Tag Archives: Mary Timony

Listen to Frontier Justice 3/25/17

Tei Shi has described her songcraft as a communion of many jams, tributaries of ideas meeting on a flood plain to the wide open sea. You can climb inside the layers on a track like 2013’s “M&Ms,” let the stuttering beat of 2015’s “Basically” blast from your imaginary boom box as weird thoughts bounce off your skull on the train ride downtown. And on Crawl Space (Downtown), the Argentina-via-New York City artist’s debut full-length, it’s this kind of stylistic pointillism that’s the name of the game. It’s a headphones record, speaking of train rides; Tei Shi’s vocals drift in from one channel in harmony, while they fill the middle space with Prince screams and hooks to set off another treated blast of brass or a well-timed percussion squall. “Justify” from Crawl Space kicks off this edition of Frontier Justice, and the low-end growl’s nearly as cool as Tei Shi’s multi-dimensional vocal trading barbs with that skittering effect over top. Let it get inside of you.

Spotify: Frontier Justice 3/25/17 (34 songs, 1 hr 59 min)

Speaking of multiple dimensions, Gorillaz have returned from the Fornax Cluster just in time to collaborate with a billion more tastemakers. Reggae has always been central to Damon Albarn’s Gorillaz star map, and here his drowsy vocal meshes well with the melodic chat of Jamaican dancehall hot shot Popcaan. The craziest thing about Gorillaz is how much it always sounds like Gorillaz, no matter what posse of guests Albarn’s rustled up. Perfect example? Jehnny Beth, fearless leader of Savages, leads the pulsing “We Got the Power,” which stands strong on its own even as it’s built from Gorillaz’ signature tool kit.

Debbie Harry has never stopped being cooler than everyone, and “Long Time” is the new proof. Written with Dev Hynes of Blood Orange and feeding on the genetic material of “Heart of Glass,” it’s one of the lead tracks from Pollinator, out May 5, which will also feature collabs with Dave Sitek (TV on the Radio), Johnny Marr, Sia, and the homie Charli XCX. Sitek is also the man behind the curtain on the hazy remix of “Hot Thoughts,” the title track to Spoon’s new record, appearing here alongside , who herself worked with XCX for “Drum,” which certainly bears the British singer-songwriter’s sixth sense for brash pop hooks.

Continue reading Listen to Frontier Justice 3/25/17

Mary Timony – The Golden Dove

Mary TimonyThe Golden Dove (Matador)

Helium, Mary Timony’s old band, could always be counted on to spook you with the rock. With Timony’s articulate, cryptic (arcryptulate?) lyrics weaving between spiraling guitar lines, Helium was the indie rock answer to Medieval Baebes. THE GOLDEN DOVE is Mary Timony’s second solo effort, and it’s nice to see that her adoration for the 16th and 17th century lingers, even as she fucks up the Renaissance rhythms with rock and roll. On “The Mirror,” a courtly melody in the verse is invaded by girl group sensiblities in the chorus. “Music and Charming Melodee” is Stereolab in King Arthur’s court. But it’s “14 Horses” that may contain the couplet that best encapsulates Timony’s symbiosis of Medieval mood and modern indie rock theme: “I fell in a poisoned well/through the water I saw HELL/Take the telephone outside/someone bury it alive.”

MP3 available from Epitonic.