New Kacey Musgraves: Deeper Well

Video: Kacey Musgraves – “Deeper Well”

Directed by Hannah Lux Davis. From Deeper Well, out March 15.

I like Kacey Musgraves. I like the idea of her whole cosmic cowgal thing. I’ll admit I prefer the earlier stuff, back when she was working closely with Brandy Clark and Shane MaAnally. But the newer, shimmery disco she’s been making with Daniel Tashian and Ian Fitchuk since 2018’s Golden Hour is cool too.

“Deeper Well” sounds like a bit of throwback, at least musically. It wouldn’t be totally out of place on Same Trailer, Different Park. But lyrically, she no longer seems interested in the clever wordplay and conversational emotionalism that first got our attention with “Follow Your Arrow” and “Blowin’ Smoke.” She’s apparently gotten into astrology and self-help goopiness. Worse than that, “Deeper Well” has some lyrics that are just clunky.

I used to wake and bake
Roll out of bed, hit the gravity bong that I made
And start the day.
For a while, it got me by
Everything I did seemed better when I was high
I don’t know why.

But whatever, it still sounds great. And she’s still a super interesting person in the country music scene.

Kacey Musgraves: web, bandcamp, amazon, apple, spotify, wiki.

New Johnny Marr: The Answer

Video: Johnny Marr – “The Answer”

Directed by Phillip Osborne. From Spirit Power: The Best of Johnny Marr, out now.

Everyone’s favorite guitarist (or at least everyone’s favorite Smith) continues to plug away on both his solo career and as the most sought-after guest musician this side of Dave Grohl. With 37 years of post-Smiths work in his back pocket now, Johnny Marr has certainly earned a “Best of…” collection and Spirit Power pulls from just the last decade to deliver 24 tracks, including two brand new ones.

The latest single, “The Answer,” bears a family resemblance to one of The Smiths’ most raucous numbers, “London,” with an aggressive, driving beat punching from Marr’s guitar. But like most of us, the resemblance is limited; features softening and sharpening with each generation. Lyrically, the song is a bit of a mess with lines like, “Put your mamma in them lows.” I have no idea what that means but I also don’t listen to Johnny for his witticisms. Oscar Wilde, he ain’t.

And while Johnny may benefit from having a musical foil, I am not sure anyone would look at the split with Morrissey and ask, “do you think you’ve made the right decision this time?”

So turn up the volume and ride on the riff for a bit with a really ragged notion that you’ll return. In Johnny’s world, the trains run on time.

Johnny Marr: web, bandcamp, amazon, apple, spotify, wiki.

Continue reading New Johnny Marr: The Answer

Sphere Economics & Audio Ambience

There are some 352,000 billboards in the U.S. of which, as of 2022 (which means there has undoubtedly been an increase in the number since, as people are now back to being out and about and being stuck in traffic) 11,500 are digital billboards.

Arguably, one of those digital billboards—although the proprietor certainly wouldn’t like this to be characterized as such—is the Sphere in Las Vegas. But the 366-foot tall structure, which is covered with LEDs, has featured ads from Addidas and Microsoft, to say nothing of the announcement that for a bounded period of time U2 was on the inside.

There had been a plan to build a similar Sphere in London, but the city’s mayor Sadiq Khan rejected the proposal by MSG for reasons including the negative impact of some 1-million exterior LEDs would have on the residents of East London, where it was to be located. MSG pulled its proposal last month.

East London, of course, is no Las Vegas. There is unlikely any place on Earth that has more lights of all types blazing 24-7 than Las Vegas. What’s a million or so more on that landscape? A novelty.

For now.

Sphere Entertainment, the corporate entity that is responsible for the Sphere, released its fiscal 2024 second quarter earnings on February 5. (It just goes to show how bizarre earnings reports are: the Sphere opened on September 29, 2023, and somehow the fiscal second quarter ended on December 31, 2023, with the numbers being reported in early February. Apparently it takes a long time to count.)

The organization boasted in its announcement that U2 has had a run of sold-out shows and by next month it will have performed 40.

It announced that Phish will play four shows at the Sphere in mid-April.  And from mid-May through mid-June Dead & Company will do 18 shows.

Exciting stuff, right?

Continue reading Sphere Economics & Audio Ambience

New Speedy Ortiz: Ranch vs. Ranch

Video: Speedy Ortiz – “Ranch vs. Ranch”

From Rabbit Rabbit, out now on Wax Nine.

Love this groovy Speedy Ortiz rocker that reminds me of all the coolest songs from the 90s. I don’t understand what any of the lyrics mean but I love the line: “Fuck off, my cackle shimmers like some crystal.”

