Tag Archives: Orville Peck

New Orville Peck: Cowboys Are Frequently Secretly Fond Of Each Other (ft. Willie Nelson)

Video: Orville Peck & Willie Nelson – “Cowboys Are Frequently Secretly Fond Of Each Other”

Directed by Ben Prince. From Stampede, coming soon on Warner Bros.

Orville Peck is a phony. He’s about as “country” as Elon Musk…although Peck looks way better in a cowboy hat. He’s a phony, but he’s a real phony. You can tell he believes his own bullshit. But he still needs to recruit Willie Nelson to boost his credibility. And I guess it works. This is a good song. It was originally written and recorded by Ned Sublette in 1981 and released on an arty compilation that also featured William S. Burroughs, Brion Gysin and Jim Carroll. Willie covered it in 2006 after Brokeback Mountain came out and redefined manliness.

And, really, Willie’s version is all you need.

Peck would probably agree. He told Out, “Being around Willie Nelson, it’s like when you’re a kid and you meet Santa at the mall. It’s the most unabashed, raw, unfiltered joy that emanates from that man. And he’s just such a legend. He’s 91 and he’s still just so cool and tours all the time, you know, still playing Trigger, his guitar that he’s had for… I think that guitar is almost as old as he is. He’s great.”

Almost twenty year’s after his original recording, Willie’s voice might be shot but his spirits are high and he’s still got a twinkle in his eye. You can tell he’s getting a kick out of shooting this video with this young South African whippersnapper. And if nothing else it’s nice that Peck is introducing a new generation to this song…and to Willie Nelson, too, although I bet Peck is getting introduced to a lot more Willie fans than vice versa.

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Continue reading New Orville Peck: Cowboys Are Frequently Secretly Fond Of Each Other (ft. Willie Nelson)

New Orville Peck video: Turn To Hate

Video: Orville Peck – “Turn To Hate”

Directed by Orville Peck and Carlos Santolalla. From Pony, out now on Sub Pop.

There’s been a spate of videos with dudes in masks of late, which I guess makes sense in the era of Trump and Brexit. We all have a little something to be ashamed of and perhaps a compulsion to hide from our responsibilities. Sub Pop crooner Orville Peck takes it one further by also masking his influences and genres, and it works like a charm. And maybe it’s not about hiding at all?

Peck recently told The 405, “Masks actually expose a lot—and in this case—allows people to connect way more with me than If I wasn’t wearing the mask. Wearing it lets me stay honest and not hold anything back, if that makes sense. If anything my masks are actually way more exposing than anything.”

Read any other review of his work and you hear a lot of Outlaw Country acts bandied about as musical references, which I guess is true, but I hear something else entirely. What I hear is a Bret Easton Ellis soundtrack. Not the Huey Lewis variety, but one that would play in an indie production of one of his books. There’s a bit of Big Country and Love and Rockets and The The and a whole heaping of Wall of Voodoo. While mining the 80s is in fashion these days, Peck has tapped a new vein. It’ll be interesting to see what else pans out.

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