Tag Archives: Phosphorescent

New Phosphorescent: Impossible House

Video: Phosphorescent – “Impossible House”

Directed by Curtis Wayne Millard. From Revelator, out April 5 on Verve.

I love Phosphorescent. Matthew Houck is one of my favorite songwriters and his voice never fails to break my heart. But there’s something decidedly weird about hearing him reference a dopey Macaulay Culkin movie as a metaphor for the sense of dread and abandonment looming over a relationship.

Went to your palace and hid
As the thieves approached the throne
Like that McCallister kid
You have been left at home alone.

Does that work, or is it just goofy? It still might be too early to tell. We’ll have to give it some time and see how it sits in the context of the album. You never know. Maybe it will eventually hit me in the face like a bucket of paint.

Phosphorescent: web, bandcamp, amazon, apple, spotify, wiki.

New Phosphorescent: Revelator

Video: Phosphorescent – “Revelator”

From Revelator, out April 5 on Verve.

I was a pretty good dad when my son was a newborn. I had been warned that new parents don’t get any sleep for that first year but that wasn’t my experience at all. We had a system. He slept in a little bassinet in our bedroom and when he’d wake up in the middle of the night, I’d get up and change his diaper and hand him to my wife and immediately konk back out while she nursed him. When they were done she’d hand him back to me and I’d change his diaper and put him back in his bassinet and immediately konk. Even if this happened four times in a night I was losing maybe a total of an hour of sleep. No biggie.

I was a great dad when my son was a toddler. We’d sit on the floor do puzzles and play with cars and trains and read Richard Scarry books. And Jamberry. And Is Your Mama a Llama? So many books. I talked to him all the time. I’d make up stupid songs. He learned to speak super early and was pretty articulate by the time he was three. He was so smart. He knew all 50 states and once chewed a Pop Tart into the shape of Minnesota. He could do basic addition and subtraction. We watched Planet Earth and he loved the “Ocean Deep” episode with all the spooky anglerfish and siphonophores. He used the word “bioluminescence” correctly.

I was a good dad when my son was in elementary school. I read to him every night before bed. We’d go to the library and the bookstore all the time. He had a million books but his favorite was The Pokémon Essential Handbook that listed all 646 known species in alphabetical order with their moves, height, weight, and evolutionary chain. I helped him read the BOB books, even when it was hard for him. I promised that one day it would be easy and he wouldn’t even have to think about. “Remember how hard it was to zip up your jacket at first? And now you just do it.” I drove him to all his activities: cub scouts, swim lessons, basketball, tae kwon do, snowboarding lessons, lacrosse. So many activities.

I was an alright dad when my son was in middle school. He played the cello and got pretty good although encouraging him to practice was always a struggle. Just before schools shut down for covid he’d made first chair. During covid I had hoped we’d spend some quality time together. Seemed like everybody on Facebook was enjoying all the family time. But my son preferred to play videogames online with his friends. And since he couldn’t see them in real life it seemed reasonable. But I was watching him slip away, not needing me as much.

Continue reading New Phosphorescent: Revelator

New Phosphorescent video: C’est La Vie No. 2

Video: Phosphorescent – “C’est La Vie No. 2”

Directed by Jordan Halland. From C’est La Vie, out now on Dead Oceans.

I wrote all night
Like the fire of my words could burn a hole up to heaven
I don’t write all night burning holes up to heaven no more

As you get older you mellow out. Life has a way of tamping down the passion of youth. When you’re young it’s easy to feel destined to make a huge impact on the world. But grownups tend to eventually figure out that it’s hard enough to get out of bed in the morning. So it goes.

Matthew Houck gets this. “C’est La Vie No. 2” is a song that explores this loss of faith. It’s heartbreaking but it’s also liberating. When you accept the fact that God is never going to answer you, you don’t feel compelled to stand out all night in empty fields waiting to hear his voice. You just live. And that’s all there is.

That’s life.

Phosphorescent: web, twitter, amazon, apple, spotify, wiki.

More Lollapalooza 2014 Photos

We finally sorted through our Lolla pics (taken by the unsinkable Jolie Brown) and just uploaded a bunch of them to Flickr. In case you missed it, here’s our Lolla 2014 wrap up. Enjoy the photos.

Iggy Azalea (Flickr album)

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Outkast (Flickr album)

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Continue reading More Lollapalooza 2014 Photos

In Defense Of #fests

Belle and Sebastian at Pitchfork 2013

I’ve seen a lot of criticism of big music festivals lately. Some of it is valid: the radius clauses imposed by organizers can clearly hurt local venues and the local music scene. And I can’t think of a single band I’ve seen outside that wouldn’t have been better inside a dark club or theater. That said, fests offer a lot of things that you’re just not going to get when you go to a regular show.