Guitarist Andy Molholt who shot the video says, “In March 2022, Speedy Ortiz was finally back in the studio. I brought along my family’s treasured Hi8 camcorder from the early aughts to document our saga, hoping to capture some little and big moments along the way in the style of vacations past. Two years ago easily feels like ten to me now, and watching the footage feels like finding a time capsule full of lost gems. It’s a warm reminder of how much fun we had making Rabbit Rabbit, and of how integral the two eponymous ranches—Rancho de la Luna [in Joshua Tree, California] and Sonic Ranch [in Tornillo, Texas]—were to this record. […] If you get the chance, I highly recommend taking a bunch of footage of your life, then putting it away for several years. It’s nice to be reminded about how lucky we are to spend time with the people we care about!”

Unlike a lot of people of my pre-iPhone generation I have a lot of video footage of my youth. Throughout much of high school and college I was lugging a bigass VHS camera around with me. Since I’m positive most of the footage is extremely cringey I haven’t been able to bring myself to watch any of it in decades. I’ve got all my tapes in a box in a basement, secretly hoping they just rot away. But maybe it’s time to dust them off and check them out. It might be nice to be reminded about how lucky we were to spend time with the people we cared about.

Speedy Ortiz: web, bandcamp, amazon, apple, spotify, wiki.

This is the One: Manchester United and Stone Roses Collab

A few years ago a friend and coworker asked me, a dedicated Beatles fanatic, why I would support Manchester City as my Premier League team. Shouldn’t it be Liverpool, if anyone? Well, I guess so, yeah. But I told him that my gateway to EPL wasn’t the Fabs at all, but an entirely different branch of my musical family tree: Johnny Marr. Because he was a very vocal City fan and I was a very vocal fan of his, I went the way of the Blue.

But all family trees are complicated and sometimes families disagree. And so it comes with great frustration that a new collab from The Stone Roses is not with City, but their cross-town rivals, Manchester United!

Launched this week with a cool short video featuring players from throughout United’s modern era lauding the Old Trafford (the Man U home pitch) over The Stone Roses’ “This Is The One” is a handy piece of marketing. Football/Soccer culture is steeped in tradition and nostalgia, so it’s a pretty nice stroke to create this pairing. James Holroyd, Chief Commercial Development Officer at Manchester United, summed it up: “This collection recognises our joint histories in a way that connects with both older fans and the new generation of supporters.”

Watch the video below and check out the entire line here.

 

New Phosphorescent: Revelator

Video: Phosphorescent – “Revelator”

From Revelator, out April 5 on Verve.

I was a pretty good dad when my son was a newborn. I had been warned that new parents don’t get any sleep for that first year but that wasn’t my experience at all. We had a system. He slept in a little bassinet in our bedroom and when he’d wake up in the middle of the night, I’d get up and change his diaper and hand him to my wife and immediately konk back out while she nursed him. When they were done she’d hand him back to me and I’d change his diaper and put him back in his bassinet and immediately konk. Even if this happened four times in a night I was losing maybe a total of an hour of sleep. No biggie.

I was a great dad when my son was a toddler. We’d sit on the floor do puzzles and play with cars and trains and read Richard Scarry books. And Jamberry. And Is Your Mama a Llama? So many books. I talked to him all the time. I’d make up stupid songs. He learned to speak super early and was pretty articulate by the time he was three. He was so smart. He knew all 50 states and once chewed a Pop Tart into the shape of Minnesota. He could do basic addition and subtraction. We watched Planet Earth and he loved the “Ocean Deep” episode with all the spooky anglerfish and siphonophores. He used the word “bioluminescence” correctly.

I was a good dad when my son was in elementary school. I read to him every night before bed. We’d go to the library and the bookstore all the time. He had a million books but his favorite was The Pokémon Essential Handbook that listed all 646 known species in alphabetical order with their moves, height, weight, and evolutionary chain. I helped him read the BOB books, even when it was hard for him. I promised that one day it would be easy and he wouldn’t even have to think about. “Remember how hard it was to zip up your jacket at first? And now you just do it.” I drove him to all his activities: cub scouts, swim lessons, basketball, tae kwon do, snowboarding lessons, lacrosse. So many activities.

I was an alright dad when my son was in middle school. He played the cello and got pretty good although encouraging him to practice was always a struggle. Just before schools shut down for covid he’d made first chair. During covid I had hoped we’d spend some quality time together. Seemed like everybody on Facebook was enjoying all the family time. But my son preferred to play videogames online with his friends. And since he couldn’t see them in real life it seemed reasonable. But I was watching him slip away, not needing me as much.

Continue reading New Phosphorescent: Revelator

The Dead Endures

Back in the early 1990s a friend got a job at a family-owned company in central Indiana. The proprietors were what were then Republicans: law and order, respect for authority, business-first. And when my friend moved into his office, he put a framed black-and-white photo of the Grateful Dead on the wall. If he hadn’t been so valued, he would have been summarily dismissed for some trumped up reason. Although the proprietors had no idea of who was in the photo, the members of the band were clearly anathema to what they stood for.

