Weird. It’s a dopey 50s love song pastiche, and also…it’s set during the event that kicked off the Holocaust, Kristallnacht. In the video, our protagonist gets kicked out of the prom by security (in brown shirts, of course) for spiking the punch. Ultimately, he’s thrown in the trunk of a BMW and driven away. If this is a reference to the historical “Night of Broken Glass” in 1938 when thousands of Jewish businesses, homes, and synagogues were ransacked and destroyed by nazis, it’s pretty tasteless. Tens of thousands of Jews were arrested within 24 hours and the Black Lips are joking about emptying your flask into the punch bowl?
We never said goodbye
Now you’re sent to die
On crystal night
It’d be pretty easy to argue that the Lips are trivializing the horrific pogrom against Jews for the sake of a goofy little ditty. And I’m guessing they might suggest that it’s only rock and roll and we should all lighten up. Part of what I love about this band is their snottiness and general DGAF attitude, so this is not necessarily “off brand” for them. (I suppose they did something similar with Hurricane Katrina ten years ago.) But this is pretty fucking odd.
From Satan’s Graffiti or God’s Art?, produced by Sean Ono Lennon and out now on Vice Records.
I love these guys. They all look like movie bullies from different decades. It’s a great look. And now they’ve added a saxophone player which is pretty cool. The sax reveals how much the Black Lips have in common with pre-Beatles rock and roll bands like the Sonics, and I hadn’t caught that vibe with them before. Dig it.
The importance of L.A.’s punk pioneers Black Flag cannot be understated. Even if history only confirms one album, Damaged, as the band’s crowning achievement, you have to consider the band beyond anything committed to magnetic tape. From their grueling tour schedule, to the D.I.Y. ethos of their label SST Records, to their dangerous encounters with the Los Angeles Police Department, Black Flag is a band that could never be duplicated in today’s world. Not that you’d want to, based on their numerous war stories.
Because of this, the members of Black Flag’s continual line-up changes deserve a bit of respect in their post Flag offerings, regardless of how important their career changes were.
For Black Flag’s first vocalist, Keith Morris, that respect was secured with the Circle Jerks, another prominent SoCal punk rock band that continues to inspire and be revered even in the new century.
For Black Flag’s original bassist and occasional wordsmith Chuck Dukowski, the ability to say something nice about his work after Flag becomes a bit of a stretch. After researching and re-listening to Duke’s work in such forgotten SST releases by SWA and October Faction, the best thing that can be said is to leave well enough alone.
It may surprise some that we can now consider both of these alumni as legitimate members of the post-millennium music scene, not just card-carrying SST members looking to cash in on a bit of nostalgia, although both men have participated in at least some kind of reunion effort of their former glories.
Dukowski’s current gig centers around a band that bares his name: the Chuck Dukowski Sextet. The CD6 features Chuck’s wife Lora on vocals, an artist who not only delivers stunning visual pieces (check out the band’s album covers) but also a surprisingly awesome vocal take on the Dukowski penned Flag classic “My War” from the band’s debut album, Eat My Life.
They included the cover on a split 7” they did with Mike Watt’s Missingmen project last Spring. The effort was released on their new record label Org Records as a way to remind listeners of Dukowski’s lineage, a promotional tactic that must have worked since it certainly put the CD6 on my radar.
Keith Morris’ latest band, OFF!, also took flight after a bit of reminiscing and the subsequent falling out between band members trying to revisit old tunes while trying to ignore old personality clashes.
When Morris’ Circle Jerks decided to give it another go, the members found a huge gulf between the idea to make the band just another nostalgia act or to take things a step further by incorporating new songs into the mix. When some members were unable to devote the time necessary to work on new material and when some voiced concern over producer Dimitri Coats’ own work demands, Morris put the Circle Jerks on hiatus and continued to work on the songs that he and Coats had started.
Off! just released their debut album over the summer, and it’s hard to find fault with Morris’ decision or with Coats work ethic and guitar work either.
Off!screams by at barely a quarter-hour, with every second sounding like it’s the most important thing in the world, even when the subject matter obviously isn’t.
Don’t think that Off! is riddled with greasy kid stuff, but there are moments where Morris is able to channel his younger angst. Most notable is “I Got News For You” where the Keith takes a haymaker towards Black Flag and SST founder Greg Ginn. Ginn is pretty notorious for questionable payment practices, and Morris may be the first SST alumni to publicly call him out via a 45-second song, even one that hijacks a line or two from Flag’s “You Bet I’ve Got Something Against You.” “We trudged through sludge and piss/Were never paid for this!” he screams, while Coats does an incredible job of being able to alternate between Ginn’s free jazz chaos and punchy Stooge riffs.
