Tag Archives: playlists

Listen: Jams of Note, June 2017

Some jams of note for June. Or, really, it’s a mix about where do you put “Cut To The Feeling.” Is it first? Is it always? Is it just “Cut to the Feeling” for an entire Sound Design tape? Both sides? I got a tape once like that from a pen pal, years ago. Same story, only it was The Cure’s “Pictures of You.” And it was recorded onto a Maxell XLII-S 100.

Please enjoy the set. And maybe pop music might one day save the world. Or, at least, inspire one Rib Fest cover band to rave up a crowd somewhere with CRJ’s “Cut to the Feeling.” Because maybe that’s all we need in this crazy world.

We need more, though, so there are a bunch of other songs.

JTL

Spotify: Jams of Note, June 2017 (25 songs, 1 hr 19 min)

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Old Gibson Plant in Kalamazoo Getting Facelift

I was lucky enough to have spent some of my formative music years in Kalamazoo, Michigan. Not only was it a tour stop for national bands (Kalamazoo being exactly half-way between Chicago and Detroit), but it also had a banging local scene comprised of bands that I still count among my favorites. All of this was built on the foundation of a guitar company that stands as one of the pillars of American musical instruments: Gibson Guitars.

Founded in 1902 as “The Gibson Mandolin-Guitar Mfg. Co., Ltd.” in Kalamazoo to make mandolins and guitars, the main plant was at 225 Parsons St. when Gibson left for Nashville in 1984. Heritage Guitars moved in shortly thereafter and while they made fine guitars, the small company kinda let the building go to pot.

But now new owners Archie Leach and Jeff Nicholson, who bought Heritage Guitars in 2016, are bringing the old girl back to life. Local Spins reports that the company is investing in their history and…ahem…heritage with a $12 million renovation of the plant to “turn the factory into a destination for tourists and local residents, while keeping the legacy of Gibson and Heritage alive and well in Kalamazoo.”

And because this is Michigan, there are plans to include a beer garden and restaurant as part of the renovations, which are expected to be complete by the end of 2018 or in early 2019.

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Listen to Frontier Justice 3/25/17

Tei Shi has described her songcraft as a communion of many jams, tributaries of ideas meeting on a flood plain to the wide open sea. You can climb inside the layers on a track like 2013’s “M&Ms,” let the stuttering beat of 2015’s “Basically” blast from your imaginary boom box as weird thoughts bounce off your skull on the train ride downtown. And on Crawl Space (Downtown), the Argentina-via-New York City artist’s debut full-length, it’s this kind of stylistic pointillism that’s the name of the game. It’s a headphones record, speaking of train rides; Tei Shi’s vocals drift in from one channel in harmony, while they fill the middle space with Prince screams and hooks to set off another treated blast of brass or a well-timed percussion squall. “Justify” from Crawl Space kicks off this edition of Frontier Justice, and the low-end growl’s nearly as cool as Tei Shi’s multi-dimensional vocal trading barbs with that skittering effect over top. Let it get inside of you.

Spotify: Frontier Justice 3/25/17 (34 songs, 1 hr 59 min)

Speaking of multiple dimensions, Gorillaz have returned from the Fornax Cluster just in time to collaborate with a billion more tastemakers. Reggae has always been central to Damon Albarn’s Gorillaz star map, and here his drowsy vocal meshes well with the melodic chat of Jamaican dancehall hot shot Popcaan. The craziest thing about Gorillaz is how much it always sounds like Gorillaz, no matter what posse of guests Albarn’s rustled up. Perfect example? Jehnny Beth, fearless leader of Savages, leads the pulsing “We Got the Power,” which stands strong on its own even as it’s built from Gorillaz’ signature tool kit.

