it is. Read the interview.

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Please Kill Me! Interview with Legs McNeil

Contributing writer Helen Wilson tracks down the O.P. (original punk), Legs McNeil, co-founder of Punk magazine and author of Please Kill Me: The Oral History of Punk Rock. Legs and Helen discuss the OP’s tormenting of Lester Bangs, the misplaced accusation of racism in the original punk scene, and the similarities between punk and porn.

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Breech: Just Add Water

A Glorious Noise interview with Breech.

Getting attention for an up and coming band can be daunting. There are thousands of up-starts throughout the country and picking through those that are worthwhile is like separating sugar from salt. Zealous bands could just literally grab audience members by the throat until they listen, but why not just have a bake sale? Contributing writer Jude Lemrow interviews Missy Gibson of the Los Angeles rock outfit Breech, who have made their mark with their intense live shows and irresistible pistachio bread. Read more.

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Exclusive Glorious Noise Interview with Jay Bennett

This is a big day for Glorious Noise. Not only did we reach the milestone of 50,000 unique visits, but we’re also unleashing some very exciting and exclusive information.

There has been a great deal of confusion surrounding Jay Bennett’s role in the making of Wilco’s Yankee Hotel Foxtrot and the circumstances surrounding his departure from the group. For the first time anywhere, Jay Bennett lets us in on what was really going on during the creation of Wilco’s masterpiece. Read the interview here. He also gives us a track-by-track listing of every instrument he played on Yankee Hotel Foxtrot.

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Glorious Noise Interview with Ric Menck of Velvet Crush

It’s a pretty ballsy move for a band to name an album, Teenage Symphonies to God. Every rock snob worth his or her weight in vinyl knows the story of Brian Wilson’s abandoned Smile project and how his overwhelming goal to create “teenage symphonies to God” drove him straight into madness (by way of his sandbox and his bedroom). While it’s unclear whether or not the members of Velvet Crush went cuckoo after recording their breakthrough 1994 album, there’s no denying that they ended up with a great pop album.

They’ve continued to release great stuff, and Glorious Noise jumped on the chance to send our new man on the scene, Ryan King, to interview VC drummer, Ric Menck. Read the full interview.

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Ben Blackwell: A Lifetime Worth of Self-Pity, Self-Deprecation and Self-Immolation

GLONO’s Cub reporter Nathan Walker interviews Ben Blackwell, drummer for Detroit’s Dirt Bombs, and gets an earful. Everything from vegan promoters to gear-head homos to the media’s obsession with the Detroit “scene” comes under fire from this ornery cuss. Poor Nate hasn’t been the same since.
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BABY GOT BACKWARDS

One man’s tribute to Kris Kross

Atlanta, 1991. Fledgling rappers Chris Kelly and Chris Smith are shopping for Cross Colours at their local mall, when a chance encounter with producer Jermaine Dupri – himself a relative novice at 19 – leads the two teenagers into a new world of stardom and uncomfortable pants…

Under the guidance of Dupri, Smith and Kelly became “Daddy Mack” and “Mack Daddy” – the teenaged Hip Hop duo known as Kris Kross. “Jump”, their debut single, tore up the Billboard charts, eventually spending eight-plus weeks at number one. “Jump” was certainly infectious. Its Jackson 5 sample and hooky flow suggested the anthemic party groove of Naughty By Nature’s best work, but still possessed the gimmick of two kids rocking the mic. And then there were the clothes. Jerseys, jeans, necklaces, even shoes – all worn backwards. Pop music had seen its share of gimmicks – This was the era of Biz Markie and Digital Underground, after all – but the backwards threads gag was one of the best yet.

Kris Kross capitalized on “Jump”‘s success with a few followup singles, and Totally Krossed Out sold millions. But its hard to gain a lot of respect when you’re 13 and your pants are on backwards. 1993’s Da Bomb collapsed under the weight of puberty and faltering bravado; recently, Kelly and Smith have been found on Sony Music, still hanging with Dupri and his So So Def crew.

