Tag Archives: Daystar

New Daystar video: People Get Lonely

Video: Daystar – “People Get Lonely”

Daystar - People Get Lonely

From The Complete Recordings, out now.

Check out the latest video from GLONO co-founder Derek Phillips’ band Daystar! This time around he and his Portland bandmates reveal what they’ve been up to for the last six months.

Spoiler alert: Not much!

“People Get Lonely” is a power pop highlight of The Complete Recordings, looking back on the ideals we had when we were young.

We laughed and swore to fight, and never said goodnight
But you know… People get lonely

Does the rhythm guitar remind you of the Velvet Underground? Or is it more of an Apple Rooftop concert vibe? Either way, it’s a trip, it’s got a funky beat, and you can bug out to it.

Daystar: web, fb, bandcamp.

New Daystar video: Fade Away, Love

Video: Daystar – “Fade Away, Love”

Daystar - Fade Away, Love

From The Complete Recordings, out now.

Hey hey it’s another video from GLONO co-founder Derek Phillips’ band Daystar! I’d recognize that handwriting anywhere. I’ve got pages of it in yearbooks and letters and stories in the archives.

When I was a teenager I was convinced that my group of friends was destined to be important and famous like the Beats or the Algonquin Round Table, which — combined with my hoarder genetics — required me to save everything anybody produced. So I have every letter, postcard, photo, flyer, cassette, 7-inch, poetry collection, etc., that any of my posse was involved in.

And while the teenage sense of self-importance is undeniably over-inflated, I am still consistently impressed by the creative work of my pals. Adulthood, as it tends to do, quashed the dreams of fortune and celebrity, and now we all have standard day jobs that pay the bills, but most of these folks still do cool stuff on the side.

“Fade Away, Love” is a pretty acoustic ballad played on Phillips’ 1966 Epiphone Texan. If the tone reminds you of the Beatles, that’s not a coincidence. “It’s the same make and model McCartney used on ‘Yesterday’ and ‘Blackbird’ and still records with today,” he recently told Rock & Roll Globe. “His is a ’64.”

DP and Daystar lead guitarist Joel Roth talk a lot about gear and influences in that interview so check it out. They totally nerd out.

Daystar: web, fb, bandcamp.

New Daystar video: Warped Reality

Video: Daystar – “Warped Reality”

Daystar - Warped Reality

Filmed by Joshua James Huff. From The Complete Recordings, out October 25.

Full disclosure: Daystar’s Derek Phillips is a co-founder of Glorious Noise, and he was the best man in my wedding, as I was in his. We’ve been pals since we were 15 year old dorks who bonded in art class over our budding obsession with the Beatles. I listened to Abbey Road for the first time at his house. It was an exciting time, discovering new stuff as quickly as we could, which was tricky in the pre-internet age (pre-CD even!), especially when you’re too young to drive yourself to the record store and too broke to afford much even when you got there. It was work being a fan.

After we exhausted the complete Beatles discography we moved on to their solo years, side projects, and bands they produced or influenced. In the early days of usenet newsgroups and tape trading I remember inquiring if anybody had a recording of Paul’s demo of “Day After Day,” the Badfinger song. “Unlikely,” came the reply, “since it was written by Pete Ham.”

Well, it’s thirty years later, and my homie has a band that has recorded an album’s worth of material that’s the direct result of all those years of obsessing over classic sounds. And now they’ve released their second video. DP told Indie Band Guru, that “Warped Reality” is “about those screw-ups in all of our lives who we just can’t give up.” (I hope he’s not talking about me!)

And have you ever noticed
You are always all alone
Holding on but hopeless
Homeward-bound but never home

Their album release show is on Saturday, October 19 at Bunk Bar in Portland with the Resolectrics and Messimer. I’ve already got my copy and it’s a thing a beauty. Dig it.

Daystar: web, fb, bandcamp.

Midnight Caller Episode 5

He was a spaz. So bad that he once slapped a teacher right across the face. We couldn’t believe it. The whole class froze for a moment. And then sped up very fast like an old film projector breaking loose from a jam. There was David, running around the room while we lost our minds, screaming like chimps until Mrs. Oatman caught him and threw him in the bathroom where he tore it up until he went quiet. Nervously, she opened the door to check on him and he was out like a shot and running down the street; running home again.

David was a year older than us but in the same grade. He had a frenetic energy that fueled kids and exhausted adults. He came by it naturally. His dad, Dave Sr., would scream from the sidelines of our baseball games. “Run, you pollack! Run!” We couldn’t believe he called him that, his own son. But the more we laughed, the more the veins in his neck bulged. “Run you pollack! Run!”

