Several years ago I had the opportunity and honor to meet and spend some time talking with Elliot Scheiner, a producer and engineer who has been behind the board for an array of musicians, most of whom are acutely aware of the importance of the sounds that we hear when we listen to their recorded music. A recording engineer is the person to takes all of the tracks that have been recorded during a session (realize that there are as many as 96 channels on a sound board, and multiple recordings of each instrument and vocal) and orchestrates them—perhaps a slice here, a bit there—into something that we think is a done-in-one work. It is the ear of someone like Scheiner that creates a seamless tapestry.
I had in a box a third generation iPod nano circa 2008 that contains music that Scheiner had selected. I’d forgotten about it. Needless to say, when I excavated it, there was no power and it seems that the battery is no longer able to hold a charge.
But I pulled out a connector and plugged it in.
And listened. . . .
“Take Me to the River,” Al Green. No, not Talking Heads. It was written by Al Green and Mabon Lewis Hodges. Hear Al’s scream between verses and you’ll not listen to Byrne again. “The sixteen candles burning on my wall/Turning me into the biggest fool of them all.”
“Eight Days a Week,” The Beatles. Shocking to realize that it was released in 1965. Actually, it was ’64 in the UK, but the world wasn’t small then, so it was a few months later. Eight days, but the band’s seventh #1 single on the Billboard Hot 100. The the phrase allegedly came from a chauffeur, describing how much he was working. Work. Not Love.
“Like a Star,” Corinne Bailey Rae. It isn’t a good thing when you do a Google search and the “People also ask” box has as its first question “What happened to Corinne Bailey Rae?” Good question. Probably more well known for her “Put Your Record On,” this song is subtle-yet-intricate. And leads you to wonder “What happened to Corinne Bailey Rae?”
“Fly Me to the Moon,” Diana Krall. It takes a lot of guts to do a cover of a song associated with Frank Sinatra and Count Basie. Yet Krall has vocally and musically more than the stuff to stand up to it. What’s interesting is that her voice isn’t sweet but strong. And it works.
“The Great Pagoda of Funn,” Donald Fagen. Steely Dan released Aja in the fall of ’77. Fagen released Morph the Cat, the album that includes this cut, in March 2006. I defy you to listen to this song and not hear Aja. With the current non-existence of Walter Becker, Fagen could tour doing this album and fully satisfy Dan fans. Or maybe he could call it “Steely Dann.”