As original member and guitarist for The New York Dolls, Sylvain Sylvain inspired countless kids in bedrooms around the world to pick up their guitars, dab on a bit of rouge, and start a band. The Dolls’ influence on rock and roll is well documented and will continue as long as there’s a need for loud, campy rock and roll--and that need never goes away.
But Sylvain also inspired my all-time favorite rock show heckle; one that I use to this day, regardless of the artist or situation. Like the Dolls themselves, it is equally specific to the moment it was first uttered and evergreen.
It was at The Cactus Club in Milwaukee where my new bandmate and pal Mick was reunited with his band Men From Mars to open for Sylvain. I was late because I couldn’t find my way to the club and passed my turn several times before catching a glimpse of the front door and swinging a hard left on a wet road. I made it in to catch the end of Mick’s set and caught up on beers and chit-chat with Mick. Then it got loud.
Sylvain’s band kicked in hard. I can’t remember what song they opened with but I am pretty sure it was a Dolls’ tune. You know, to get the crowd ready to roll. They were pretty tight but swinging and Sylvain sounded good. He worked up a sweat quickly and eventually wandered into the crowd, guitar in hand so we could all get hot, hot, hot together. This was a few months after September 11, 2001 and we were all looking for an opportunity or reason to find some community. As a New Yorker, Sylvain obviously had some very close and personal feelings about what had happened in New York and what was happening in America as a response. He lit into a rant…a preach for loving each other and not giving in to prejudice or paranoia. He was hitting a high when the heckle rang out like a shot:
Play “Trash,” hippy!
It was incredibly offensive and incredibly hilarious, the perfect interruption for an emotional moment as only a Midwesterner can deliver. Sylvain laughed and nodded his head as if to say, “Yeah, yeah. Ok.” and we were back to rocking and sweating.
Sylvain died today after a two and a half year battle with cancer. Of the original line-up, only David Johansen remains. We have the records, we have the songs, but we’ll never get to hear Sylvain play “Trash” again. That’s a real drag.
It’s day-whatever in the never ending 2020 election and despite the long, drawn out process, there aren’t really any surprises. Sure, expectations weren’t met as far as a blue wave sweeping across the Senate and state houses, but those expectations were more wishes and dreams than realistic results. We are, after all, in a country where a lunatic has maintained a 40+ percent approval rating. In the end, the characters are playing their parts as we would expect, as in a trite sitcom, which is maybe all we are anyways.
Sitcoms have a formula and one of the truest components of that formula is the Golden Moment (known in the biz as the “moment of shit,”) where all the loose ends are bound up and the lessons of the day are learned. Here we are as a nation at our moment of shit and I have to wonder what lessons have we learned?
First: A Beginning
There’s been a bit of chatter out there about Abraham Lincoln and his first inaugural address. The south had seceded and Lincoln wanted to cool shit down and speak directly to those people who’d left the Union. Lincoln knew that the cost of a civil war would be terrible (though ultimately a cost we’d have to carry) and tried to plead with the south to reconsider:
I am loath to close. We are not enemies, but friends. We must not be enemies. Though passion may have strained it must not break our bonds of affection. The mystic chords of memory, stretching from every battlefield and patriot grave to every living heart and hearthstone all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature.
Lincoln was an optimist. He believed in the human spirit and that deep, deep down we are good people, bonded more by what we have in common than divided by our differences.
Couple that with Donald Trump’s first (and only) inaugural address where he painted a bloody picture of American carnage and unending grievances. Almost from the beginning, Trump drew battle lines and called on his followers to remember whose side they’re on:
The establishment protected itself but not the citizens of our country. Their victories have not been your victories. Their triumphs have not been your triumphs. And while they celebrated in our nation’s capital, there was little to celebrate for struggling families all across our land. That all changes starting right here and right now. Because this moment is your moment. It belongs to you.
It’s true that America’s working families were not in on many of the triumphs; they had been left to flounder as billionaire’s raked in more. But that was directly due to Republican tax policy and corporate pandering. Four years later, billionaires have billions more and you got a $1200 check. Did that feel like your moment?
Now: An Ending
It’s the Friday after the election and we’re still waiting for the race to officially be called even though we all know Biden has won. And I do mean we all know. Donald Trump doesn’t want to face it, but he knows it’s over. He knows Biden got more votes and his only play now is to simply deny. Donald Trump has lived a lifetime of denial; of his responsibilities to his wives and children, to his creditors and business partners, to his patriotic duty to pay his fair share toward what Makes America Great, and to the reality that every fraud eventually gets caught.
