Tag Archives: Hall and Oates

Kisses and Concerts

You Just Put Your Lips Together and. . .

Rock and roll, from the very start, has always been about love. Not necessarily deep, abiding love because, let’s face it, the audience for a classic 2:30 song is not someone who is necessarily going to spend time pouring over the Compleat Works of John Donne

“Come live with me, and be my love,
And we will some new pleasures prove
Of golden sands, and crystal brooks,
With silken lines, and silver hooks.”

–after listing to “I Want to Hold Your Hand,” #15 on Rolling Stone‘s “500 Greatest Songs of All Time”; #1 is Aretha’s “Respect” and there is something about more than kissing going on here:

“Ooh, your kisses, sweeter than honey
And guess what? So is my money
All I want you to do for me, is give it to me when you get home”

Uh, yes.

And on the subject of kisses, there is the all-time lip-locking Hall & Oates’ “Kiss on My List”:

“But if you insist on knowing my bliss
I’ll tell you this
If you want to know what the reason is
I only smile when I lie, then I’ll tell you why

your kiss is on my list”

Which leads to this fun fact of the staple of songs, kissing.

So far as I know, there are no songs about cold sores. (Perhaps an opportunity there for someone.) [I apologize in advance, Mac, for introducing you to this one. -ed.]

According to a study recently published in Science Advances on DNA extracted from a 5,000-year-old tooth, HSV-1, the herpes strain that gives rise to said sores, “hint that changing cultural practices during the Bronze Age—including the emergence of romantic kissing—could have factored into HSV-1’s meteoric rise,” writes Nature.

As the uninestimable Toby Keith has it in “You Shouldn’t Kiss Me Like This,”:

“I got a funny feeling
The moment that your lips touched mine”

I’m thinking HSV-1.

Continue reading Kisses and Concerts

The Bird and the Bee – Interpreting the Masters, Vol. 1: A Tribute to Daryl Hall and John Oates

The Bird and the Bee - Interpreting the Masters, Vol. 1: A Tribute to Daryl Hall and John OatesThe Bird and the BeeInterpreting the Masters, Vol. 1: A Tribute to Daryl Hall & John Oates (Blue Note)

Get your Friday Facial from Glorious Noise in the latest installment of our ongoing series, Faces Don’t Lie: Expressive Record Reviews with Dylan Burr.

See Dylan’s reaction to this album after the jump…

Continue reading The Bird and the Bee – Interpreting the Masters, Vol. 1: A Tribute to Daryl Hall and John Oates

Sweet Soul Music: Daryl Hall & John Oates Do It For Love

Daryl Hall and John Oates - Do It For LoveThe accepted history goes that the Blues gave birth to Rock and Roll. But what isn’t as often noted is that there is another sibling of the Blues, which is Soul. For those who (1) aren’t from Detroit or Philadelphia or (2) think that the term may have something to do with Christian music, Soul is a type of music that emerged from the Black community, primarily in the late ’50s and early ’60s and gave rise to such performers as Sam Cooke, Wilson Pickett, Otis Redding, and Marvin Gaye. The music these people produced is generally sweet and heart-felt, sassy and smooth. With the rise of Motown Records, the individual performers, for the most part, gave way to groups. The Temptations. The Four Tops. The Miracles. The music that these groups performed included layered voices, gradated harmonies, and a funky back beat. Horns. A strong bass line. This early music—”(I Know) I’m Losing You,” “Standing in the Shadows of Love,” “The Tracks of My Tears”—was often about girlfriends gained and lost. It was about love. One part of the “loving” of this music was expressed in dancing. Not only would, say, the Tempts do the “Temptation Walk,” but listeners managed to master the moves, as well, and they danced at clubs and gymnasiums, basements and bedrooms. And there was slow dancing. It was music that was heard coming out of rolled-down windows as vehicles rolled down Woodward and Telegraph. It is an unforgettable sound. But with few exceptions, it is echoes.

Continue reading Sweet Soul Music: Daryl Hall & John Oates Do It For Love