New Ty Segall: My Best Friend

Video: Ty Segall – “My Best Friend”

Directed by Ty Segall. From Three Bells, out now on Drag City.

Wiener dogs are the best. Ty Segall obviously agrees. A dachshund is a big dog trapped in the body of a little dog. They have a big bark and big personalities. But they fit comfortably on your lap. They’re like a cat who actually cares about pleasing you. They’ll even hunt mice. They’re the best of all possible worlds.

I’m on my third dachshund. First there was Frankie who we got as soon as we had an apartment with a yard. I worshiped her. A year later we got her a pal, Georgia, and Frankie full-on hated her for at least two years. They eventually became pals and would curl up in their bed, yin-and-yang style. Frank had attitude but George was sweet and dopey and never once barked or even growled except in her sleep. George lived to be 14 and Frank held on for a few more years. After George was gone, Frank was going downhill so we decided to her a new pal to see if that would brighten her spirits. Birdie had been in a puppy mill situation, bred too young and had a complicated litter that resulted in a hysterectomy rendering her useless to the breeders. Frankie completely ignored her. Maybe she just couldn’t see her or hear her since she had gone totally blind and deaf by then. Frank lived to be almost 19. So now it’s just Bird. And she’s the best. Her traumatic early life has made her completely anxious and needy and that’s alright: I work from home and I rarely leave the house. I hope Bird has Frankie’s longevity because I can’t imagine life without her.

All I need is my best friend, I do.
All I need is my best friend, I do.

Ty Segall: web, bandcamp, amazon, apple, spotify, wiki.

New MGMT: Nothing To Declare

Video: MGMT – “Nothing To Declare”

Directed by Joey Frank. From Loss Of Life, out February 23 on Mom+Pop.

With a lilting ditty that could be a sonic sister to 2010’s “Congratulations,” our heroes are back to tickle our senses and bob our heads once again. “Nothing to Declare” has all the hallmarks one would expect from MGMT, including clever lyrics like “Nothing to declare/Not in the bags under my eyes,” which leads me to wonder if the party pop band from the mid-oughts aren’t still dipping their toes in the punch from time to time?

But let’s talk about the video for a bit because I think it’s one they want us to talk about. We follow a gal as she navigates some travel from Pittsburgh to gay Paris. And the navigation is the interesting part as she has no arms. I only mention that because as an able-bodied fella with all the original equipment, it is interesting (to me) to see how one without arms manages everyday tasks like showing your passport, flipping down your airplane seat tray, or even just sipping a cup of coffee without the use of hands or arms. There’s more than one shot of people in the video similarly interested, if not bemused, which makes me think it was intentional to use someone otherly-abled and therefore worth the mention. As you might guess, she manages it all perfectly well and is just another young person having fun and on an adventure.

There has always been a strange tint of youth to MGMT’s music. Not entirely without that hint of danger that defines adventure either. “Nothing to Declare” carries the same scent and makes me sad not to be young, while happy for my own adventures. Go see the world, kids. You can’t tell people what you didn’t do–that’s not a story.

Don’t Let Your Babies Grow Up to Be Journalists

Let’s see.

The Los Angeles Times laid off >20% of the people who work in its newsroom. Line up five people. One is given a cardboard box. About 115 people got boxes.

Over at Time magazine, the CEO sent out a memo to staff that says, in part, “We must continue increasing our revenue while managing operating costs efficiently. Over the last 12 months we have diligently reduced our expenses. There is still more work to be done.” More work to be done by fewer people, as the union that represents Time’s editorial staff reported that 15% of its members were let go.

Business Insider’s CEO’s memo pointed out that last year they developed a vision and “This year is about making it happening and focusing our company and efforts toward the future.” Then the other shoe dropped: “Unfortunately, this also means we need to scale back in some areas of our organization.” As in some 8% of its employees being eliminated from the rolls.

Sports Illustrated, which figured a few years back that while it might have some of the best sports writing in the known Universe, putting sexy women in bikinis on its cover would provide more visibility for the brand and at the very least one-time purchases by people standing in line at Barnes and Noble, had about 100 people in its newsroom. Week-before-last the management sent out emails to many of those writers and editors advising them that their services were no longer required. And some of those remaining got a message telling them that they have 90 days or so. Sports Illustrated is owned by Authentic Brands. Authentic Brands also owns an array of other brands that aren’t ink-on-paper or digits-rendered-on-a-screen, like Airwalk and Eddie Bauer, Dolce and Gabana and Juicy Couture, Quiksilver and Reebok. It also owns the right to Elvis. Perhaps before you know it, when the King’s cred diminishes, his likeness will be looking for work.