Haunted is the latest offering from the Chuck Dukowski Sextet, and while it’s nowhere near the intensity level of Off’s pace, it’s closer to SST Record’s spirit with its unpredictable tangents.
As with the band’s previous records, the weakest link is vocalist Lora Norton who struggles with pitch, delivery, and a general sense of identity. Usually, she remains in a comfort range of a slow burn stoner, somewhat resembling Opal’s Kendra Smith, without the mystery or consistency.
It’s a family affair for the CD6, and thankfully Norton’s son Milo Gonzalez has shaped up to be a pretty passionate guitarist, giving Haunted its moments of much needed power. With a bit more work and a bit more attention at figuring out exactly what kind of band they want to be, the CD6 remain in this weird purgatory of notable potential with some members clearly dragging their feet on the band’s overall forward movement.
Gonzalez seems stifled with his mother on board as he conjures up visions of Witch Mountain with his axe and wah-wah pedal while Nora plays passive/aggressive with her delivery, stubbornly keeping Haunted tethered to the ground while the kid sounds like he’s ready to take off.
The worst offender is the eight-minute (that’s half of Off’s entire total time, if you’re keeping track) “A Thing,” which drags on and on like it’s trying to compete as some weak V.U. cover, complete with the obligatory drone violin.
For now, the CD6’s best work remains confined to that out-of-this world “My War” cover, which is unfortunately ironic as the band is clearly trying to branch out from Dukowski’s own past.
And maybe that’s the problem: the CD6 are simply thinking too hard at trying to find themselves, when all they need to do is to try and find the same kind of passion that Morris was clearly able to conjure up in short order with Off!
This mp3 ends with a British girl telling you to “get more music at vicerecords.com.” Normally, that would be the kind of thing to really annoy me, but actually it’s fairly unobtrusive, and really, who gives a shit? It’s not like we’re saving the mp3 to listen to repeatedly and put on mix tapes anymore. Promo mp3s are ephemeral.
This is the second mp3 Vice has given out in the past couple of weeks. I guess they realize they need something new for folks to listen to when they read about the band’s crazy adventures in India, where they barely escaped with their passports and their lives…
Sounds like Brian Jonestown Massacre doing one of their early Rolling Stones pastiches. Minus the sense of evil and danger. That, of course, is not a bad thing. In fact, it’s pretty good. Still, let’s hope the album has more muscle than this single. Good Bad Not Evil was a highlight of 2007.
The band is running a video contest through February 15, and the winning director will receive some signed schwag.
Rememberese is a four-song teaser EP from The Stills, a Montreal quartet that makes its full-length debut in October with Logic Will Break Your Heart (Vice). “Still in Love Song” is the obvious bomb track, and not simply because it appears in regular and 12″ remix formats. It’s a charming intersection of The Cure’s “Lovesong” with the dudda-dudda-dudda of post-punk guitars – in other words, the perfect song for every third listener to kick off his or her Autumn 2003 “Friendster Friends Mix CD” with. “Killer Bees” keeps the chugga chugga going, but lets lead guy Tim Fletcher break out a sort of brit-pop croon. Afterthought “Talk to Me” is important if only for its defining lyric, “I’m not that angry / You’re just not that cool.” Fortunately for The Stills, they believe they are that cool, and even seem to have the chops to back up the bravado. Like The Rapture, another band of young lovelies freely mixing the jar and screech of post-punk with the bouncy bass lines that get the ladies (see the DFA’s remix of “House of Jealous Lovers” if you don’t believe me), Montreal’s new favorite sons should find a big market for their commercial (not radio)-ready sound. Don’t hate them – humming “Still in Love Song” is guaranteed to get you a beguiling glance from that hair dye hottie on the El platform. Better invest in a four button suit now.
Original Pirate Material, the debut from The Streets (aka Birmingham’s Mike Skinner), is an ambitious story-cycle with musical influences as disparate as the urban UK culture described in Pirate‘s songs. Rapping over skittering two-step and next-generation big beat grooves, Skinner presents his Everykid – the Geezer – as a smart, cynical lout who likes drinking beer, pounding fast food, and hitting up the PS2. Rapping in his unadorned commoner’s speech, Skinner emulates the offhanded, yet serious as a heart-attack, flow of a Mos Def or Jeru the Damaja. The beats are occasionally a bit flat, but Pirate is never, ever boring. It’s especially interesting to listen to as a document of urban life in the UK, and how the same trends and marketing that have come to dominate American youth culture aren’t that much different across the pond. Skinner’s main character always seems to keep one eye on the people that are trying to influence he and his mates, while the other is eyeing the latest Playstation game or the Man U highlights on Sky Sports. Original Pirate Material – an interesting hip-hop document that also rocks the house.