SAD Donald Trump has spent the last several days trying to undermine faith in our most sacred system by undermining the integrity of our votes. We are nothing if we lose faith that we, the people are in charge. Rather than admit that Joe Biden had the better campaign and vision to garner more votes (by 4 million and counting), Donald Trump is trying to tear down the whole system around him. By doing so, he’s further boxing himself in. How can he admit defeat and follow the tradition at the heart of our nearly 245 years of self-rule and peaceful transition of power by conceding?
Four years ago, Hillary Clinton did it. Her first words were for her country:
Last night, I congratulated Donald Trump and offered to work with him on behalf of our country. I hope that he will be a successful president for all Americans.
Sure, she was disappointed and probably shocked and had a couple not-so-subtle jabs in the full text of the speech, but she’s a patriot and wished for the best for America. Right up to the end, she saw the promise and the possibility for America:
Finally, I am so grateful for our country and for all it has given to me. I count my blessings every single day that I am an American. And I still believe as deeply as I ever have that if we stand together and work together with respect for our differences, strength in our convictions and love for this nation, our best days are still ahead of us.
Can you imagine any of that coming from Donald Trump? If this week is any indication, we’re in for two and half months of his undermining bullshit. I doubt he’ll concede at all or even show up to participate in the peaceful transfer of power at Biden’s inauguration. We’re likely to have two and a half more months of the oil barrel of lies we got last night. The vote is not rigged, you fucking lost. As we were told in the aftermath of 2016: Get over it.
It’s the day after and where are the good people? We should be cleaning up balloons and confetti and gobbling Excedrin like candies to relieve jubilant hangovers, but we’re waiting. We’re waiting to see if predominantly black voters can save us from the hypocrisy and greed of predominantly white voters. More pointedly, white male voters. It turns out that America is still sick from its original sin and I am not sure if there even is a cure.
Despite what is looking more and more like a win for Biden-Harris, It shouldn’t have ever been in question. That is, if we’re really that Shining City on the Hill. Exit polls are bearing out what the early polls showed re: Trump’s base of support. White males support Trump in large numbers, this despite an economy tanked by Trump’s bungling of a national health crisis, scattered civil unrest brought on by systematic police brutality, and four years of continued ugliness. Somewhere upwards of 60% of white American males looked at the mess Trump has created the last four years and decided they’d like more.
There was a lot of hope this week that Florida (and Texas!) would be bellwethers of America’s disgust with Trumpism. Serious people who sniff out the political winds really thought we’d see an acceleration of the purpling of these states–not driven by demographics, but by decency! White males instead created bulwarks and stopped the march in its place. While there are some real questions to ask about Biden’s under-performing among Hispanic/Latinos, the fact of the matter is that white males like Donald Trump and the congressional Republicans who enable Trumpism.
Posts like this are usually met with a chorus of “not all Trump supporters are racist!” I guess. But one thing is as clear today as it was in 2016: Trump supporters are not as disgusted by racism and race-baiting as good people should be. That’s been true for generations in America and it’s true today.
As I wrote yesterday, every election is an inflection point. It’s our opportunity to right the ship and put us on the path to achieving that “more perfect union.” That very idea is at the core of American Exceptionalism. As a patriot, I love America but have to admit I hate Americans. There is nothing exceptional about people facing permanent and inevitable demographic changes clinging to the scraps they have while the 1% clears the table. That’s begging and it’s demeaning. And I guess that breeds cruelty, but it’s maddening to see the ire misdirected year after year. We have a lot to clean up still and I’m just not sure we’re up to the job.
Well, this is it, folks. Election Day 2020 is upon us and while it’s certainly not the end of the Trump nightmare–we have at least until January 21 for him to blow up the whole shithouse–it is the beginning of the end…one way or another. The big question before us these next few days and weeks is what exactly is coming to an end?
Will voters take back control of their government and toss out a serial liar and fraud, or will we enter a period of accelerated disintegration? What does The End look like?
Before we get to the end, I’m not even sure when it started. Was it Bush v. Gore some 20 years ago when the United States Supreme Court stepped in to stop a recount that Al Gore was winning to hand the election to a dim-witted son of a President? Was it before that when right-wing radio rose up to scream in the faces of delivery guys and salesmen stuck in rush hour traffic and mourning the loss of the Shining City on a Hill first promised, then condemned with the election of a Clinton?