Continue reading Don’t Let Your Babies Grow Up to Be Journalists

New Kula Shaker: Natural Magick

Video: Kula Shaker – “Natural Magick”

Directed by Crispian Mills. From Natural Magick, out February 2 on Strange F.O.L.K.

Brit Pop aficionados will remember the time between The Stone Roses’ eponymous first album and their follow-up, The Second Coming, as “the one hundred year drought.” We clamored for whatever we could get our hands on that would even remotely moisten our sun-dried lips and usually ended up with The Charlatans (who were fantastic, don’t get me wrong).

Even in the years following The Second Coming, other bands attempted to fill that lemon-sized hole, including Kula Shaker. A funky party of a band, Kula Shaker had some success with their eastern-infused tub thumpers like “Tattva”, “Hey Dude”, “Govinda”, “Hush”, and “Sound of Drums.” But critics hated them and they broke up for a while, reformed, and broke up again.

Now they’re back (for now) with another bong water soup of a song that is sure to get your flares swaying. Backed with a retro video, these guys know how to tap the sentimentality vein and pump it full. I am here for it.

Kula Shaker: web, bandcamp, amazon, apple, spotify, wiki.

New Beths: Your Side

Video: The Beths – “Your Side”

Directed by Tristan Deck. From Expert In A Dying Field, out now on Carpark.

Does anybody write better melodies than Elizabeth Stokes? I can’t think of anybody.

It’s a bit of a cliche but I like it when a band has had an album out for a while and the label has already spent all the money they’re going to spend on videos so the band throws together a bunch of the stuff they shot on tour on their phone. It’s a fun look behind the scenes of a touring band. See them driving in the van, buying garbage food at gas stations, snoring in the van, checking their lattops in green rooms, playing what must be cricket, laughing in the van, and rocking out on stage.

But here I go again
Mixing drinks and messages.
So I’ll say it plain, baby
I want to see you.

“Your Side” is a song of aching loneliness but you might not catch that on first listen because it sounds almost giddy. I guess that would reflect hopefulness.

The Beths: web, bandcamp, amazon, apple, spotify, wiki.

Continue reading New Beths: Your Side

New Liam Gallagher and John Squire: Just Another Rainbow

Video: Liam Gallagher & John Squire – “Just Another Rainbow”

Directed by Charles Mehling. Single out now.

Nostalgia is a tricky thing. The idea of focusing on a time gone by is by definition counter to innovation. But there’s also something very charming–and honest–about wearing your influences on your sleeves. That’s something both Liam Gallagher and John Squire know having each been in era-defining bands from Manchester. Dum dums will dismiss Gallagher’s Oasis as Beatles knock-offs while praising Squire’s Stone Roses, a band equally influenced by music of yore. Again…it’s tricky.

And so it should come as no surprise that the first single from this mega-match-up sounds familiar. Liam is Liam and he plays the part well with equal parts snotty brashness and melodic panache. The old boy doesn’t change much and God bless him for it. Likewise, John Squire can still whip out psychedelic splashes of guitar wizardry that can shock and then lull you in rapid repetition. Gallagher-Squire is a combo that works.

Backed by producer and bassist Greg Kurstin and drummer Joey Waronker, “Just Another Rainbow” is the first of a promised album of new material. And while Kurstin and Waronker are no Mani and Reni, if you squint your eyes just enough you can almost make out the silhouette of a bucket hat through the smoke.

Liam Gallagher: web, bandcamp, amazon, apple, spotify, wiki.
John Squire: web, bandcamp, amazon, apple, spotify, wiki.

Sounds All-Too Familiar

Bad Dog is a band you’ve probably not heard of. It consists of two guys, David Post and Craig Blackwell, and is based in the Washington, DC area. They’ve been bumping around for a few decades now.*

And you may have heard music produced by Bad Dog but you may not think that you’ve heard Bad Dog because the given song was purportedly by someone else even though it was by Bad Dog. Perhaps that would provoke nothing more than a shrug, but think about how Post and Blackwell must have felt upon discovery of that.

Welcome to the Age of Ephemeral Digital Non-Ownership.

It’s like this.

As a story in The New York Times, appropriately headlined “Their Songs Were Stolen by Phantom Artists. They Couldn’t Get Them Back,” the band recorded a CD last July it planned to give away at a party in December.

The album was appropriately named—at least as regards to what has happened—“The Jukebox of Regret.”

