Tag Archives: Johnny Cash

On New Year’s Day

On January 1, 1959, Johnny Cash performed at San Quentin State prison; what is interesting is that he’d released “Folsom Prison Blues” in December 1955, and didn’t play at Folsom Prison until 1968, when he recorded a live album there. He followed that up in 1969 with Johnny Cash at San Quentin. When he played the show on New Year’s Day in ’59 Merle Haggard was in the audience; Haggard had been convicted of trying to rob a roadhouse in Bakersfield in ‘57; failed at an escape from Bakersfield Jail, so was transferred to San Quentin. While Cash had never been a convict, Haggard had spent time in several prisons; that New Year’s Day performance by Cash was, Haggard later said, instrumental in his becoming a musician, something that he’d tried to do prior to the Bakersfield job, obviously unsuccessfully at that time.

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On January 1, 1953, Hank Williams—whose given name is Hiram—was being driven to Canton, Ohio, for a concert. Williams—who’d had a long bout of problems with alcohol, amphetamines, etc. (his drunkenness lead to his dismissal from the Grand Ole Opry in 1952; he became part of the show in 1949), although it should be pointed out that he was plagued by severe back problems and later a heart condition, so odds are the substance abuse was meant to relieve the pain—was found dead in the back seat of the Cadillac he was riding in. He was 29. One thing that Williams had pulled off that few others have managed as well as he did was to record as “Luke the Drifter.” Apparently, Luke the Drifter performed religious recitations, which Williams figured would not exactly be helpful vis-a-vis his public career. Somehow songs like “My Son Calls Another Man Daddy” and “Moanin’ the Blues” wouldn’t be Luke the Drifter-approved.

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On January 1, 1962, one of the great fails of all time took place: The Beatles auditioned for Decca Records. And Decca decided that Brian Poole and the Tremeloes would be a better pick. In July 1963 that band made its way to the charts for the first time in the UK with a cover of an Isley Brothers hit, “Twist and Shout.” The Beatles had beaten the band to that song, having released their version in March of the same year. The Tremeloes evidently knew a good thing when they heard it: in a post-Poole lineup, they covered “Good Day Sunshine” in 1966. It didn’t make the charts. Back to the Beatles for a moment: although January 1, 1962 was a Monday, did people really work that day in the UK?

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On January 1, 2007, BBC Radio 2 (According to the company: “The remit of Radio 2 is to be a distinctive mixed music and speech service, targeted at a broad audience, appealing to all age groups over 35”) announced the results of a poll that had been taken of approximately 20,000 of its listeners. It indicated that the greatest British band of all time was not the Beatles. It was Queen. This makes one question the vaunted “wisdom of crowds.”

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On January 1, 1890, the first Rose Parade was conducted by the Pasadena Valley Hunt Club. The association with a football game didn’t occur until January 1, 1902. There is a notable university in Pasadena, California Institute of Technology, better known as “CalTech.” It was established in 1891. It had a football team. The Beavers never played in the Rose Bowl. CalTech did have an “appearance” at the Rose Bowl in 1961. Some clever Sheldons managed to switch flip cards used by the cheerleaders for the Washington Huskies so that people in the stands would be directed to unknowingly spell “CALTECH” during halftime, which was picked up by the national NBC broadcast. (The CalTech football team ceased to exist in 1993.) On January 1, 1972, the first rock band rode on a float during the Tournament of Roses: Three Dog Night. Which makes one question the wisdom of the organizers in Pasadena back then. On January 1, 2021 there was no Rose Parade, having been canceled due to the pandemic. It was the first time the parade had been canceled since 1945, due to a world war.

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On January 1, 1975, Stevie Nicks and Lindsey Buckingham officially joined Fleetwood Mac. In April 2018 Buckingham was “fired” from the band, ostensibly because of Stevie Nicks. He sued the band in October for dismissal. He had a heart attack in February 2019 and underwent open heart surgery. Due to the intubation, his vocal cords were affected. He recovered and was to have made his first return to a stage at the Beale Street Music Festival, which was to have taken place May 2020, was pushed back to October 2020, and was cancelled. In December 2020 Stevie Nicks sold 80% ownership of her song catalog—including “Dreams,” which had a massive boost in 2020 due to a TikTok video—for a reported $100-million.

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On January 1, 2021, I thought I’d wish you all a good one for the year. The pandemic isn’t over yet. It is not likely to be for several more months. It will. But still: be careful. Because while we are all ready to get out there, know that on February 27, 2020, someone who shall go unnamed said, “It’s going to disappear. One day — it’s like a miracle — it will disappear.” We’re still waiting.

