Tag Archives: Alanis Morissette

History Lesson from Alanis

On April 3, 2001, Don Henley spoke to the Senate Judiciary Committee on the subject of “Online Entertainment and Copyright Law.” To hear Henley say, “Like it or not, Napster has changed everything” makes you realize how far in the past 2001 is, perhaps not in terms of time as much as in technology. And just as a historical side note, also speaking to the Committee was Hank Barry, then-CEO of Napster, who noted that Sean Fanning was in the audience and was 20 years old, which made him, Barry undoubtedly said to be funny as he spoke primarily to a group of people who had white hair, “over the hill.” As Barry is an attorney and a venture capitalist, he probably had a better sense of Congressional humor than I do. And speaking of senators, it did seem odd to see, while watching the C-SPAN coverage of the testimony, Senator Patrick Leahy, then as now representing Vermont (he is presently the longest-serving senator, besting both Chuck Grassley and Moscow Mitch McConnell), sitting next to Orin Hatch (who retired from Congress in 2019 after 42 years—bet you didn’t know you were going to be getting a civics lesson on GloNo), pull out a camera—yes, a full-size camera, as, remember: this was six years before the iPhone—and presumably take a picture of Henley.

It is also worth noting that following Henley, Alanis Morissette spoke, and I must say that she actually did a better job of making a presentation, raising—remember, this is 2001—an interesting argument that because when it comes to royalties musicians were pretty much not receiving them due the the accounting practices of the labels and consequently it wasn’t an entirely bad thing that listeners were getting access to music free from the Internet because from her perspective, she wasn’t seeing anything in the way of remuneration, so that music would help build community which would then allow her (and others) to make money from touring and merch. She also stated, “History has not been kind to artists who have candidly expressed points of view that differ from recording companies.’”

Last week, Henley was back in front on the Senate Judiciary Subcommittee on Intellectual Property Law. The subcommittee is now chaired by Thom Tillis, who is in his first term representing North Carolina, and who is running for re-election this year. When I Googled him the first result is an ad that has below the text headline: “Support North Carolina’s Warrior in the Senate. Donate Here! Conservative. Father. Proud North Carolinian. Husband. Grandfather.” I wonder how his wife feels about her position in the rankings. Apparently the first live concert that Tillis, 59, Warrior, saw was. . .the Eagles. Which segues nicely to: “As a 55-year veteran of the music industry, I was asked, by the chairman of this Senate subcommittee, to come here and testify today on behalf of the creative community—songwriters, musicians, music publishers—also known, in today’s digital world, as ‘content providers.’”

Henley stressed that he was speaking on behalf of the little guy: “It is truly unfortunate—and patently unfair—that the music industry is perceived only in terms of its most successful and wealthy celebrities, when in fact there are millions of people working in the industry, struggling in relative obscurity, people whose voices would never be heard were it not for hearings such as this one being held today.”

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Alanis Morissette – The Collection

Alanis Morissette - The CollectionAlanis MorissetteThe Collection (Maverick)

I’m breaking up with Alanis. I’m serious, man. This time, it’s for good. I just can’t stand her fucking whining anymore.

Yeah, it was great, back when we first met. When I used to hear her on the radio on those shitty alternative stations when I was driving in the car. I’d always listen and maybe even sing along.

Yeah, I ought to have fucking known right then.

It was good after that too though. Like when I downloaded “Thank U” from Napster. When it would pop up on my iPod from time to time, I’d always smile.

I even liked “Dogma.” That’s how fucked up over her I was.

Continue reading Alanis Morissette – The Collection

Who’s your Alanis?

Confessions of a Rock Snob

So last night I’m flipping channels and finding nothing on the digital cable, per usual. That is, except for the endless reruns of SNL on Comedy Central. Who happens to be the musical guest?

Alanis Morissette.

As some of you know, I have this thing for her. I am ashamed of this, I don’t want to like her music, I do find it trite, but damn it if I don’t stop to listen every time I hear any of the four singles from Jagged Little Pill.

Even worse, I find Alanis hot.

I have been trying to figure this out all day now, why I am so suckered by a second-rate Tori Amos, who is herself but a pale imitation of Joni Mitchell. Oddly enough, Jewel didn’t take me down this path of adoration; despite her greater physical charms, she makes me entirely indifferent. While I do like the music of Four Non Blondes, it’s not quite the same; there’s no crush, no warm fuzzy feeling like I get when I imagine Alanis with her hand in my pocket.

Once I had a crush on a girl I worked with. She was neither pretty nor smart nor particularly talented. But some odd blend of quirkiness, a nice smile, and her ridiculous pretension led me to get all silly about her. With Alanis, I find myself in a similar emotional state. So maybe what I can draw from this is that I have secret crushes on pretentious females with cute smiles—but there is a broader issue. Forget Alanis the woman. I still like her music, a lot.

Despite knowing it’s bad, Alanis’ music seems to subvert my intellect and strike at some music receptor that’s not connected to my brain. And not in the kitschy way. Alanis is not so good because she’s so bad. She’s bad and I like her anyway.

Must I now quit GloNo in shame? Should I just give in and buy the Jay and Silent Bob Strike Back DVD? Advice anyone?