Or was it in an earlier, darker time when the whisper of a “silent majority” who valued law & order over justice was waiting in the wings standing back and standing by for the order to attack? And attack they did, with billy clubs, tear gas, mandatory minimums and a gerrymandering scheme to make LBJ blush.
Who knows? All elections are an inflection point and this year is no different, except it’s not governing philosophies that are at odds, but the entire concept of a free and fair election. Will this be the end of four years of rampant grift, fraud and cruelty or the end of American-style republican (small “R”) democracy? Will the whole experiment blow up in our faces as an abject failure? The next few weeks will tell us.
This year is another clear test of character, represented on either side by everything that’s at stake. In one corner we have a flawed, but capable and decent man who has adjusted his messaging (and more importantly, his policy) to recognize the changing times we’re in. Joe Biden has been in the game a long time, which means he not only knows how to win but he knows how to govern. He knows politics is about compromise–not giving up what you believe in, but listening to others and finding the space to move closer.
In the other corner we have Donald Trump. A compulsive liar and cheat who is considered a joke by everyone who actually knows him and his brand of “business.” The saddest part of this whole thing is that he’s duped a good 40% of this country into thinking he’s anything more than a clown with bad intent. He’s not even a good conman, yet here we are. We’ve been talked into a lemon, will we now double-down on the extended warranty?
We opened the National Affairs Desk in 2006 with a short piece on how straight shootin’ George W. Bush couldn’t hit the truth if it was the side of a barn. It seems quaint now, but the Valerie Plame story was heating up the charts back then. It was a real scandal (no, really) when the White House played fast and loose with classified information and the identity of covert officers whose husbands had the gall to submit intelligence that undermined the main argument for a war of choice.
“Ah, but that’s just how hardball is played!” you might say. But it’s not baseball we’re playing here, gang. It is a much more lethal game played by sharp-teethed reptiles like Mitch McConnell who will rip your fingers off like a snapping turtle. Yes, a Snapping Turtle.
One defining chapter was when Cocaine Mitch blocked the hearing for Merrick Garland, holding an open court seat for almost a year hoping his bet on the worst person in America winning the 2016 election would pay off. He hit the trifecta and handed the court to Donald Fucking Trump to shape for a generation. That turtle bites.
So, this is it. This is when we’ll find out if “America [is] just a nation of two hundred million used car salesmen with all the money we need to buy guns and no qualms about killing anybody else in the world who tries to make us uncomfortable.” Hunter S. Thompson thought so, but he was one for hyperbole employed with dramatic flare. The question remains: how uncomfortable are you, really? Are you the salesman or the mark? Today’s vote will tell the world once and for all.
Today marks the release of The Stooges Live at Goose Lake 1970, a release so unlikely it kinda boggles the mind. Not only are there very few live recordings of The Stooges, but this particular recording of this particular performance is so drenched in legend that to even suggest there was a clean documentation of it sounds like a tall tale.
I’ve been very lucky to be friends with and play in a bunch of bands with Joshua Rogers. We met in the early 90s and quickly established a musical kinship that took us through dalliances with glam, mod, garage rock, Americana and beyond. Early on we dubbed him “Gadget,” not just for his love of technology but for his impeccable timing as a drummer. It’s almost as if he were designed to be a drummer–programmed, as such.
If you knew Joshua well in those days you also knew his dad in some way. Jim Cassily loved Josh’s musical projects and loved facilitating them however he could. In addition to being a king storyteller, Jim was an inventor with a specific interest in how rhythm has residual benefits relating to motor skills, balance and lots of other stuff I don’t understand. The Interactive Metronome became a key piece of his technological legacy, something Joshua knew well as his dad would have him clap along with a metronome as part of his learning the drums.
And the stories he would tell…Our early bands spent time recording with Josh’s dad and that meant hours of exposure to the various tales he would weave throughout the process of setting up for a recording session. I was a natural skeptic in my youth and basically considered “adults” to be full of shit. Especially Boomers who took any opportunity to tell us how much better everything was in their day, so I was probably more dismissive to his storytelling than I had any right to be.
“Dad was such a legendary bullshitter that it was hard to sort of keep the stories straight,” Josh joked in a recent call where we caught up on this crazy adventure.