50 Years Ago on the Johnny Cash Show: Louis Armstrong, Kenny Rogers

The sixth episode of the final season of the Johnny Cash Show aired 50 years ago today on October 28, 1970, from Music City USA, Nashville, Tennessee. It featured guests Tennessee Ernie Ford, Kenny Rogers and the First Edition, and the great Louis Armstrong along with the usual regulars: June Carter and the Carter Family, the Statler Brothers, Carl Perkins, and the Tennessee Three.

Unfortunately, this is another episode that has not aired on GetTV. We can derive how the show went down based on the detailed notes from the Country Music Hall of Fame and some help from the friendly uploaders of YouTube.

The best part about this episode, of course, is Louis Armstrong. We wrote about this before, inspired by a great article in the Oxford American by Charles Wolfe in 2007. Armstrong and Cash cover Jimmie Rodgers’s “Blue Yodel #9,” which Rodgers first recorded forty years earlier, in 1930, with none other than Louis Armstrong on trumpet. You can see how excited Cash is to play it with him.

So here we are 90 years after the original recording, watching a fifty year old performance of a historical summit of American genres.

• Johnny Cash – “Ring of Fire”

Tennessee Ernie Ford, June Carter and Johnny Cash – “Nobody’s Business By My Own”

First Edition “Heed the Call”

Louis Armstrong – “Crystal Chandeliers” / “Ramblin’ Rose”

Louis Armstrong and Johnny Cash – “Blue Yodel No. 9”

• Johnny Cash – Come Along and Ride This Train: Outlaws

Tennessee Ernie Ford – “Nine Pound Hammer”

• Johnny Cash – “Children Go Where I Send Thee”

Tennessee Ernie Ford and ensemble – “I’ll Have a New Life”

Continue reading 50 Years Ago on the Johnny Cash Show: Louis Armstrong, Kenny Rogers

50 Years Ago on the Johnny Cash Show: Peggy Lee, The Guess Who

The fifth episode of the final season of the Johnny Cash Show aired 50 years ago today on October 21, 1970, from Music City USA, Nashville, Tennessee. It featured guests Peggy Lee, The Guess Who, Marty Robbins, and Tommy Cash along with the usual regulars: June Carter and the Carter Family, the Statler Brothers, Carl Perkins, and the Tennessee Three.

Unfortunately, I have not seen this episode yet on GetTV. In fact, I’m starting to think they only have 21 episodes that they keep repeating…out of the 58 episodes originally broadcast. That’s less than half. I might be wrong. We’ve reached out to the network to ask them some questions, but they have yet to reply. I’ll keep watching and report back.

We can derive how the show went down based on the detailed notes from the Country Music Hall of Fame and some help from the friendly uploaders of YouTube.

One thing Johnny Cash wanted to do with his series was to bridge the generation gap by introducing his older country audience to younger rock and rollers. Or maybe it wasn’t so much a generation gap as it was a cultural gap between his more rural, conservative audience and the “Woodstock” types who had embraced him since Live at Folsom Prison. It was no accident that the very first episode featured Bob Dylan and Joni Mitchell.

Most of the time Cash let the music do the talking but sometimes he beat you over the head with it. A good example of this is the medley he performs with the Guess Who, where the Canadian longhairs trade verses of their latest single with Cash who intersperses bits of his anti-anti-hippie anthem, “What Is Truth” (“Could it be that the girls and boys are trying to be heard above your noise?”). It’s not subtle, and it may seem corny today, but I bet at the time it was provocative.

Johnny Cash – “Mama Tried” (link is audio only)

• June Carter recites a love poem she wrote

• Marty Robbins – “Jolie Girl”

Johnny Cash and Marty Robbins – “Streets of Laredo”

The Guess Who and Johnny Cash – Medley: “Hand Me Down World” / “What is Truth” / “Share the Land”

Johnny Cash – Come Along and Ride This Train: The Gold Rush

Johnny Cash and Peggy Lee – “I’m A Woman”

Peggy Lee – “One More Ride on the Merry-Go-Round”

Peggy Lee and Johnny Cash – “For the Good Times”

Johnny Cash – “All Over Again”

Johnny Cash – “He’ll Have to Go”

Tommy Cash – “One Song Away” backed by Statler Brothers

Johnny Cash and June Carter – “Foggy Mountain Top” with Tommy Cash, Mother Maybelle and the Carter Sisters, and Statler Brothers

• Johnny Cash – “Just A Closer Walk With Thee” backed by Mother Maybelle and the Carter Sisters and the Statler Brothers

50 Years Ago on the Johnny Cash Show: Linda Ronstadt, Mac Davis, Jose Feliciano

The fourth episode of the final season of the Johnny Cash Show aired 50 years ago today on October 14, 1970, from Music City USA, Nashville, Tennessee. It featured guests Linda Ronstadt, Mac Davis, and Jose Feliciano along with the usual regulars: June Carter and the Carter Family, the Statler Brothers, Carl Perkins, and the Tennessee Three.