In July Bad Dog uploaded the album to SoundCloud.

Then, as the NYT reports, “nearly every song on it somehow turned up on Spotify, Apple Music, YouTube and at least a dozen other streaming platforms.”

Which might have seemed to be a Big Win for Bad Dog, except for one thing:

The songs weren’t necessarily with their actual titles and they were labeled by “people” who aren’t Bad Dog.

Continue reading Sounds All-Too Familiar

Rock Around the Clock

And the clock has rotated many, many times. . .

In addition to being musicians, what characteristic do the following share:

  • Madonna
  • Joan Jett
  • Belinda Carlisle
  • Bruce Dickinson
  • Simon Le Bon
  • Paul Weller
  • Gary Numan
  • Jello Biafra
  • Martin Fry
  • Thomas Dolby

While once the answer would be “They all qualify for AARP membership”—as they are all 65. But that no longer stands because the organization will take the registration fees from 18-year-olds. (Today’s 18-year-old will turn 65 in. . .2071.)

Compared to many other musicians, they are, well, juvenile.

There are, of course, Paul, Mick and Keith, all of whom are 81. Ringo is older, at 83.

While David Crosby died last year, the SN&Y who remain are: Stephen, 79, Graham, 81, and Neil, 78.

And Fleetwood Mac lost Christine McVie last year, but there are Mick Fleetwood at 76, John McVie 78 and Stevie Nicks at 75. Were Lindsey Buckingham still in the band, he’d bring the average age down a smidge, as he’s 74.

Those who are 78 constitute what could be the makings of an interesting band: Debbie Harry, Pete Townshend, Bob Seger, and Eric Clapton.

Somehow, a 65-year-old Madonna, buckets of Botox and arguably a standing appointment at a plastic surgeon notwithstanding, seems somewhat girlish.

What are you looking at?

Strike a pose

Strike a pose

Vogue (vogue, vogue). . .

Of Jawbreakers, Paleontologists and Morgan Wallen

Let’s assume you run a candy store. You have an assortment of sweets.

There are candy bars. Suckers. Mints. Jawbreakers. Truffles. Gum.

People come into your shop and one after another buys the jawbreakers. They all leave the store looking like they have a massively swollen cheek on one side.

Soon there are few left. There is the usual number of other items bought. But the jawbreakers exceed expectations.

So when you make your next order, you not only buy grape and cinnamon, but go for a variety of other flavors like chili and bacon.

After all, you are in the business of moving product, and the jawbreaker seems to be the candy of the moment.

Which brings us to music.

Consider this from the “2023 Luminate Year-End Music Report”:

In March Morgan Wallen released One Thing at a Time.* The album generated 482.65m On-Demand Audio (ODA) streams, or about 20% of all Country music streamed that week (a total of 2.22 billion for the category).

Country music had more than a moment in 2023. Luminate, a company that provides data and analysis for the music and entertainment industries, determined Country was the fastest-growing streaming genre in the U.S. While those 2.22 billion streams might seem like a lot, in July the number of Country streams hit 2.41 billion.

While billion is a word that is commonly thrown around nowadays to the extent that it really doesn’t mean much, here’s a way to think of it courtesy of the University of California Museum of Paleontology:

“If you, and one descendant per generation, saved $100 every day, and each of you lived for 90 years, it would take you and 304 generations of your descendants to save up one billion dollars.”

Yes, a billion is a lot. And 2.22 billion is a lot more.

So if you’re in the music business in the U.S., odds are you’re going to start providing a whole lot more Country acts to your catalog, including the analogues to chili and bacon and whatever else sounds intriguing.

Not only did the genre grow 23.7% in the U.S. in 2023—which puts it in third place, behind World and Latin music, but they “only” had 5.7 billion and 19.4 billion ODA streams compared with Country’s 20.4 billion—but the listeners of Country largely consist of Millennials and Gen Z, which means that there is a potential long future for the genre.

(Let’s go Museum of Paleontology for a moment. Let’s assume that the average length of Country songs is three minutes. If there were 20.4 billion streams, that’s 61.2 billion minutes. One billion minutes equals 1,902.6 years—yes, just shy of two millenia. So the number of streams goes to 116,439 years. That’s a lot of listening.)

Speaking of time, albeit in a comparative blink of an eye, the flurry of purchases of musician catalogs over the past few years notwithstanding, Luminate calculates that when the top 500,000 tracks in the U.S. are looked at, music released during the past five years account for 48.3% of all the ODA. While that means, of course, that 51.7% of the music is over five years old, and therefore some venture funds might be cashing in on their catalog buys, one could argue that music streaming began with Napster in 1999, so that 51.7% is spread across 20 years.

