Tag Archives: Jason Pierce

Spiritualized – Sweet Heart Sweet Light

SpiritualizedSweet Heart Sweet Light (Fat Possum)

Within the first measures of Spiritualized’s eighth album, head Spaceman Jason Pierce continues his journey away from the minimalist leanings that he’s examined for the last pair of records, and back to the orchestrated grandeur of his revered back catalog.

While all of that may sound like a reprise of his past--which it most definitely is--what’s completely unexpected is the perfect balance that Pierce and company find between the grand stage and two-bedroom apartment. The one where the second bedroom houses all of the pawnshop gear and magnetic tape instead of a rent-contributing roommate.

A Theremin enters into the mix about thirty seconds into Sweet Heart Sweet Light, signaling that after nearly ten years of stripping down the mix, Pierce seems like fashioning up something big for this release. By the end of the record, even the traces of a musical saw seem perfectly fitting and admirably well thought out.

It’s not only one of the best albums you’ll hear all year, it ranks as one of the best in Pierce’s already impressive catalog. Entering his third decade in rock music, Pierce has packed Sweet Heart Sweet Light with beautifully simple arrangements with a sharper bite to his lyrics, some that see a somewhat compelling return to the misery that his distinctive monotone voice can wrap itself around so organically.

By the end of “Hey Jane,” the first song on the eleven track release, the band has already delivered a late career utter masterpiece of a song, complete with an inspired “Hey Jude” coda that gives the album its title.

He’s lifting a bit from his Spacemen 3 past on “Get What You Deserve,” but then, about four minutes into the track, the stereo begins to separate into a wider channel, leaving the main vocal track barking up the middle. By the fifth minute, everything is overcome with guitar distortion and vintage effect pedals while beautiful strings surround the outer ear.

By the end of the song, you’ve forgotten all about the clever allusions to the Spaceman’s past and begin caring about what is in store for us next in his future.

Quite simply, it’s a perfect blend of Pierce’s roots and the unbridled ambition of his revered late 90’s period.

When you get to “I Am What I Am,” with its Sunday go to meetin’ gospel chorus bouncing over Pierce’s deadpanned delivery, it becomes clear that there really isn’t a dud to be found on Sweet Heart Sweet Light. There’s just plenty of additional evidence what some of us have considered for some time now: that Jason Pierce is one the genre’s most vital contributors and to be able to continue to release records like this-clearly equipped for greatness and longevity-then we owe it to him to acknowledge how sweet it is to still have him around.

Video: Spiritualized – “Hey Jane”

Spiritualized, Hey Jane

Video: Spiritualized – “Little Girl”

Spiritualized - "Little Girl" (Official Video)

Spiritualized – Songs In A & E

Spiritualized - Songs In A + ESpiritualizedSongs In A & E (Fontana)

When creating Spiritualized‘s seventh album, Jason Pierce had the ungodly task of not only resurrecting the band’s career, but his own life as well. Much has been made of Pierce’s close collision with death (a bout of pneumonia nearly killed him) but little has been mentioned that the band seemed destined for the grave even before his trip to the hospital. From my perspective, the last album (Amazing Grace) seemed like Pierce had exhausted all of his great ideas with the ginormously-orchestrated masterpiece Let It Come Down. He called Amazing Grace the band’s attempt to return to sparsely populated areas, but Pierce failed to back up that open range with memorable material. The result felt like an attempt to remind listeners of the direct lineage between the bare bones output of bands like the White Stripes and the Black Keys and Pierce’s old band, Spacemen 3.

Trouble is, most of us knew that already, and what made Spiritualized so great was the idea that the guy who started his career by playing one chord repeatedly for forty-five minutes was now, literally, composing hugely ornate arrangements and taking an accidental genius and turning into an artist with a clear aptitude for greatness.

Continue reading Spiritualized – Songs In A & E