One of the more-entertaining caper movies is the 2003 The Italian Job, a remake of the 1969 film (which I argue gets more credit than it deserves as it has Noel Coward and Benny Hill, with the former mailing it in and the latter giving it all that he has, which was generally more than enough when he was reeling it it). The movie features Mark Wahlberg, Charlize Theron, Donald Sutherland, Jason Statham, Edward Norton, and Seth Green. (Note I said “entertaining,” not Citizen Kane.)
Seth Green’s character—the obligatory computer hacking genius—is named “Lyle.” But Lyle insists that he is called “The Napster.” He explains that Shawn Fanning, who he says was with him at Northeastern University, was not the person behind the peer-to-peer file-sharing service launched in 1999.
Lyle rants: “I should have been on the cover of Wired Magazine. You know what he said? He said he named it ‘Napster’ because it was his nickname because of the nappy hair under the hat. But he. . .it’s because I was NAPPING when he STOLE it from me!”
The company was sold last week by RealNetworks an internet streaming platform provider—which also owns SAFR, which it describes as “the world’s premier facial recognition platform for live video”–to MelodyVR, a British firm that streams virtual concerts.
It was a $70-million deal, with $15 million in cash, $44 million to be paid to music publishers and labels and $11 million in MelodyVR stock. Which seems to be pretty much a case were RealNetworks is getting $15 million in money, $44 million in what could be argued is debt-relief and $11 million in something that seems not to be, well, $11 million, because reportedly MelodyVR had a £16.1-million pretax loss in 2019. Hard to imagine things are going to be much better in 2020.
(One wonders: were The Italian Job to be remade again, would Lyle want to be called “The Napster”?)
But perhaps the virtual concert model is going to gain some traction in the pandemic world.