Tag Archives: M. Ward

New M. Ward: Engine 5 (ft. First Aid Kit)

Video: M. Ward – “Engine 5” (ft. First Aid Kit)

Directed by Amber McCall. From supernatural thing, out now on Anti-.

Another song with First Aid Kit from M. Ward. I wonder if Zooey Deschanel stopped taking his calls. Remember when Sleater-Kinney’s Carrie Brownstein roasted She & Him for being “blatantly uncool” and kitschy?

But kitsch — or what would have formerly been called kitsch — is cool and is part of the broader tapestry of music without being marginalized or made diminutive. So what has changed? For one, I think the sheer amount of references available to us at any given time is so abundant that it’s conflated — perhaps even negated — the concept of value. The notion of authenticity is practically obsolete, and the idea of realness is just another categorical index, devoid of meaning. When real is gone, then there is no longer a litmus test for that which deviates from it. It’s all real because it’s all “real.” We mined all the gold, and now we’re mining the gilded.

I wonder what M. Ward thought of that. Probably not much. She & Him released five more albums after that.

“Engine 5” doesn’t sound kitschy. But the video with its old school 8-bit graphics vibe might be.

New M. Ward: Too Young to Die (ft. First Aid Kit)

Video: M. Ward – “too young to die” (feat. First Aid Kit)

Directed by Holly Andres. From supernatural thing, out now on Anti-.

M. Ward is such a gentle songwriter. His songs are like a long hug from an old friend. Like a campfire on a chilly evening. I don’t follow him closely but every time he pops up on my radar I wonder why I don’t spend more time with him. But then another year or two or three goes by and he pops up again and I feel bad for not making more of an effort.

It would be easy to blame covid for not seeing much of my friends. But I was a hermit before the pandemic. And time is a motherfucker. You blink your eyes and you’re fifty and all your friends are scattered across the country and the globe. That’s something old guys say, I know, but it’s true. Wait, weren’t we talking about M. Ward? Sorry.

I first heard that from an old guy:
“I’m too young to die” –
Now it’s spray-painted on the half-pipe:
“Too young to die.”

And how great is First Aid Kit? Ward recognizes the power and beauty of sibling harmonies. He says, “It was a great thrill to go to Stockholm and record a few songs there. The sound from blood-related harmony singers is impossible to get any other way – The Everly Brothers, The Delmores, The Louvins, The Carters, The Söderbergs – all have the same kind of feeling in their vocals.”

It’s cool that he recorded with them in person. The video was clearly shot separately, but that reinforces the album’s idea of “picking up transmissions in a code from a host of foreign satellites.”

Anyway, we should all try to let our friends know we miss them and we should hang out more often.

New M. Ward video: Violets For Your Furs

Video: M. Ward – “Violets For Your Furs”

Directed by Holly Andres. From Think Of Spring, out now on Anti-.

M. Ward has always been an interesting interpreter of older material. Solo and as half of She and Him, Ward has sprinkled in covers of classics and standards throughout his career. So it shouldn’t be that big of a surprise that he’s doing a tribute to Billie Holiday. It’s a little quirky to cover 1958’s Lady in Satin album in its entirety, but why not?

At the end of her career Holiday wanted to record a “pretty album, something delicate” so she enlisted easy listening bandleader Ray Ellis to arrange songs to match her voice that by this point had been damaged by years of substance abuse. Ward forgoes orchestration altogether and sticks to vocals and guitar. And, not surprisingly, it’s lovely.

He talked to Rolling Stone about what drew him to this album: “I heard Lady in Satin at a shopping mall. I had no idea what it was. Her voice sounded like distorted electric guitar paired with these really beautiful string arrangements. It was like something I’d never heard. The whole experience was kind of like a dream. […] I’ve been arranging these songs for 10 years, recording them for a couple of years. I was experimenting with different tunings to get the songs right for my voice. I was just trying my best to take my favorite elements of Ray Ellis’ arrangements and it took a lot of time.”

Anyone expecting Rod Stewart-style songbook schmaltz will be disappointed.

Proceeds from the album go to PLUS1 for Black Lives.