As a kid it was sometimes hard for Josh to discern fact from his dad’s colorful fiction. “Friends laughed at me because I told them he was a member of the Oak Ridge Boys.” This bit of fantasy was likely the result of Josh’s conflating some joke Jim may have told him about having sung with the Oak Ridge Boys and the fact that he could sing in the same register to hit the most famous part of their most famous hit, “Elvira.” When you’re a kid sometimes you miss the nuances of a joke.
There were also brushes with fame that would sometimes get jumbled up in the telling or retelling. “I thought he had dated Janis Joplin, but mom says no. He–like everyone else–thought she was scuzzy. He did work with her though, but I’m not sure to what capacity. And he did date Debbie Harry.”
“Mom jokes that he chose her over Debbie Harry. That’s what he would tell her.”
“Eventually, I started to take dad’s stories with a big hunk of salt.”
The Stooges’ performance at Goose Lake was pure rock and roll myth. It was the last show with the original line-up. Bassist Dave Alexander was summarily fired from the band by Iggy immediately after leaving the stage because he was so stoned or scared or whatever that he couldn’t play. At least, that’s how the story went.
But at what point does a story become history? Sometimes it’s just when it’s been told enough times by enough people and sometimes it’s when there’s some corroborating evidence. Such is the tale of how a box of tapes in a farmhouse basement in Michigan made its way to Nashville, via Chicago.
He was a spaz. So bad that he once slapped a teacher right across the face. We couldn’t believe it. The whole class froze for a moment. And then sped up very fast like an old film projector breaking loose from a jam. There was David, running around the room while we lost our minds, screaming like chimps until Mrs. Oatman caught him and threw him in the bathroom where he tore it up until he went quiet. Nervously, she opened the door to check on him and he was out like a shot and running down the street; running home again.
David was a year older than us but in the same grade. He had a frenetic energy that fueled kids and exhausted adults. He came by it naturally. His dad, Dave Sr., would scream from the sidelines of our baseball games. “Run, you pollack! Run!” We couldn’t believe he called him that, his own son. But the more we laughed, the more the veins in his neck bulged. “Run you pollack! Run!”
While Sr was screaming, Jr was whispering. It was a creepy habit he’d picked up that summer. He’d heard it on the radio and thought it was hilarious to come up behind you, quiet as a black cat, and whisper in your ear: “Be quiet, big boys don’t cry. Big boys don’t cry.” We were in 4th grade and despite our recently acquired trucker mouths, we were not big boys. The act of one of our classmates whispering that in our ears was unnerving and he knew it. That’s why he did it. He was a year older, after all.
It was also the summer of the Atlanta child murders and even though we were 1200 miles away, we were enthralled with horrified fascination. They were our age, some of them. And they kept disappearing. One after another. Sometimes found, sometimes not.
“He’s gonna get us,” Dave would cackle as we raced back to our houses when the street lights came on. “He’s gonna get us!”
It didn’t matter how many times we explained that Georgia was a 12 hour drive away and that he seemed to target black kids, Dave would talk about how he was going to get us. There were countless ways he was going to get us too. In our beds, in our garages, reaching up to pull us down just before we reached the top stair. He was there and he was going to get us. Dave talked about this non-stop. HE was in every conversation, every drawing, everywhere. Dave talked and talked and talked about him.
Until one day Dave disappeared, and we never saw him again.
I’d been holding off on releasing this post until Billboard published Ed Christman’s year-end wrap-up online, but it looks like it’s going to be print-only. So go out and buy the magazine if you want Ed’s perspective on these numbers.
For 2018 Billboard changed the way it calculates streaming equivalent albums. From 2014 through 2017 they counted 1,500 streams as equal to one “album consumption unit.” The idea was that the average payout per stream was $0.005 so 1,500 of those added up to $7.50, i.e., the wholesale price of an album.
This year they’re complicating things by separating paid from ad-supported streaming, with paid subscription audio streams equating 1,250 streams to 1 album unit and ad-supported equating 3,750 streams to 1 album. So it makes it difficult to compare 2018 to the years before…
This also makes you wonder about how much revenue streaming is truly generating. Does anybody really believe that YouTube pays out $7.50 for 3,750 streams of a song? I don’t.
So I’m no longer reporting total music “consumption.” It’s a bullshit metric that doesn’t really mean anything. The industry can manipulate the numbers to tell whatever story they want to tell. Sales and streams, that’s all we really know.