R.I.P. to Mac Davis, who died a couple weeks ago at 78. He was a big songwriter who by the time of this show had already written a bunch of hits for Nancy Sinatra, Elvis Presley, and others. I will always think of him for his 1980 single, “It’s Hard To Be Humble,” which was one of my dad’s favorite songs. “I can’t wait to look in the mirror ’cause I get better lookin’ each day.”

Davis was considerably more humble in 1970 with no crossover hits yet as a performer. His single from earlier in the year, “Whoever Finds This, I Love You” had peaked at No. 53 on the Hot 100, and the single he’s promoting here did not chart. Both songs he performs would eventually see release on 1972’s I Believe in Music album, which flopped. But you can already see the twinkle in his eye.

There’s a great story about the first time Linda Ronstadt was on the show back in 1969. It was the third episode of the very first season and 22-year-old Ronstadt had a bit of a wardrobe tussle with June Carter. Entertainment Weekly shared hairdresser Penni Lane’s version of events: “At rehearsal, June noticed that Linda didn’t have any panties on, so she came running back to the dressing room, [saying], ‘Somebody get down the street and buy her some bloomers, she’s out there showing herself! When Linda was told she would have to wear underwear, she was very upset. She said, ‘I sing better bare-butted.’” June’s response at the time? ‘Not in front of my Johnny!’”

This time, a year and a half later, Ronstadt had a lot more clothes on.

Johnny Cash – “Five Feet High and Rising”

• June Carter shares a poem [Note: this segment is unfortunately not included in the GetTV broadcast.]

Linda Ronstadt – “Long Long Time”

https://www.youtube.com/watch?v=Obm1ex9VqFk

From Silk Purse (Capitol, 1970).

Continue reading 50 Years Ago on the Johnny Cash Show: Linda Ronstadt, Mac Davis, Jose Feliciano

50 Years Ago on the Johnny Cash Show: Joni Mitchell and Joe South

The third episode of the final season of “The Johnny Cash Show” aired 50 years ago today on October 7, 1970, from Music City USA, Nashville, Tennessee. It featured guests Joe South, George “Goober” Lindsey, and Joni Mitchell along with the usual family of regulars: June Carter and the Carter Family, the Statler Brothers, Carl Perkins, and the Tennessee Three.

Joni Mitchell had been a guest twice in the show’s initial run in the summer of 1969, but since those appearances she had written a lot of new songs. Her classic album Blue wouldn’t be released for another eight months but she already has two of its highlights ready to go. Alone with a dulcimer on her lap (“California”) or seated at a piano (“My Old Man”), we see a songwriter completely in control of her craft. She’s still a good enough sport though to sing a Bob Dylan cover as a duet with her host!

And how about Joe South? He was a songwriter who wrote a bunch of hits, including my all-time favorite 70s Elvis jam: “Walk A Mile in My Shoes.” Once in college I was making a mixtape in a somewhat elevated state of consciousness and decided it was the perfect song to include on a deeply funky side that featured Funkadelic, Sly Stone, and something off Paul’s Boutique. The next day with a clear head I discovered that “Walk a Mile in My Shoes” wasn’t quite as funky as it had seemed. Oh well, it’s still a jam.

Have you ever listened to the lyrics of the Statler Brothers’ “Bed of Roses”? It’s wild. Basically the story of a young orphan who can’t get any help from any of the local churchy people, so he ends up crashing with a charitable sex worker named Rose. So the title of the song is missing the possessive apostrophe in order to appear less scandalous (and because country songwriters love a good pun)!

Johnny Cash – “Southwind”

• June Carter – poem: The world’s first fleas

• George Lindsey – comedy

Joe South – “Why Does a Man Do What He Has to Do” [Note: this segment is unfortunately not included in the GetTV broadcast.]

Joe South (with Johnny Cash, June Carter, and George Lindsey) – “Don’t It Make You Want to Go Home”

Joni Mitchell – “California”

From Blue (Reprise, 1971).

Continue reading 50 Years Ago on the Johnny Cash Show: Joni Mitchell and Joe South

50 Years Ago on the Johnny Cash Show: Ray Charles, Arlo Guthrie, and Liza Minnelli

For the last year or so I’ve been setting the DVR to record “The Johnny Cash Show” on GetTV. Back in the golden era of variety shows, when everybody from Ed Sullivan and the Smothers Brothers to Carol Burnett and Glen Campbell had their own primetime shows, the Man in Black got his own one-hour program on ABC.

And it’s awesome. Watching it is like taking a time machine back to an entertainment environment that feels almost entirely alien to today’s slick world where everybody on tv has perfect teeth, appropriately plucked eyebrows, and the exact same measurements. “The Johnny Cash Show” is funky and sincere and goofy and weird in the best way.

