Category Archives: Shorties

New Amanda Palmer video: Mother (Pink Floyd cover)

Video: Amanda Palmer & Jherek Bischoff – “Mother”

From the “In Harm’s Way” 7″, out now.

“This song and music video are dedicated to the current administration. You will not build walls in our children’s hearts.”

Seems like the actor who plays our orange fuhrer could’ve shaved his Chuck Todd goatee, but who asked me?

Warning for those viewing at work or offended by the human body: there’s brief nudity.

“Mother” is the least subtle song on The Wall and establishes its central metaphor. I can remember the stoners in high school talking about the movie and saying you “had to be high to understand it.” That might be true if you have a half a brain cell to work with but the plot is pretty fucking obvious, and as a guy who was raised by an overprotective mom after his dad died young, I feel qualified and obligated to mock Roger Waters about it. Boo hoo. Poor you.

Of course, as with everything terrible, the current political climate puts a new spin on it. And things that seemed dopey and juvenile now appear insightful and heavy. Being forced to re-evaluate The Wall might not be the absolute worst outcome of the events of 2017, but jeez, it’s certainly the most unexpected.

Amanda Palmer: web, twitter, amazon, apple, spotify, wiki.

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New Sleigh Bells video: And Saints

Video: Sleigh Bells – “And Saints”

From Kid Kruschev, out now on Torn Clean.

This is spooky. Norwegian black metal bands, cheerleaders with skull masks, bloody tears, grim reapers. It’s the worst pep assembly ever.

And the song is just as creepy, with a narrator so strung out even the pizza man notices.

My mom keeps calling me
My friends keep texting me
So sorry guys, whatever it takes
Delivery guy wants to know if I’m okay
Nah, man, but thanks

Yikes. Hope they feel better, but it’s not looking very likely…

Sleigh Bells: web, twitter, amazon, apple, spotify, wiki.

50 Years Ago: A Letter to My Teenage Son

Audio: Victor Lundberg – “An Open Letter to My Teenage Son”

There’s been a lot of talk recently about the 50th anniversary of the first issue of Rolling Stone magazine, dated November 9, 1967. The interviews and reviews of early Stone are rightly celebrated, but I like flipping through for the ads and weird news items.

The second issue came out two weeks later and featured Tina Turner on the cover. It was 20 pages long, with 3 full-page ads, and featured an interview with Donovan and a big Jon Landau piece on Aretha Franklin. The thing that caught my eye, however, was an article on page 8 by Bob O’Lear titled, “USA’s Hottest New 45 RPM: Letter to a Teenage Son.”

The hottest record in the country — not the Monkees, not “Incense and Peppermint,” not the “San Francisco Sound” nor even the Beatles — is a non-musical offering by two middle-aged advertising executives from Grand Rapids, Michigan.

The song, if you haven’t heard it, is a slice of the reactionary doublespeak for which my hometown of Grand Rapids is notorious (Amway, Betsy Devos, et al). “Some of my generation judges people by their race, their belief, or the color of their skin and this is no more right than saying all teenagers are drunken dope addicts or glue sniffers.” Of course, by the end, the narrator threatens to disown his son if he refuses to fight in the Vietnam war. “Your mother will love you no matter what you do because she is a woman.”

Fifty years later it’s kind of hilarious, but still pretty sad because it’s based on an actual letter the dude wrote to his 17-year-old son. This was the state of the world in 1967. Imagine having to make that choice as a teenager. “If you decide to burn your draft card, then burn your birth certificate at the same time.”

O’Lear plays it straight. No moralizing, barely any condescension, just straight reporting. He interviews the songwriters, the record label, and a radio program director, and he quotes a big chunk of the narration. This is O’Lear’s only byline in the Stone.

A little googling uncovered a “promotion man” named Bob O’Lear who worked for labels affiliated with Liberty Records in 1967. So was this article essentially a press release? Native advertising? Had Jann Wenner already sold out by the second issue? Or was he just willing to publish whatever content he could get?

“An Open Letter to My Teenage Son” spent six weeks on the Billboard Hot 100 and peaked at #10.

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New Bjork video: Blissing Me

Video: Björk – “Blissing Me”

From Utopia, out November 24 on One Little Indian.

Bjork sure is a funny little fairy, isn’t she? Look at her flitting around all ethereally while singing about “excess texting” and “sending each other mp3s.” You have to love her. She might look like an anime princess but don’t let that distract you from what is ultimately a beautiful love song about “two music nerds obsessing” and “falling in love to a song.” Dreamy!

Makeup by Hungry.

Bjork: web, twitter, amazon, apple, spotify, wiki.

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New Yungblud video: I Love You, Will You Marry Me

Video: YUNGBLUD – “I Love You, Will You Marry Me”

Single out now on Locomotion/Geffen.

I heard this on satellite radio this weekend and of course I found it irresistible. My first inclination, of course, judging solely on the spelling and stylization of the name YUNGBLUD was to change the channel before I even got the chance to hear it. We all have our implicit biases and this is (one of) mine.