Continue reading New M. Ward video: Violets For Your Furs

Monsters of Folk: Conor Oberst, Jim James, M. Ward and Mike Mogis

MP3: Monsters of Folk – “Say Please” from Monsters of Folk, out now on Shangri-La (courtesy of Magnet)

Paste has a good interview with Conor Oberst, Jim James, M. Ward, and Mike Mogis, who together have released an album as Monsters of Folk. Yes, it’s a stupid name, and they acknowledge that. But I like what I’ve heard so far.

Jim James: The only rule was that the four of us play everything on the record. So we played all the drums, all the bass—we didn’t hire any outside musicians. Conor Oberst: And we all sing on nearly every song, even if it’s just backup. M. Ward: That was a fun part of process—layering the vocals; finding common ground between vocals. Mike Mogis: That’s one of the standout features of the record. The songwriting is great, as well, but the sheer sonics of hearing these three people sing together… Oberst: It’s that old folk sound. [laughter] James: It’s just like Peter, Paul and what’s his face. [laughter]

Sounds like they’ve got the right attitude—not taking themselves too seriously. We’ve got a couple of videos after the jump, including a live version of “Say Please” plus a song that sounds a lot like American Beauty-era Grateful Dead.

Continue reading Monsters of Folk: Conor Oberst, Jim James, M. Ward and Mike Mogis

M. Ward Raves On with Zooey Deschanel and Buddy Holly

Video: M. Ward – “Rave On” (Featuring Zooey Deschanel)

The second single from Hold Time, “Rave On” is a breezy cover of the Buddy Holly classic (first recorded by Sonny West). Had Holly been neutered and forced at gunpoint into the studio with Phil Spector the results might sound similar to this. But as with most of M. Ward‘s stuff, it grows on you and you get more out of it the more you listen. The animated video was directed by Mike Please.

MP3: M. Ward – “Rave On” (Featuring Zooey Deschanel)

M. Ward: iTunes, Amazon, Insound, wiki

Continue reading M. Ward Raves On with Zooey Deschanel and Buddy Holly

M. Ward: Live in Portland

M. WardM. Ward and Musée Mécanique at the Doug Fir

Portland, Oregon, February 14, 2009

When everyone is talking “Buy Local” Portland is living it like nobody else. Everywhere you look are signs and bumper stickers imploring you to Support Local Businesses, and that applies to music. When people here tell you to Grow Your Own, it’s not just weed they’re talking about.

M.Ward is Portland’s own and everyone knows it. Sure, he moved to New Hampshire for a while but he’s back now and everyone just acts like that New England excursion was just an extended vacation but now he’s home…where he belongs.

Continue reading M. Ward: Live in Portland

She and Him – Why Do You Let Me Stay Here?

She and Him

At the end of the year, we’re offering up some MP3s that we never got around to posting for one reason or another. She & Him is Zooey Deschanel and M. Ward. And even though she’s an actress in real life, they made a real nice record together.

MP3: She & Him – “Why Do You Let Me Stay Here?” from Volume One on Merge.

She & Him: Web, MySpace, Wiki.

Continue reading She and Him – Why Do You Let Me Stay Here?

M. Ward: Dusting the Bones

One of the truly good guysM. Ward with Devotchka

Bowery Ballroom, NYC, April 10, 2005

Ahh, the Bowery Ballroom. Sure, it’s tough to find–buried wwayyy downtown, in the only spot of New York that can be considered even slightly remote. But the sound is remarkable, by far the best in the city. This was evident by the strains of accordion flooding my ears from the sidewalk in front of the theater, a crystal-clear Eastern European shuffle that, as I climbed the stairs to the main floor, were identified as Devotchka, the first of two openers for M. Ward.

A dazzling quartet from Colorado who don’t focus on folk, or indie, or jazz but melds each equally in fascinating fashion, Devotchka owned the crowd from the start. The group’s singer, Nick Urata, sipping a bottle of wine as romantically as he propelled his starry voice across the spring night sky, spear-headed his group’s collection of urgent and lovelorn anthems as the collective shifted instrumentation all night. Pulling songs from their latest album, How it Ends (mp3), Devotchka had us all from the beginning. The theater’s perfect sound ensuring the beautiful transluscentry that Devotchka’s music deserves, it was all too tragic that the group had to depart, removing all the twinkly piano, starlit melody, and plaintive beauty from the air as quickly as they’d devoured our hearts.

Continue reading M. Ward: Dusting the Bones