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Beatles Studies

Ringo gave an interview to BBC Radio recently in which he said, among other things, “if Paul hadn’t been in the band, we’d probably have made two albums because we were lazy buggers.”

So that would have been Please Please Me and With the Beatles, which were introduced in the U.K. in 1963 eight months apart (March and November).

As for the first, it is actually quite an impressive outing, including: “I Saw Her Standing There,” “Misery,” “Anna (Go to Him),” “Chains,” “Boys,” “Ask Me Why,” “Please Please Me,” “Love Me Do,” “P.S. I Love You,” “Baby It’s You,” “Do You Want to Know a Secret,” “A Taste of Honey,” “There’s a Place,” and “Twist and Shout.”

A solid 32:16 of music.

With the Beatles contains “It Won’t Be Long,” “All I’ve Got to Do,” “All My Loving,” “Don’t Bother Me,” “Little Child,” “Till there Was You,” “Please Mr. Postman,” “Roll Over Beethoven,” “Hold Me Tight,” “You’ve Really Got a Hold on Me,” “I Wanna Be Your Man,” “Devil in Her Heart,” “Not a Second Time,” and “Money (That’s What I Want).”

That comes in at 33:02.

One of the remarkable things about these two albums is that the band was able to include songs from a wide variety of genres. Consider only With the Beatles. “Till There Was You” was written by Meredith Wilson, the composer of The Music Man. “Roll Over Beethoven” came from Chuck Berry. “You’ve Really Got a Hold on Me” was written by Smokey Robinson. And “Money” also came out of Hitsville U.S.A., having been written by Motown founder Berry Gordy and Janie Bradford.

Ringo continued, “But Paul’s a workaholic. John and I would be sitting in the garden taking in the color green from the tree, and the phone would ring, and we would know, ‘Hey lads, you want to come in? Let’s go in the studio!’

“So I’ve told Paul this, he knows this story, we made three times more music than we ever would without him because he’s the workaholic and he loves to get going. Once we got there, we loved it, of course, but, ‘Oh no, not again!’”

The world would have certainly been a different place had Paul not been the pain in the ass that he must have been in order to get those guys out of the garden.

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Did Sha Na Na Invent the Fifties?

BowserIf you enjoy post-moderism and meta-history you’ll appreciate this. Two of the founders of the original revival band write an article for their alma mater’s journal wherein they discuss a couple of recent scholarly publications (Happy Days and Wonder Years: The Fifties and Sixties in Contemporary Cultural Politics by Daniel Marcus and Retro: The Culture of Revival by Elizabeth E. Guffey) that both “contain extensive studies of Sha Na Na’s ‘Fabricated Fifties'” and claim that Sha Na Na played “an unusual role in 20th century American history. More precisely, in inventing it.”

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