This is great. A programmer came up with a way to plot graphs of the beat durations of songs in order to determine which songs used a click track. His synopsis of the Beatles‘ “Dizzy Miss Lizzy”:
This plot shows the beat duration variation (in seconds) from the average beat duration over the course of about two minutes of the song (I trimmed off the first 10 seconds, since many songs take a few seconds to get going). In this plot you can clearly see the beat duration vary over time. The 3 dips at about 90, 110 and 130 correspond to the end of a 12 bar verse, where Ringo would slightly speed up.
He compared this to songs by Britney Spears, Weezer, Green Day, Metallica, Nickleback, and others. Fascinating stuff. Let’s hope he posts more!
Morris insists there wasn’t a thing he or anyone else could have done differently. “There’s no one in the record company that’s a technologist,” Morris explains. “That’s a misconception writers make all the time, that the record industry missed this. They didn’t. They just didn’t know what to do. It’s like if you were suddenly asked to operate on your dog to remove his kidney. What would you do?”
Personally, I would hire a vet. But to Morris, even that wasn’t an option. “We didn’t know who to hire,” he says, becoming more agitated. “I wouldn’t be able to recognize a good technology person — anyone with a good bullshit story would have gotten past me.” Morris’ almost willful cluelessness is telling. “He wasn’t prepared for a business that was going to be so totally disrupted by technology,” says a longtime industry insider who has worked with Morris. “He just doesn’t have that kind of mind.”
All three are worth reading. The overall vibe is surprisingly hopeless. Everybody seems to accept the idea that the industry fucked up and is now doomed. This is something we’ve been saying for years, but to hear it from people like Morris and Klein is a little disconcerting…
Citing Bittorrent, Inc.’s corporate ties and some technical limitations, brokep announced that The Pirate Bay was working on a new protocol to succeed Bram Cohen’s Bittorrent…. It’s true that the protocol’s been asked to do things that its creator didn’t envision. Clients now use encryption to get around ISP traffic shaping and sometimes pad files to improve interoperability with other networks. DHT functionality, which removes the need for a central tracker, was implemented in a chaotic, piecemeal fashion…. Traversing firewalls remains an issue.
Tom Lee wonders whether or not a technically superior standard would be adopted even if it is eventually produced, using Ogg Vorbis format as an example in its superiority over the much more popular and ubiquitous MP3 codec…
We all know how badly the record industry wants to clamp down on CD copying. But what they think of as piracy, we think of as doing what we want with something that we legally purchased. An article in the Register reaffirms just how futile the record industry’s fight really is. The article refers to a German program called CloneCD that, according to their website, “writes in RAW mode, allowing full control on the written data. Therefore, CloneCD 3 will produce real 1:1 copies of your CDs.” Sounds pretty great. I’ve always feared that my digital audio extractions were somewhat lossy, so after I try this out I’ll let you know how it works.
There’s also High Criteria’s Total Recorder, which is totally worth the $11.95 registration fee. It allows you to convert any sound file on your computer to a WAV file (which you can then burn to CDs or convert to MP3s or whatever you want to do). Yes, any sound file, even streaming media and those fucking annoying Liquid Audio files. It doesn’t make perfect, digital copies since it has to use your sound card driver, but the fidelity loss is negligible.
If you download these programs now and make backups of the installation files, as long as you have a working computer with a CD drive, the Man will never be able to keep you from listening to your music whenever, wherever and however you want to. Sock it ’em.