Turns out the young blood is indeed a teenager named Dominic Harrison from Northern England (Doncaster in Yorkshire) and the NME has seen “the future” in him. If that’s the case then the future sounds an awful lot like the Arctic Monkeys. Which is fine. The Arctic Monkeys used to be a really fun band before they started taking themselves so seriously.

Yungblud: fb, twitter, amazon, apple, spotify, wiki.

New Starcrawler video: I Love LA

Video: Starcrawler – “I Love LA”

From Starcrawler, out January 19 on Rough Trade.

I hate L.A. I hate what the city does to the people who move there. I hate the type of people who choose to move there. I hate Los Angeles’ clichéd idea of “rock and roll” with all the dudes with tattoos and eyeliner and spiky black hair. You know exactly what I mean. It’s gross.

It’s always been gross. If you think this Harvey Weinstein business is anything new, then you should look into Louis B. Mayer and the shit that was perpetrated on the likes of Shirley Temple and Judy Garland. Read The Day of the Locust by Nathaniel West.

But maybe if you grow up there it’s different. Starcrawler doesn’t look like the cliché. They look like a bunch of delinquent teenagers. The band formed in 2015 when 18-year-old lead vocalist Arrow de Wilde met guitarist Henri Cash at their Echo Park high school. Their debut album was recorded by Ryan Adams on analog tape at his Pax-Am studio in Hollywood.

This video was directed by Arrow’s mom, Autumn de Wilde.

Starcrawler: web, twitter, amazon, apple, spotify, wiki.

New Escape-ism video: Walking in the Dark

Video: Escape-ism – “Walking in the Dark”

https://www.youtube.com/watch?v=qQKIW35zJac

From Introduction to Escape-ism, out now on Merge.

Escape-ism is Ian Svenonius. I first heard him way back in 1999 when downloading songs from the Internet was brand new and Svenonius had a band called the Make Up. I probably read something about them in a Greil Marcus column on Salon and then navigated over to listen.com to see if they had any free MP3s available. A couple of those songs ended up on mix discs I made for pals over the next couple of years. That’s how it worked back then, bubba.

Fast forward to the summer of 2016 when I went to see the Black Lips at a local club and an unknown (to me) band called Chain + the Gang opened up for them. The singer was none other than Ian Svenonius and they blew me away with their minimalist, soulful punk rock.

And now Svenonius has a new project, Escape-ism, and a new album on Merge. I’m sure in his mind there are major differences between all his bands, but I dunno. The same raw coolness that caught my attention almost 20 years ago is still in effect today.

Escape-ism: bandcamp, fb, amazon, apple, spotify, wiki.

New Dream Wife video: Let’s Make Out

Video: Dream Wife – “Let’s Make Out”

From Dream Wife, out January 26 on Lucky Number.

Meet me by the car
Cause it’s not parked very far
We’re spending time
And we’re wasting our youth

I like Rakel Mjöll’s phrasing, how she crams a bunch of words into the end of each line in the verse. And the video is way more fun than any formal dance I ever attended. Then again, my prom was held in an era when teenagers were taught that sex could kill you and it was a girl’s responsibility to fend off a boy’s natural impulses. Seems like kids are having a better time of it these days.

London-based and British/Icelandic-born Dream Wife explains the video: “Let’s Make Out is a lighthearted celebration of sexuality. Women are and have a right to be sexual beings. The video is silly, hedonistic and really fun. There is no shame in sexuality, there is no shame in fun. But remember; consent is key.”

Lights out.

Dream Wife: web, twitter, amazon, apple, spotify, wiki.

New Werewolf Diskdrive video: Beepers & Beepers

Video: Werewolf Diskdrive – “Beepers & Beepers”

From Werewolf Diskdrive, out now on Werewolf Diskdrive.

This is stupid but it’s good. There’s apparently a backstory about finding a hard drive in dumpster, but who cares? Just listen. If you dug Beck’s Mellow Gold-era b-sides, you’ll appreciate “Beepers & Beepers.”

Werewolf Diskdrive is the new project from Say Hi (To Your Mom)’s Eric Elbogen. The album has “just been released worldwide digitally (and on hand-burned artisanal compact disc).” Reminds me a bit — not musically — of our experience of receiving Deepgrave min og dog’s CD-R in the old P.O. box back in 2003. I hope more bands produce “hand-burned artisanal compact discs.” Way cooler than the godforsaken cassette revival.

Werewolf Diskdrive: web, twitter, amazon, apple, spotify, wiki.

New Pussy Riot video: Police State

Video: Pussy Riot – “Police State”

From the Nice Life Winter ’18 playlist, out December 8 on Nice Life.

The always subtle Pussy Riot is back with another video denouncing the police state. It’s a cute pop song with a catchy chorus and sarcastic lyrics. Chloe Sevigny plays a law-enforcement officer in the video and forces children to watch videos of Trump and Putin while smashing their toys with her riot control baton.

No problems in paradise, we locked them up
We all have to sacrifice, it won’t be long
Shut the borders, perfect order, sons and daughters
Drink the Kool Aid, it’s the new way, do what I say

In case you miss the point, Pussy Riot released a big statement (below).

Pussy Riot: web, twitter, amazon, apple, spotify, wiki.

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