Tag Archives: Jay Reatard

New King Louie Bankston: Trinkets

Video: King Louie Bankston – “Trinkets”

Directed by Art Boonparn. From Harahan Fats, out November 10 on Goner.

I didn’t know King Louie Bankston but I got to hang out with him one evening thirty years ago, before he was coronated. My senior year of college some pals and I decided to drive from Kalamazoo to New Orleans to go to Mardi Gras. Two girls we knew were living down there so we knew we could crash at their place. That was extent of the plan. Pre-cellphone, pre-google maps, what could go wrong? Worst case scenario was we’d have to crash in the car…or get arrested and hauled off to Tent City, I guess. But it all worked out. Our hosts were friends with the Royal Pendletons who got us up bright and early and took us to the Zulu Parade. Later we ended up at a club called Muddy Waters to see Tav Falco’s Panther Burns. That’s where Louie came in. All the other guys we met looked straight out of a 1961 Sears catalog but Louie had long greasy hair like a hippie! And instead of wearing a sharkskin suit and skinny tie, Louie was wearing a bright red leather motorcycle jacket that said “PRIDDY 78 H” on the back. I was a drunk goofball in a flannel shirt and I was intimidated.

It wasn’t until Bankston died last year at 49 that I connected the dots and realized who he was. After his time with the Pendletons he continued to spread the gospel of rock and roll via a number of bands and projects. His label says “Bankston would ultimately release 53 records in his lifetime.” The closest he came to dipping a toe into the mainstream was with the Exploding Hearts, who released Guitar Romantic in 2003 to critical acclaim. Louie left the band shortly after the album was released.

Harahan Fats, his first posthumous release, was mostly recorded over the four years before he died. “Trinkets” was recorded by Jay Reatard in Memphis ten years prior. It’s sad and sweet and it’ll break your heart.

King Louie Bankston: web, bandcamp, amazon, apple, spotify, wiki.

Forkcast Filter, Round 21

Pitchfork: ForkcastThe fine folks at the Fork have been uncovering all kinds of new music for you to check out. It’s hard for anybody to listen to everything. We handpick the stuff that might appeal to the GLONO reader…whatever that means. Listen for yourself and let us know what you think.

Here’s our latest roundup of the good stuff that Pitchfork has given up recently on their Forkcast:

Local Natives – “Sun Hands”

Quasi – “Repulsion”

Charlotte Gainsbourg – “Heaven Can Wait (Nosaj Thing Remix)”

Jay Reatard – “Frances Farmer Will Have Her Revenge on Seattle” (Nirvana cover)

Phoenix – “Sad-Eyed Lady of the Lowlands” (Bob Dylan cover)

Grizzly Bear – “Boy From School” (Hot Chip cover)

Erykah Badu – “Window Seat”

Lots more below, including several xx remixes and covers of songs by Beyonce, Justin Timberlake, and Elliott Smith

Continue reading Forkcast Filter, Round 21

Twitter Roundup #8

Tweet tweetBelow are the things we’ve posted to Twitter recently. In reverse chronological order, just like Twitter…

# Bobby Charles, songwriter of “Walking to New Orleans” and “See You Later Alligator”, dead at 71. http://ow.ly/WP6u about 3 hours ago

# RT @slicingeyeballs: Robyn Hitchcock’s ‘Propellor Time,’ due March 22, to feature Peter Buck, Johnny Marr, John Paul Jones http://ow.ly/WImE about 6 hours ago

# RT @billboardglenn: First the rumors, now the article. From Billboard.biz: Layoffs Begin Across Universal Music Group http://bit.ly/93c8vm about 17 hours ago

# RT @adamficek: so…….just got the bat call, it seems tonight is babyshambles at rhythm factory. Best get off train. about 20 hours ago

# On This Day in 2004: @staceykanderson interviews the music directors of one of the best college radio stations in America. http://ow.ly/WAGi about 20 hours ago

# RT @rockcritics: Lisa Robinson’s oral history of disco from #VanityFair features Moroder, Rodgers, Gaynor, et al. http://bit.ly/4xWDp7 about 21 hours ago

# Smoking Gun has FCC complaints re: @adamlambert AMA show: “total fagatoni which I am OK with.” Did @Buddyhead write that? http://ow.ly/WykU about 22 hours ago

Lots more after the jump…

Continue reading Twitter Roundup #8

Jay Reatard, Dead at 29

Jay Reatard, singles

We don’t have a lot of information yet, but the Memphis Commercial Appeal and other news outlets are reporting that Jay Reatard died in his sleep last night.