While Sr was screaming, Jr was whispering. It was a creepy habit he’d picked up that summer. He’d heard it on the radio and thought it was hilarious to come up behind you, quiet as a black cat, and whisper in your ear: “Be quiet, big boys don’t cry. Big boys don’t cry.” We were in 4th grade and despite our recently acquired trucker mouths, we were not big boys. The act of one of our classmates whispering that in our ears was unnerving and he knew it. That’s why he did it. He was a year older, after all.

It was also the summer of the Atlanta child murders and even though we were 1200 miles away, we were enthralled with horrified fascination. They were our age, some of them. And they kept disappearing. One after another. Sometimes found, sometimes not.

“He’s gonna get us,” Dave would cackle as we raced back to our houses when the street lights came on. “He’s gonna get us!”

It didn’t matter how many times we explained that Georgia was a 12 hour drive away and that he seemed to target black kids, Dave would talk about how he was going to get us. There were countless ways he was going to get us too. In our beds, in our garages, reaching up to pull us down just before we reached the top stair. He was there and he was going to get us. Dave talked about this non-stop. HE was in every conversation, every drawing, everywhere. Dave talked and talked and talked about him.

Until one day Dave disappeared, and we never saw him again.

Songs featured:

“One of These Nights” by Eagles

“Angelina” by Daystar

“I’m Not in Love” by 10 CC

New Daystar video: Buttons and Brass

Video: Daystar – “Buttons and Brass”

Daystar - Buttons and Brass

Directed by Matt Schulte. From The Complete Recordings, out soon.

My fellow GLONO founder Derek Phillips and I have been pals for over thirty years. Throughout these decades he’s always been in bands. Almost too many to count. But because I am a collector and an amateur archivist (a/k/a hoarder), I can count them: thirteen. Wednesday’s Children, the Holy Moly Revival, Siamese Beetle, the Silence, Leslie, Silver, the Vantrells, the Overtones, Moline Dorr, the Blue Ribbon Brothers, Riviera, the Dirty Lawfords, and now Daystar.

I’ve followed each of these bands over the years, and I’m excited about Daystar. They’re a real rock and roll band!

Daystar was formed in Portland with Joel Roth, Nick Foltz, and Kelly Simmons, and their debut album, The Complete Recordings, is coming this summer. They shared its first single, “Right at Home,” based on the occupation of the Malheur National Wildlife Refuge, back in October.

“Buttons and Brass” is based on more innocent shenanigans: teenagers with nothing to do except goof on each other.

Hanging out, ’cause nothing’s doing
It’s all about somebody else
Push away and Dewey’s stewing
Crying out about broken belts

There were lots of high school weekends when parents were out of town, sitting around somebody’s kitchen table, playing Quarters with Milwaukee’s Best and Doritos. Sink three in a row and you get to make up a rule. Top 3 Quarters rules, in order: 1. Can’t say “drink/drank/drunk,” 2. Gotta call everybody Dave, and 3. Before you consume, you have to stand up, grab your junk and say, “I have a very tiny penis.” Good clean fun.

That level of social awkwardness is carried into the video, shot at Fluff & Gravy Records in Portland and directed by Matt Schulte, wherein our hero repeatedly tries and fails to make the scene. That’s alright, homie, there’s always Quarters.

Daystar: web, fb, bandcamp.

The Midnight Caller, Episode 4

The air is thick and the static’s crackling. Coded messages and tapped lines, there is danger in the jungle. The choir voice of The Peoples weaves in between the trees, through the hanging vines and into the radio waves. They like baseball and they have lots of friends, but they wish you could be there. You’ll be thankful you weren’t.

How do you save your Soul Stripper?

There was a positive message, so how has it gone all so wrong? Are they sleeping? No. They won’t wake up. Unfolding enveloping missiles of soul recall senses sadly. Sound the alarms but it’s too late. They won’t wake up.

Episode 4 of The Midnight Caller has come through. Turn the knobs just right and you can get the whole broadcast.

Introducing the Midnight Caller Sound Magazine

I like sound collages. I always have. Well, at least since I got my own copy of the White Album and listened through “Revolution 9” with more than a little bit of excited fear. Not to be too artsy-fartsy about it but there is something fascinating with the deconstruction/reconstruction of sound when you change the context in which it was originally created. Suddenly, the innocuous turns ominous.

I originally started the Midnight Caller sound magazine as a creative way to promote my band Daystar. Maybe it’s because we’ve been running GLONO for almost two decades and I am just numb to press releases, but the idea of typing up our influences and recording process just felt so torturous. So instead, I created a sound collage at the prompting of our bassist Kelly Simmons. And I love it. I love the process of creating these broadcasts and the weird twists that come out of it. So now it’s more. This is what the inside of my head sounds like, and you’re welcome to it.

The first three episodes are live now and available via Soundcloud and iTunes with more to come.

Continue reading Introducing the Midnight Caller Sound Magazine