But arguably, those Hoosiers were wrong.

The Grateful Dead was one of the—if not the—hardest working bands in show business (which is not to take away anything from James Brown, the Hardest Working Man in Show Business (“Jus’ watch me now!”)).

The Dead performed 2,318 concerts between their establishment in 1965 and disbanding in 1995 (a month before Jerry Garcia died).

The average length of a concert was three hours.

That means they spent approximately 290 days—24-hour days—on stage. Jerry Garcia’s “The live show is still our main thing” is something of a huge understatement.

And his “You don’t want to be the best at what you do, you want to be the only one” is something that is completely overlooked in a period when there are literal teams of songwriters and producers crafting cuts that will have high levels of familiarity and low quantities of difference so as to be able to move as much merchandise—musical and otherwise—as possible.

Continue reading The Dead Endures

New Wilco: Meant To Be

Video: Wilco – “Meant To Be”

Directed by Joey Garfield. From Cousin, out now on dBpm.

Growing up in the suburbs of Grand Rapids, Michigan I spent a lot of time in skating rinks. In the summer, my local rink Wheel-A-While would host all kinds of specials. We did everything from temperature night (the price was whatever the mercury hit for a high that day), to flashlight night (exactly what you think), to all-night lock-ins where you would skate until you dropped and then looked for the least disgusting piece of carpet to catch a few winks. It was pre-teen suburban boot camp and suffice it to say, I developed some skills.

Years passed and we all grow up. I eventually moved to Chicago, having long packed my skates away in mothballs. But then it happened: A friend had her birthday party at the now dearly departed Rainbo Roller Rink on Clark. I was in my early 30s by this point but giddy to dazzle my friends with my dormant, but still very much present skating skills. And dazzle, I did. It was a glorious night where I glided and swayed to the beat of the music, pulling off a spin here and there for dramatic effect. It was a night dreams are made of.

For their latest single, “Meant to Be,” Chicago’s own Wilco set up camp in the middle of a rink where they are encircled by skaters with greater skills and silkier fluidity than I ever honed on Plainfield Avenue. And while “Meant to Be” is catchy in that old familiar Wilco way, the real show-stoppers are the rollers in the video. May they forever run or at  least wheel-a-while longer.

New Weyes Blood: A Given Thing

Video: Weyes Blood – “A Given Thing”

Directed by Joey Frank. From And In The Darkness, Hearts Aglow out now on Sub Pop.

No idea why Sub Pop quietly released a new video for a song on an album that’s been out for over a year by an artist who’s not currently touring and doesn’t seem to have anything new to promote, but I’ll take any opportunity I can find to listen to Natalie Mering’s amazing voice. “A Given Thing” is the closer from 2022’s And In The Darkness, Hearts Aglow and it encapsulates all the cosmic Karen Carpenter vibes we’ve come to expect from Weyes Blood.

It’s not a one way street
Sometimes our love is enrapturing
And other times, it’s just unraveling in front of me
And it feels like we’re burning
Making ashes of our joy.

Hopefully this video is a hint that something new is coming. But even if it’s not, who cares, it’s nice to have more Weyes Blood to watch.

Weyes Blood: web, bandcamp, amazon, apple, spotify, wiki.

New Ty Segall: My Best Friend

Video: Ty Segall – “My Best Friend”

Directed by Ty Segall. From Three Bells, out now on Drag City.

Wiener dogs are the best. Ty Segall obviously agrees. A dachshund is a big dog trapped in the body of a little dog. They have a big bark and big personalities. But they fit comfortably on your lap. They’re like a cat who actually cares about pleasing you. They’ll even hunt mice. They’re the best of all possible worlds.

I’m on my third dachshund. First there was Frankie who we got as soon as we had an apartment with a yard. I worshiped her. A year later we got her a pal, Georgia, and Frankie full-on hated her for at least two years. They eventually became pals and would curl up in their bed, yin-and-yang style. Frank had attitude but George was sweet and dopey and never once barked or even growled except in her sleep. George lived to be 14 and Frank held on for a few more years. After George was gone, Frank was going downhill so we decided to her a new pal to see if that would brighten her spirits. Birdie had been in a puppy mill situation, bred too young and had a complicated litter that resulted in a hysterectomy rendering her useless to the breeders. Frankie completely ignored her. Maybe she just couldn’t see her or hear her since she had gone totally blind and deaf by then. Frank lived to be almost 19. So now it’s just Bird. And she’s the best. Her traumatic early life has made her completely anxious and needy and that’s alright: I work from home and I rarely leave the house. I hope Bird has Frankie’s longevity because I can’t imagine life without her.

All I need is my best friend, I do.
All I need is my best friend, I do.

Ty Segall: web, bandcamp, amazon, apple, spotify, wiki.

Rock and roll can change your life.