I went to the Pitchfork Music Festival on Saturday and had a great time. There were three bands that I really wanted to see and several others that I was curious about. That’s enough for a solid day of music. You don’t need to love every single band. It’s good to have holes in your schedule so you can get some food, reapply sunscreen, and sit on a blanket in the shade. Downtime is essential if you don’t want to burn yourself out.

If you don’t have to travel too far, there’s no shame in getting a single day ticket. It’s important to realize that you don’t need to see everything. Don’t stress out about getting inside much before the start time of the first band you care about. On Saturday Phosphorescent was one of my three must-see bands and they started at 2:30. Sure, it might have been cool to see White Lung and Pissed Jeans, but you know what’s even cooler? A leisurely brunch at Wishbone.

We rolled in and found a good spot just in time to see Matthew Houck and his crew take the stage. The sun was beating down on us pretty hard, which made me happy we hadn’t arrived any earlier. Union Park is small enough that I could slip away for beer and be back before the end of the song.

After that, we threw down the blanket in a shady spot close enough to Trail of Dead’s stage so my pals could move up close for a while. During this chill time we met up with some other folks and spent some time critiquing the fashion choices of our fellow attendees. Happy to see nobody’s wearing corduroys in the summer anymore, but man, what’s up with all the half shirts?

We left the shade to check out Savages for a bit but got hungry after a few songs and left to eat some felafel under a tree.

At this point you might be wondering why I would spend $50 to sit on a blanket with my friends. And I would answer that sitting on a blanket with my friends is one of my favorite things to do at music festivals and something I never do anywhere other than at music festivals. I like drinking beer and eating felafels and watching people and listening to music. When something piques my interest I can get up and walk over and check it out.

I haven’t attended the Forkfest since 2010 but in past years I remember feeling old. Maybe it’s the fact that all the guys have geezer beards now, or maybe the Breeders and Belle and Sebastian appeal more to my demographic, but the crowd didn’t seem that young to me this year. But it’s still fun to see a bunch of weirdos baking in the sun while Swans pummel everyone.

I was excited to see the Breeders play Last Splash. It’s a meticulously produced album that is stranger sounding than almost any other alt-pop from the 90s. Live, though, they were perfectly shambolic. As my man JTL put it, they “brought the slacker cool epically.” I’ve seen the Pixies a few times since they reunited and I’ve never seen Kim Deal smile as much as she did on Saturday. They were scrappy and the mix wasn’t great, but whatever. The band was having fun and it was infectious.

After their set we jockeyed for a good position where we could still see Solange but be up close for Belle and Sebastian an hour later. B&S was the reason I bought tickets the day they went on sale. I saw them once before way back in 2006, and it was a great concert. If you think of them as wimpy and twee you really need to see them live. They rock harder than you’d think, and they put on a super entertaining show. There aren’t a ton of bands that I’d stand around in the rain to see, but Belle and Sebastian is one of them.

Once the rain got heavier, our densely packed spot opened up a little and we had enough room to put on ponchos and dance (gently). I kept looking up at the sky, nervous that the show would be stopped early as Bjork’s set had been the previous night. We were lucky and got a full set.

As we left the park my wet shoes squished through the grass and mud. Sure, there are things about fests that you can complain about, things that are less comfortable than they could be, things that are goofy or annoying, but like most things in life it’s about your attitude. If you go in with a good attitude you can have a good time. Realistic expectations and a flexible plan will help too.

A friend’s dad ran for state government back in the day with the slogan: Aim high, hang loose, keep moving. I’m not sure if he won or lost the election, but that’s my motto when I head into a fest. See you at Lollapalooza!

Pitchfork crowd, photo by Alan M. Paterson
Photo by Alan M. Paterson

Phosphorescent – The Mermaid Parade

MP3: Phosphorescent – "The Mermaid Parade"

This song is a year and a half old, but I was just turned on to it a couple weeks ago when John P. Strohm turned up in GLONO’s turntable.fm room and played it as his favorite song of 2010. I’ve been obsessed with it ever since.

The first thing that grabbed me, not surprisingly, was the line about “naked women dancing.” On the second or third pass, I caught the bit about “our two years of marriage in two short weeks somehow just slipped away.” Whoa! After that, I put it on repeat and listened to it about ten times in a row, just like a teenage girl at the beach with Depeche Mode’s “Somebody.”

That must have been a fucked up couple of weeks for this couple if they both hooked up with new people so shortly after their bodies were “like live wires down on the beach in Mexico.” But god damn, it’s a brutal song. And the performance is so damaged, barely holding it together, which reminds me of my favorite Souled American songs. But even more emotionally engaging.

“The Mermaid Parade” is available on Here’s to Taking It Easy (Dead Oceans, 2010)