Which brings us back to near the top.

While one might assume that the top album U.S. in 2023—including physical sales, on-demand streams, total album equivalents, and on-demand video—was something by Taylor Swift, it turns out Morgan Wallen’s One Thing at a Time was at the top, with total album equivalent consumption of 5.362 million units. Swift’s Midnight was second at 3.209 million.

However, looking at the top 10 Swift seriously dominates. Wallen has an album at number five, too, Dangerous: The Double Album, which had 2.179 million units. That means a total 7.541 million.

Swift albums were also at 4 (1989 (Taylor’s Version), 2.872 million), 6 (Lover, 1.875 million), 8 (Speak Now (Taylor’s Version), 1.775 million), and 9 (folklore, 1.612 million).

Her accumulated number is 11.343 million units.

If we take the average length of an album (going to the classic 20 minutes per side of a disc), then Swift’s number equates to 453.72 million minutes of music listened to in 2023.

While that may seem like a lot, it is not something that would even raise an eyebrow of a paleontologist: it is only 863.24 years of listening.

Which brings us back to the top of the top.

There is something called a “Mega Bruiser Jawbreaker.” The world record for eating one is 17 days, four hours, eight minutes, 19 seconds.

During the 863.24 years of listening to Taylor, only some 18,535 Mega Bruisers could be consumed.

So were you to be running a candy store, that’s not the kind of jawbreaker to order.

But if you’re in the music business, Swift and Wallen are the flavors that matter.

==

*The album was released on what is arguably one of the best label names in the business: “Big Loud.” Damn right.

Data: 2023 Total Music Sales and Streams

The music industry likes to talk about consumption, which is another word for tuberculosis, and it makes all real music lovers gag. They talk about consumption because they don’t want to talk about sales because sales are down from their pre-Napster heyday. Consumption is up though. So yay.

For real though, it’s a good thing that streaming has allowed people to listen to more music. Who could argue with that? (I mean, besides any artists who are unfortunate enough not to own their own masters…which is most of them.) But for fans, this is a great time to be alive. The celestial jukebox is real. And if you want something weird that’s not available on Spotify or Apple Music, there’s a good chance you will be able to find it on YouTube. Go nuts.

Just don’t try to convince us that streaming “love is embarrassing” 1,250 times is the same as listening to GUTS. You didn’t “consume” the album. So keep that in mind when you hear that total U.S. album consumption increased by 12.6% in 2023. Did it really? Song “consumption” may have increased but who knows how many people are actually listening to albums? There’s no way of measuring that.

But overall things do seem to be getting better for the music biz. Actual album sales rose a little bit. Vinyl is up. Even our beloved old compact disc did better this year. And of course streaming is way up. 1.453 trillion songs were streamed in 2023. That’s a lot of zeroes! 1,453,000,000,000 songs.

And a good chunk of those songs were recorded by Taylor Swift. No joke, Luminate reports that “1 in every 78 audio streams was a Taylor Swift song in the U.S. this year.” And Billboard points out that her collected catalog sold 6.172 million copies (3.484 million of that on vinyl!), accounting for “6% of all album sales last year across all albums by all artists.” She sold 1.014 million copies of 1989 (Taylor’s Version) on vinyl. It blows my mind that she even pressed a million records, let alone sold them all. It’s staggering.

* * *

Total U.S. Album sales (physical + digital in millions)

Total Album Sales (physical + digital albums)

2023: 105.32 million
2022: 100.09 million
2021: 109.0 million
2020: 102.4 million
2019: 112.75 million
2018: 141 million
2017: 169.15 million
2016: 205.5 million
2015: 241.39 million
2014: 257.02 million
2013: 289.41 million
2012: 315.96 million
2011: 330.57 million
2010: 326.15 million
2009: 373.9 million
2008: 428.4 million
2007: 500.5 million
2006: 588.2 million
2005: 618.9 million
2004: 666.7 million
2003: 667.9 million
2002: 693.1 million
2001: 762.8 million
2000: 785 million
1999: 754.8 million
1998: 712.5 million
1997: 651.8 million
1996: 616.6 million
1995: 616.4 million (I’ve heard the figure is 616,957,000)
1994: 614.7 million (I’ve heard the figure is 615,266,000)
1993: ~573 million (1994 was 7.4% increase over 1993)

Continue reading Data: 2023 Total Music Sales and Streams

Rock and roll can change your life.