Tag Archives: Lush

What Do Memories Sound Like?

On a business trip to Japan in 1991 I was to meet an American in the lobby of an office building in Tokyo. I arrived about 15 minutes before the scheduled time, 8 am,  because. . .well because it seemed like a good idea that if you’re going to travel to the other side of the world and have an appointment, you don’t want to miss it. Oddly, it was me and a guy working a floor buffer in the lobby until the top of the hour, when suddenly (OK, I was still somewhat jet-lagged) there were people everywhere and the person I was meeting introduced himself to me. He was in his mid-20s and his genuineness and demeanor brought to mind an adult Opie from the “Andy Griffith Show,” and this characterization is not to be perceived as in anyway reductive; he was optimistic, engaging and there was the whiff of apple pie about him.

He negotiated us through Tokyo Station, which was a churning ocean of gray-suited businessmen rushing somewhere. Somehow he slipped through without delay with me trying to stay in his wake.

We sat on a train talking about this and that; he was interested in what was going on back home mainly. We had to change trains in Hamamatsu, where he took me to an Indian restaurant, which seemed odd to me until I realized that the distance from Tokyo to Mumbai is a hell of a lot shorter than that from Detroit than either of those locales. Ordering in the restaurant was a matter of simply pointing at models of food and while the models may have been dimensionally accurate, there was something slightly off about the coloring, as there always seemed, regardless of the type of food served in a restaurant, to have a certain whisper of fluorescence about it.

When we arrived in Nagoya and walked from the train station to our destination, we entered the lobby of an office building and went to the desk where there was a man whose job it was to check people in. Opie started speaking Japanese to him which was shocking to me because I’d only heard him talk in a voice with a slight Virginian accent and there it was, full-on, a language that has something of an insistence about it coming from him.

On the train back to Tokyo he explained to me that after getting a degree in history from William and Mary he decided that he wanted to go to Japan, despite not knowing the language. He moved into the home of a family who knew no English. By living with them he learned the language with a proficiency such that he was hired by one of the leading Japanese companies.

During that train ride we started talking about music. At one point he said that he’d just gotten a CD from a comparatively new band that he thought was great who he caught on tour there in Japan. The album is Gala by Lush.

I had never heard of the band. When I got back home I thought that he had an exceptional ear—after all, anyone who could pick up a language like that had something special about him—and so bought a copy of the disc.

I listened to it. I enjoyed it. I forgot about it.

So where is this going?

Back to Japan some 30 years ago.

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Glorious Noise Interview: Eric Matthews

Eric MatthewsThere was a time not too long ago when Eric Matthews was viewed as a savior. In the mid-’90s, Sub Pop Records was primarily known as the label that grunge built. But by the time that type of music began its slow descent, the label realized it had to branch out stylistically to remain relevant and financially viable.

Eric Matthews was as polar opposite as Sub Pop could get. His vastly orchestrated material was voiced with hints of fey romanticism, and the fact that Matthews was himself a handsome lad with a very distinctive style seemed to be a perfect signing for the label and the artist.

And for a while, it was. Matthews’ debut, It’s Heavy In Here, was both a critical and commercial success. It was a much-needed confidence builder for the label who then began to round out its late ’90s roster with a wider variety of artists. But by the time Eric gave the label his second platter, Sub Pop was financially overextended. And when 1997’s The Lateness Of The Hour failed to match the sales figures of its predecessor, Matthews was unceremoniously dropped.

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Miki Berenyi remembers Lush

Miki BerenyiUnder the Radar interviews Miki Berenyi of Lush:

Lollapalooza was a genuine rollercoaster. I did find it difficult to accept the astonishingly macho attitudes… And there was a lot of use and abuse of groupies. I guess everyone involved would say that the girls were willing participants, but a naïve ‘nobody’ is likely to overstep their normal boundaries of their behaviour if they think they will get attention from someone they idolise, and that can lead to rather sordid and upsetting situations ripe for exploitation. That said, there was a genuine sense of euphoria and enjoyment on the tour.

Sadly, there’s no Lush reunion in the foreseeable future. “Not sure how enthusiastic the support would be if they realized that bringing back Miki Berenyi would deliver a 40-year-old office employee with graying hair who’s still struggling to shift the weight from her last pregnancy.”

Via cw.

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