Video: Wilder Maker – “Only Child”
From the New Streets 7″, out now on Saddle Creek.
I like this song. It’s got cool guitar tones and an easy listening, lite rock vibe that works nicely with the boy/girl vocals and lyrics about “ice cream on the porch swing” and staying up too late, “the world on my screen.”
Wilder Maker: web, twitter, amazon, apple, spotify, wiki.
Continue reading New Wilder Maker video: Only Child
Over on NPR’s Monitor Mix Blog, Carrie Brownstein rounds up a bunch of people who run indie labels and gets them to talk about how the role of the record label has changed over the past decade. It’s a fascinating conversation that touches on everything from iTunes to filesharing to artist development to vinyl to Pitchfork to licensing… Here’s my favorite part:
Chris Swanson (Jagjaguwar/Secretly Canadian): Are many of you guys having luck making money on singles? Or is it primarily an artist-development tool?
Maggie Vail (Kill Rock Stars): Singles for us are always about development.
Portia Sabin (Kill Rock Stars): A weird thing for us is that, no matter what song off an album we give away as a free MP3, that song is always the most-purchased song off that album.
Robb Nansel (Saddle Creek): Same here, Portia.
Gerard Cosloy (Matador): Same thing happens to us.
Darius Van Arman (Jagjaguwar/Secretly Canadian): We have the exact same experience.
Mac McCaughan (Merge): That’s “the single” to people.
Robb Nansel (Saddle Creek): So we should just all give away all of our albums!
Carrie Brownstein (NPR): Problem solved!
Maggie Vail (Kill Rock Stars): We do; we can’t help it.
The funny thing is that we’re noticed that same trend even on our small scale with Glorious Noise Records. The songs we give away for free are consistently the ones that sell the most via iTunes and emusic. (Well, that was true anyway until Riviera‘s “Golden Lies” was used in an episode of a show on A&E. Since July, we sold over 60 copies of that song via iTunes alone, which is about ten times more than any other song we’ve released.)
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Cursive has a new Daytrotter session featuring “What Have I Done?” off of Mama, I’m Swollen and “The Casualty” from the band’s previous album Domestica, in addition to covers of The Cure‘s “Love Cats” and David Bowie‘s “Modern Love”, both of which had recently become staples in the band’s live shows on their July/August tour.
MP3: Cursive – “Mama I’m Swollen”
Lots more here.
Bad ass video from Saddle Creek‘s Cursive. “Let Me Up” is the third video from the band’s new album Mama, I’m Swollen after the jump…
Continue reading Cursive – Let Me Up
Bright Eyes – I’m Wide Awake It’s Morning (Saddle Creek)
Looking back, the far-reaching and ambitious Lifted is still a great album—nearly landmark, diminished only in its tendencies to indulge in Conor Oberst’s vices; associating the rocky upswings and vibrato/falsetto with emotion divided listeners. Those who could tolerate these occasionally painful moments were rewarded with more than enough off-beat lyricism and memorable arrangements to compensate. But some could just not get over that voice—perhaps in jealousy of the effortlessly prolific writing from someone so young, so naïve and world-weary all at the same time. [Plus, he’s just so damn pretty—Ed.] He’s a galvanizing figure, to be sure, and has attracted more attention (positive or negative) then most of our generation’s iconic music figures.
Continue reading Bright Eyes Delivers a Classic (Finally)
A Glorious Noise interview with the creator of the Emo Game.
By Derek Phillips
Sure, they got a rep for nerd glasses, perfectly messed hair and being sensitive and in touch with their feelings, but Emo kids have a darker side. Graphic designer, Jason Oda, created the Emo Game for those twisted bastards to live out their more violent tendencies and save their Emo heroes. Why? Because he hates Steven Tyler, of course. Glorious Noise caught up with Oda to discuss the Emo Game, crying, and selling out.
Continue reading Emo Game: I’m All Smart Like That