Tag Archives: playlists

A Gift of Neil

Neil Young’s 75th birthday was yesterday. Happy birthday, Neil. Sorry I’m late.

It’s weird to think I’ve been loving Neil for almost 30 years now. Like a lot of dudes who went to college in the early 90s I was heavily into the whole sixties counterculture scene. Jann Wenner’s influence over the rock and roll canon was still unquestioned. It felt important for serious music connoisseurs to know all that stuff.

I remember joining the Columbia House cd club one last time during my freshman year and one of my 12 picks was CSN(Y)’s So Far. I liked the Nash songs best. Clearly, I still had a lot to learn.

By my senior year I had graduated to Neil’s Decade, which became the soundtrack to many smoky evenings huddled around my pal George’s Mac putting together our underground newspaper or playing Maelstrom. George was my Neil Young spirit guide, providing guidance on the path to enlightenment.

After college my friends dispersed across the country but we kept in touch via brand new technology called an email listserv as well as sending handwritten letters through the good old U.S. mail. It was still the nineteen-hundreds after all. I was living at home with my mom, working a shitty factory job (English major), when I received a package from George in Toledo. It contained a cassette he compiled, titled The Killer, as something like a companion to Decade, the next step in my Neil education.

It blew my mind and made me realize the depth and intensity of Neil’s body of work.

Over the next several years as my obsession grew I scoured used record bins to fill in the rest of the blanks, eventually acquiring Neil’s complete discography on vinyl. It was so exciting to find an album I hadn’t heard before. New songs! The two holy grails were Time Fades Away and Journey Through the Past. At the same time, Neil was releasing new music (Harvest Moon, Sleeps with Angels, Mirrorball, Broken Arrow) and touring constantly. It was a great time to be a Neil fan.

And I owe it all to George and that mixtape.

Continue reading A Gift of Neil

Listen: Cosmic Cowboys, Longhaired Rednecks and Other Troublemakers

So every couple of years I like to re-read the 2012 Texas Monthly feature (“That ’70s Show”) on the 1972 Austin music scene that birthed the outlaw country movement. If you haven’t read it yet, just stop now and go read it and come back after you’re done.

Every time I read this fantastic oral history I pick up on new artists that for whatever reason I’ve overlooked before. The first time I read it I went out and tracked down a copy of Willis Alan Ramsey’s album. It’s amazing. This most recent time inspired me to look into the work of Mickey Newbury, which is kind of funny since he’s not even mentioned in the article. You know how it goes: you start googling around and one thing leads to another and all of a sudden you’re obsessed with something you’d never even thought about before.

It’s weird, though, that I’d never come across Mickey Newbury. “Luckenbach, Texas” is one of my all-time favorite songs and he’s namechecked in it: “Between Hank Williams’ pain songs and Newbury’s train songs…” How is it that I’d never bothered to look it up before? I’ve been listening to that song all my life — I still have my dad’s copy of Ol’ Waylon. I’m a music nerd; I feel compelled to uncover every reference and backstory of every song I love. Back in college I figured out who the “Jerry Jeff” from Willie’s chorus was and picked up a wild live two-record set that features the drunkest version of “Up Against the Wall, Redneck” ever recorded. But Newbury escaped me.

Newbury was pals with Townes Van Zandt and wrote “Just Dropped In (To See What Condition My Condition Was In)” and arranged “An American Trilogy.” These are songs I have known and loved for decades yet I never looked into their composer. All the best songwriters have proclaimed their love of Mickey Newbury (Kris Kristofferson said, “I learned more about songwriting from him than any other writer”), and in 2011 Drag City reissued his most highly regarded three albums plus a disc of rarities in a fancy box set featuring liner notes written by Ben Fong-Torres, Chris Campion, Kenny Rogers, Kristofferson, and Will Oldham. It’s available on streaming services…minus the liner notes, of course.

So anyway, I made a mix. 21 songs, 69 minutes long, one song per artist, sequenced to maximize listenability but it’s loosely chronological. It tells the story of what happened when country songwriters, mostly in Texas, stopped caring about Nashville conventions and started to embrace the hippies. The bulk of these songs are from 1972 and 73. Tom T. Hall joked about the “illusion of literacy” this new type of songwriting brought to the country music scene.

Buckle up as we take you from the sublime to the ridiculous (and back and forth again) across this sad and beautiful country where someone’s always doing something dirty that decent folks can frown on.

Praise the lord and pass the mescaline!

Continue reading Listen: Cosmic Cowboys, Longhaired Rednecks and Other Troublemakers

Wrapping Up 2019

Happy new year, everybody! Sorry this is a little later coming out than usual but we closed down GLONO HQ for the two weeks around Christmas and New Year’s and didn’t even look at a computer. Highly recommended. Next year maybe we’ll try to ignore the phones too.

While in 2018 we posted something new every single weekday, we were a little more lax in 2019. Our annual playlist of all the songs we posted about is only 119 tracks this year, compared to 202 in 2018 and 172 in 2017. Sorry (but not that sorry).

There was a ton of good music released in 2019, as there is every year. Sometimes it feels like it’s getting harder to find, and then sometimes good jams are unavoidable. “Old Town Road” was something else, huh?

My favorite album of the year, I’m You by Hallelujah the Hills, came out of nowhere and absolutely blew me away. It’s an album that explicitly deals with the stuff that Glorious Noise was founded on: exploring the convoluted relationship between musicians and listeners. I’m surprised and disappointed it hasn’t received the attention it deserves.