Debbie Harry has never stopped being cooler than everyone, and “Long Time” is the new proof. Written with Dev Hynes of Blood Orange and feeding on the genetic material of “Heart of Glass,” it’s one of the lead tracks from Pollinator, out May 5, which will also feature collabs with Dave Sitek (TV on the Radio), Johnny Marr, Sia, and the homie Charli XCX. Sitek is also the man behind the curtain on the hazy remix of “Hot Thoughts,” the title track to Spoon’s new record, appearing here alongside , who herself worked with XCX for “Drum,” which certainly bears the British singer-songwriter’s sixth sense for brash pop hooks.

Continue reading Listen to Frontier Justice 3/25/17

Listen to Frontier Justice 2/19/17

The Thousand Points Of Light Memorial Waterfall lies dry at the center of the Super 7 Mega Mall food court tetrahedron, and everybody’s got an opinion as to why. Hair triggers, we have them. In this new reality of hot takes and burning questions, it’s fun to clamber onto a roof and shout “BELL BOTTOMS” over and over into the night sky. Jon Spencer Blues Explosion strut their way outta “Frontier Justice” in its college radio days and into this new consciousness, the latest FJ delivery system being Spotify. And speaking of that new consciousness, on this set JSBX drops into the void between Danny Brown‘s stuttering, claustrophobic “Ain’t It Funny” on one side and Lady Gaga‘s “Diamond Heart” on the other. Young, wild Americans, both.

Spotify: Frontier Justice 2/19/17 (35 songs, 2 hr 3 min)

At the top of the set, Norway’s Sigrid makes her debut with “Don’t Kill My Vibe” and M.I.A. returns with the typically martial “P.O.W.A.” Minor Threat and Agent Orange remind us that the establishment was riling up the youth in the early moments of the Me Decade, Patti Smith remains royalty, and “Said It Already” is new, incisive and grooving from young Londoner Ama Lou. Elsewhere, Tommy Genesis oozes volatility and effortless after-hours club cool on “Art,” and Dai Burger wants to be your class president. Did you know Michelle Branch is back? Hopeless Romantic is her first full-length in 13 years; it was written and co-produced with Patrick Carney of the Black Keys, and sounds like it. Angel Olsen released one of 2016’s best records in My Woman — The engrossing, cinematic “Sister” is a highlight — and digging deep into the Spotify Sound Vaults reveals classic material in a new light: Elvis Presley brings both vulnerability and bluesy swing to an alternate take of “Heartbreak Hotel,” and The Supremes are full of funky soul on “Bad Weather,” the 1973 nugget produced and written by Stevie Wonder.

There’s some Ratt along the way, because after all, what goes around comes around (and they’ll tell you why), L.A. Witch is back with cool new stuff for Suicide Squeeze, RTJ remind us to stay hungry and pissed, and Eminem is no less than unhinged on “No Favors,” one of the many standouts on Big Sean‘s terrific new record I Decided.

Making playlists isn’t protest. It’s not political action. But it can be a soundtrack for both dancing and dissent, and do its best to uphold the art of discourse, which in these polarizing times is increasingly under attack. And if you want to completely check out, there’s always room on Goat‘s delightfully weird magic carpet. Here, “Try My Robe.”

JTL

You can also try an Apple Music playlist. Let me know if this works. -ed.

Continue reading Listen to Frontier Justice 2/19/17

Free Glorious Noise Compilation CD!

One Hundred Thousand

According to our handy little counter, Glorious Noise has had 100,000 unique visits. Every statistics application defines these things differently, but regardless, that’s a shitload of people. So thanks, everybody. We appreciate your support.

As a token of our appreciation, we’re giving all our readers a new cd. Well, sort of. As long as you have a cd burner and a halfway decent connection to the internet, you can have your very own Glorious Noise mix disc.

This mix has been painstakingly compiled and sequenced for maximum listening pleasure. Each track is available for free on the web; we’re just pointing you in the right direction. We have liner notes for you to download and there will be cover art soon. But right now, just dig the music, and let us know what you think.

And, again, thanks for stopping by.

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