According to Johnny Cash: The Life by Robert Hilburn, ABC was hoping to piggyback on the success of CBS’s new hit, “The Glen Campbell Goodtime Hour.” Cash agreed to do it as long as he could tape the show at the Ryman Auditorium in Nashville and select his own guests. The production company agreed to the former and evaded the latter.

It started out as just a summer replacement series, debuting on June 7, 1969 with guests Joni Mitchell, Bob Dylan, fiddler Doug Kershaw, and comedian Fannie Flagg, and running every Saturday night through September 27. The show’s initial run created enough buzz to be renewed for another 17 episodes, starting Wednesday nights in January 1970 and running through May 13, 1970.

The final season of the Johnny Cash Show kicked off 50 years ago today on September 23, 1970, from Music City USA, Nashville, Tennessee. It featured guests Ray Charles, Arlo Guthrie, and Liza Minnelli along with the usual family of regulars: June Carter, Mother Maybelle and the Carter Sisters, the Statler Brothers, Carl Perkins, and the Tennessee Three.

It was Ray Charles’ 40th birthday. Johnny Cash was 38. Arlo Guthrie was 23. And Liza Minelli was 24.

Like each episode in the series it begins with an instrumental, big band version of “Folsom Prison Blues” conducted by Australian arranger Bill Walker, and then our host introduces himself: “Hello, I’m Johnny Cash.”

• Johnny Cash – Medley: “One More Ride” / “Hey Porter” / “Orange Blossom Special” / “Folsom Prison Blues”

• Ray Charles and the Raylettes – “Finders Keepers”

Ray Charles – “I Walk the Line”

Ray Charles – “Ring of Fire”

From Love Country Style (Tangerine Records, 1970).

Continue reading 50 Years Ago on the Johnny Cash Show: Ray Charles, Arlo Guthrie, and Liza Minnelli

Sparklehorse – Dark As A Dungeon

MOJO Tribute: Cash CoveredMP3: Sparklehorse – “Dark As A Dungeon”

I just stumbled across this on the Sparklehorse site. It’s from a tribute CD to Johnny Cash from MOJO Magazine back in April 2006. Merle Travis wrote it, but Cash popularized it by featuring it on his live At Folsom Prison album.

So consider this a belated birthday celebration to the Man in Black. I’ve got some strong opinions about the release of American VI: Ain’t No Grave, but I’m keeping them to myself for now.

Sparklehorse: iTunes, Amazon, Insound, wiki

Continue reading Sparklehorse – Dark As A Dungeon

Lost Classic: Bobbie Gentry – Ode to Billie Joe

Bobbie Gentry - Ode to Billie JoeBobbie GentryOde to Billie Joe (Capitol Nashville)

From the first strums on what sounds like a dime store student guitar and the odd orchestral backing, Bobbie Gentry‘s Ode to Billie Joe is clearly in a different sort of universe. Best known for the title track, which tells the story of young lovers and suicide from the Tallahatchie Bridge, Ode to Billy Joe is as complex as the subject matter suggests.

Video: Bobbie Gentry – “Ode To Billy Joe”

Country Soul is full of sultry songstresses with smoky voices. Dusty Springfield is probably best known, and her “Son of a Preacher Man” is probably the finest example of a genre all but forgotten today. Where the Mandrel Sisters, Dolly Parton and others opted for the lure of pop audiences that eventually brought us to the sorry reality of Rascal Flatts, Springfield and Gentry (along with Jeannie C. Riley of “Harper Valley PTA” fame) skipped the white bread for the grits. The late 60s and very early 70s produced a fantastic crop of Country Soul that sounds as unusual and compelling as ever. That it did not become the dominate cross-over sub-genre is too bad for all of us.

Continue reading Lost Classic: Bobbie Gentry – Ode to Billie Joe

Louis Armstrong on the Johnny Cash Show

I read about this 1970 clip in the most recent music issue of the Oxford American in a great article by Charles Wolfe called Country Music in Black and White:

Then Cash himself, cracking a rare grin, moved in and sat and talked with him about Jimmie Rodgers, one of Cash’s heroes. Yes, Satchmo remembered backing him on “Blue Yodel No. 9,” and yes, it would be fun to try to recreate it. So with Cash playing Rodgers and Armstrong playing—well, himself—the pair brought the audience back to 1930. Cash and Armstrong swapped choruses on the old blues standard—Cash doing a swaggering vocal, Armstrong playing a dynamic, elegant series of trumpet breaks, in spite of the fact that his doctors in New York had told him to stop playing for good.

In a sense, this was one of those unique cultural cusps that seems to occur only in American music—the kind that gave rise to Western swing, rock & roll, and rhythm & blues, one of the better nights at the Ryman, a place, Lord knows, that has seen its share.

I finally got around to searching for it, and of course it’s up on YouTube (thanks to user opurkert). Check out this amazing historical artifact after the jump…

Continue reading Louis Armstrong on the Johnny Cash Show