Memphis musician Jimmy Jay Lindsey Jr., better known as Jay Reatard, was found dead in his Midtown home this morning, according to family and friends. He was 29.

Memphis police have opened a death investigation, spokesman Jennifer Robinson said. Lindsey was found around 3:30 a.m. at his home, Robinson said.

I’ve only been tuned into Reatard for a little over a year. But the two albums he’s released in that time really made me think he had a bright future ahead of him. Sad to find out that’s not to be the case. Here’s a nice roundup from the Village Voice.

MP3s:

Jay Reatard – “Wounded”

Jay Reatard – “It Ain’t Gonna Save Me”

Jay Reatard – “Always Wanting More”

Jay Reatard – “See/Saw”

Jay Reatard: iTunes, Amazon, Insound, wiki

Continue reading Jay Reatard, Dead at 29

Jay Reatard – Watch Me Fall

Jay Reatard - Watch Me FallJay ReatardWatch Me Fall (Matador)

“Here in this bedroom / Is where I sit / ‘Cuz I don’t really / Give a shit” goes the first single (“It Ain’t Gonna Save Me”) from Jay Reatard‘s Watch Me Fall. But giving a shit doesn’t necessarily mean that Reatard’s bedroom time isn’t productive. Judging by the whirlwind of recorded output he’s bestowed on us for the past few years, he’s been pretty busy with bashing out an impressive repertoire of manic punk/pop.

Enter the “pop” era of Reatard, and someone’s on hand to make sure the needle doesn’t go into the red so much. Is that a bad thing? I guess it depends on your perspective; I mean, Blood Visions was certainly a breath of fresh air even when it wasn’t anything totally original. It—and the Singles collections that followed—were a testament to how incredibly influential the Buzzcocks were, and how little their formula has changed when artists like Reatard re-interpret them.

Continue reading Jay Reatard – Watch Me Fall

New Jay Reatard – It Ain't Gonna Save Me

MP3: Jay Reatard – “It Ain’t Gonna Save Me” from Watch Me Fall, due August 18 on Matador.

“All is lost, there is no hope / All is lost, you can’t go home.” Not sure why people refer to this guy as “garage rock.” Sounds way more like the more rocking Shins stuff (“So Says I,” etc.). Regardless of what genre you cram it into, it’s still good.

Jay Reatard: iTunes, Amazon, Insound, wiki, MySpace, web.

Continue reading New Jay Reatard – It Ain't Gonna Save Me

New Jay Reatard video: See/Saw

Video: Jay Reatard – “See/Saw”

From Matador Singles ’08, which is a really good collection of poppy lo-fi messy garage punk songs. The fact that he comes from Memphis makes sense. I hadn’t heard anything by him before this album, but now I’m pissed I missed seeing him this summer.

MP3: Jay Reatard – “See/Saw”

Jay Reatard: Web, MySpace, Wiki, eMusic.

Continue reading New Jay Reatard video: See/Saw

Notes from the Pitchfork Music Festival

Pitchfork Music FestivalPitchfork Music Festival

Chicago, July 18-20, 2008

So I’m standing around early on Friday night while Mission of Burma rips through Vs., and out of the backstage VIP area walks this short guy wearing a giant Professor Griff t-shirt. You know those tribute shirts where the whole shirt is a picture of Biggie‘s face? Like that, but with a picture of Public Enemy‘s alleged anti-Semite, Professor Griff.

It takes me a moment to realize this guy is, of course, Professor Griff. He’s walking around the crowd before his set, begging to be noticed. And this weird moment of awesome bravado and icky self-promotion is a pretty fair metaphor for the entire P-Fork Fest.

This yearly congregation of college radio nerds, fashion victims, art students, burnouts, baristas, and meatheads in Chicago’s Union Park is getting bigger and bigger. With an overstuffed line-up of hipster favorites and a smart, well-ordered setup, this is still the best-run festival in America. But it wasn’t without headaches, creeping corporate sponsorship, and a shit-ton of humidity.

Continue reading Notes from the Pitchfork Music Festival