Another complicating factor is that 2018 was a 53-week year, so when Billboard shows volume comparisons to the previous year they use a corresponding 53-week period. This makes me a little nervous about some of the old data we’ve reported, since we sometimes have used the prior year’s numbers. We continue to update this as new information becomes available throughout the year as we try to fill in any holes or correct any mistakes, so if you see any inaccuracies or anything weird please don’t hesitate to let us know.
Total Album Sales (physical + digital albums)
2018: 141 million
2017: 169.15 million
2016: 205.5 million
2015: 241.39 million
2014: 257.02 million
2013: 289.41 million
2012: 315.96 million
2011: 330.57 million
2010: 326.15 million
2009: 373.9 million
2008: 428.4 million
2007: 500.5 million
2006: 588.2 million
2005: 618.9 million
2004: 666.7 million
2003: 667.9 million
2002: 693.1 million
2001: 762.8 million
2000: 785 million
1999: 754.8 million
1998: 712.5 million
1997: 651.8 million
1996: 616.6 million
1995: 616.4 million (I’ve heard the figure is 616,957,000)
1994: 614.7 million (I’ve heard the figure is 615,266,000)
1993: ~573 million (1994 was 7.4% increase over 1993)
We get a lot of press material at GLONO. Like…a LOT. Back in the days before press kits went digital, Jake and I would get hollered at by the postal workers where our PO Box was in Chicago because they’d have to haul out all these overflow bins full of CDs, band photos and one-sheets. I am embarrassed to say we had to just dump a lot of that stuff. [I sold a ton of them on half.com – Jake.] We simply didn’t have the capacity to get through it all. Especially the really cliched press releases.
My least favorite press release trope is where someone tries to describe a band as “If [Well known, well respected artist A] and [Well respected, but somewhat obscure artist B] got together in [Exotic locale, hip town, or fictional setting] and had a love baby!”
I get it, it’s hard to come up with creative ways to describe a sound that will still resonate with the reader–it’s kinda the whole point of this site. But sometimes, I just wish they’d be straight and say, “Yeah, these guys sound like Badfinger.” I guarantee I would listen to that record.
And so I’ll tell it to you straight: This new Luther Russell album sounds like Big Star. It does. And I fucking love it. And why shouldn’t he have a bit of a Big Star thing going on? We all LOVE Big Star and Russell currently collaborates with Jody Stephens in Those Pretty Wrongs.
Although I have been MIA from this page for some time now, something that needs to be addressed has come to my attention, something far worse than I had originally thought as I looked into things a bit more.
As you are probably aware, “The Who” are going back on tour. It is called “Moving On!” Odds are that they’re moving on to still another tour.
As you are probably also aware, I put “The Who” in quotes because while half a band may be better than none, as I’ve argued many times, when you have half a loaf you have, well, half a loaf, not the whole thing. Daltrey and Townshend are certainly much of the substance of the mix, but let’s not kid ourselves: that label is about marketing. That is, while there are probably people who have picked up The Who T-shirts at their local Target and who are wearing them proudly, were you to ask them who Daltrey and Townshend are, they might answer, “Uh, law firm . . .?”
No, I am not going to go down that well-rutted road again.
But I am going to express my dismay at what it has come to for those veteran performers.
Upon receiving an email from Ticketmaster announcing the opportunity to getting tickets for “The Who” sooner rather than later, I looked into the “VIP Packages.” Go big or don’t go, right?
There are three packages.
And at this point, I must warn you: If you are a fan of The Who you might want to stop reading right now because otherwise you may be so disturbed that you will bin, erase or otherwise dispose of your collection.
The packages are, from top to bottom: “Baba O’ Riley Ultimate Soundcheck,” “My Generation Soundcheck” and “Who Are You Premium Seat.”
I like sound collages. I always have. Well, at least since I got my own copy of the White Album and listened through “Revolution 9” with more than a little bit of excited fear. Not to be too artsy-fartsy about it but there is something fascinating with the deconstruction/reconstruction of sound when you change the context in which it was originally created. Suddenly, the innocuous turns ominous.
I originally started the Midnight Caller sound magazine as a creative way to promote my band Daystar. Maybe it’s because we’ve been running GLONO for almost two decades and I am just numb to press releases, but the idea of typing up our influences and recording process just felt so torturous. So instead, I created a sound collage at the prompting of our bassist Kelly Simmons. And I love it. I love the process of creating these broadcasts and the weird twists that come out of it. So now it’s more. This is what the inside of my head sounds like, and you’re welcome to it.
The first three episodes are live now and available via Soundcloud and iTunes with more to come.