But no matter how old the two Chrises get, we’ll still remember them in cornrows and backwards Mets jerseys. And that’s exactly the memory that aDam Rulz! is committed to preserving. Through his website, aDam has spread his dream of International Kris Kross Day. Derived not so much from the legacy of Kris Kross’ music as from their trend-setting opposite fashion sense, aDam’s wish is for everyone throughout the world to take one day a year and kick it like the Mack Daddy and the Daddy Mack, circa ’91.

I caught up with aDam yesterday evening, as the 7th Annual Kris Kross Day was winding down.

GLONO: How much success have you had in getting the word out about this dynamic holiday?

ADAM RULZ: Getting the word out was never a problem. I blanket my school with flyers. This year’s Internet coverage has been unprecedented though. The problem is that although most people think it’s a good idea, they’re not often actually willing to participate.

Backwards…everything? That could get uncomfortable.

How much is worn backwards is totally up to the participant. I’ve had people who will only flip an undershirt or a pair of underwear to show their support without looking like a fool. It’s understandable that some people are shy and I respect the effort. A truly Krossed Out look, the one that I do every year, includes backwards shirt and pants. Reversed shoes. Socks with the heels at the top. Backwards coat (local weather permitting) and wearing my bag on my front. I’ve never personally done underwear as it chafes but that’s the real extra mile. The shirt isn’t uncomfortable but the pants are. They don’t look it when you wear them straight, but the crotch of pants is made for forward dressing. Backwards pants puts a good deal of pressure on the … private area. It’s a good idea to whip out your loosest pair.

Kris Kross’ debut record, Totally Krossed Out, sold over 4 million copies out of the box, rocketing Chris “Daddy Mack” Smith and Chris “Mack Daddy” Kelly from shopping mall obscurity to concert hall popularity in a matter of weeks. But like so many talented young artists, the duo was unable to truly capitalize on that success, and after two more albums, faded into obscurity. Do you think that whiz-kid producer Jermaine Dupri’s backwards-clothing marketing scheme was a metaphorical critique of the opposite nature of the record business itself, giving so much so soon to two young people, only to yank out the proverbial carpet when their strength as a commodity is exhausted?

That’s the biz I guess. The two were marketed towards kids, although you can tell by listening to “Totally Krossed Out” that they weren’t some pop band. They were really hard core kids. They later tried to do their own thing but didn’t have much success with their more gangsta rap type music, but that didn’t fly. Who can you blame? The kids who bought it not following through? I think they should be happy to have had their 15 minutes. The industry’s crude but it gives people an in. What happens after that is often up to them and the market. But that’s just my opinion and I can hardly read Jermaine Dupris’s mind. If his fad was indeed a critique it was certainly not well appreciated by the people that dawned the style and it’s certainly not the spirit behind the continued yearly revival of the style in the pure at heart.

What can be done to insert ‘WiggitywiggitywiggityWack’ back into the public’s slang consciousness?

As much as possible I hope. I’ve tried to work my own stuff into the public vernacular but tend to fail. I was just thinking earlier today that “WiggitywiggitywiggityWack” should be used in next year’s campaign only I couldn’t imagine how I would even start to spell it. Thanks.

Like Pop music, Hip Hop is cyclical in nature. What’s the chance that wearing clothes backwards will come back into fashion? Dupri is still active; might he opt to bring the trend back?

I certainly hope so. Lots of things come back and an idea as simplistic as wearing your clothes backwards is a possible modification of any outfit. I think that the problem the style currently faces is that it’s still associated with Kris Kross and people would feel more like they’re stepping back then forward by bringing back the fad. I think once kids don’t know about it’s first coming anymore it will be time for a fresh start. They can think they invented the style themselves in their ignorance if it helps things. I won’t be doing anything to distance the idea of dressing backwards from Kris Kross but time may.

Jump! Jump!

JTL

Simple Music for Complicated Times

The Glorious Noise Interview with The Asteroid No. 4

There’s increasing interest in music with raw foundations. From the garage rock sonic blasts of the White Stripes and the Hives to the country-tinged folk harmonies of the Beachwood Sparks and the Brian Jonestown Massacre, real music for real people is getting more attention.

Glorious Noise caught up with Philadelphia’s The Asteroid No. 4 to find out what it is we’re all looking for and how bands like this help us find the way. Read the interview.

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