When I was young, we approached rock and roll like that, that it had been broken open and sucked dry by greedy adults and nothing remained of it but a few shards. The Rolling Stones, for example, could be reduced to the mumbles and guitar jabs at the start of “Stray Cat Blues,” the submerged clatter of “I Just Wanna See His Face,” and the line in “Respectable” about smoking heroin with the president. Three fragments. And I’d have to say that even that was pretty generous of us. The Clash and the Who were each reduced to just two fragments. My friends and I called these “moments,” and we constantly bickered over the merits of this or that “moment.” I’m the one who said the moments occur when a performer strays from the script, when you sense they haven’t practiced this part but aren’t worried what to play. It was Roy who said these moments were “steered entirely by the majesty of impulse.” I always loved that, “the majesty of impulse.” Made passion sound like some kinda key to royalty.
— From The Last Rock Star Book Or: Liz Phair, a Rant by Camden Joy
We are pleased to present to you the Glorious Noise interview with one of my favorite contemporary authors, Camden Joy. He was called “one of the smartest, funniest, and most thoroughly twisted people writing about rock today” by Jim DeRogatis, the author of the Lester Bangs biography, Let It Blurt, and authority on smart, funny, twisted writers. In the interview Camden Joy discusses his role in reviving interest in alternative country legends, his love of genetically-modified fruit, and his waning interest in current popular music. He also mentions his three brand new novellas that were just published by Highwater Books.
Read all about it here.