My favorite concert of the year was Sincere Engineer and the Hold Steady at Thalia Hall in Chicago. Both bands reminded me how good for your soul it is to get out and see bands with a bunch of other people. It’s church for people like us. I was going to write it up and then realized that back in 2014 I had already written exactly what I planned on saying. Still, I need to constantly remind myself to get out more. The older I get, the easier it is to retreat into my jammies and stay home.

My resolutions this year are to be nicer to the people I love and to go to more shows (and to eat better and exercise). If you’re reading this, feel free to hold me to it!

And what better way to do that than on our beloved old message board? I’d love to see message boards make a comeback. As much as I appreciate twitter for what it is, there’s something special about a bunch of likeminded community members yakking it up in their own space. Yeah, I know, #okboomer, ha ha, very funny, and while we’re at it, let’s bring back blogs in 2020, but seriously: get in there. We miss you. We mean it.

Take of yourself, try to stay sane, and let’s all hope things get better in 2020.

Love,
Jake and the GLONO posse

Continue reading Wrapping Up 2019

GLONO’s 21 Best Songs of 2018

Happy New Year!

Once again, as always, there were a ton of great songs released last year. Narrowing it down to the 21 best is a bit ridiculous, but it’s a digestible chunk of music to summarize the year.

My absolute favorite song of the year was also the most surprising: the Oak Ridge Boys’ “Pray to Jesus” blew my mind the first time I heard it and continues to blow we away with each listen. The fact that the Oak Ridge Boys of “Elvira” fame (1981) are not only still together but still sounding this good and recording material of this quality doesn’t make any sense. Or maybe it does! Everything was crazy in 2018.

In addition to “Pray to Jesus” we’ve compiled twenty more great songs from 2018 sequenced for maximum listening pleasure. Please enjoy!

21 Best Songs of 2018 on Spotify

Continue reading GLONO’s 21 Best Songs of 2018

2018: Good Riddance

What a year. How naive were we to think that 2016 was bad just because Prince and David Bowie died, Mitch McConnell was mean to President Obama, and Hillary Clinton lost the election to a game show host who made an entire career out of lying and cheating?

And then 2017 seemed bad too. But now 2018 had us actually locking children in cages and condoning the dismemberment of journalists, so it’s hard to imagine 2019 getting much worse, but who knows? There are 365 days to prove me wrong, and when crazy stuff happens literally every single day of the year, I’ll probably look back at this post and shake my head and think, awww, how cute, you didn’t think it could get worse…

I find myself wishing Hunter S. Thompson was around to help put our current events into context. His writing about the 70s still seems so relevant today. But then again, Nixon looks like Alexandria Ocasio-Cortez compared to today’s G.O.P. And Reagan looks like Beto O’Rourke.

But hey, at least the Dems won the House and there was a bunch of good music released this year.

We posted something every weekday for the whole year, a consistency we hadn’t achieved in the 17-year history of this website.

And as I said last year, “We are not an algorithm. We’re a few dudes with dayjobs and strong opinions who tend to gravitate toward guitar music with something to say. You can trust us.”

So once again, we’ve been compiling the songs we’ve posted into a massive playlist which you can stream for yourself to decide if our taste jibes with your own. Dig it.

And let’s hope things get better in 2019.

Continue reading 2018: Good Riddance

Rose City ‘Til I Die

By the time this publishes I should be barreling down the road in a van packed with my wife, my son, three dogs, a cat and two of my most cherished guitars. We’ll be heading east, away from a city we love more than we could have even imagined when we moved here almost ten years ago. It’s a necessary move and one that brings its own level of excitement and opportunities, but one that breaks our hearts just the same.

I arrived in Portland, Oregon on December 5, 2008, just weeks before the biggest snowstorm to hit the city in 40 years. After a decade in Chicago, we were ready for a change but also ready for an adventure. So I found a job and five weeks later we packed up out two year old son, two cats, a crazy dog and my one most cherished guitar and headed west. The thing I like to tell people about Portland is that it lives up to the hype. What I don’t tell people is that the hype is killing some of the things that make Portland one of the truly most original and magical places I’ve ever been. But that’s the thing about change: it happens. And still, Portland amazes me in its creativity, its generosity, and yes…its weirdness.

Being a sometimes musician my entire adult life, I was excited to check out the scene in a city that was already well known as a creative hub. I couldn’t have anticipated what that scene would actually mean to our lives here. Yes, I’ve always had musician friends, but I have never had a community as tight-knit and supportive as what we found here. We found a monthly gathering of friends who get together and jam, and pass dishes around, and contribute to the community beer cooler and celebrate the spirit of simply being friends. Sometimes swelling to more than a hundred people, I never once saw a dispute, let alone a fight or aggression. I’ve also never received so many hugs. We all had our kids there and our dogs. It was incredible. I have a long-form piece I’ve been mulling for two years but if you want to get a taste of what The Hoot is and was, please read this post by my friend and everyone’s favorite Philly, Phil Favorite.

The curse of moving around is that it means you’re always leaving people you love. It was hard for me to leave my hometown for Chicago. And then it was hard to leave Chicago for Portland. And now it’s miserable to leave Portland. So why are we doing it? The truth is that it’s because for nine and a half years we’ve been missing people back in the midwest as much as we’ll now be missing our friends in Portland. And so we go.

Continue reading Rose City ‘Til I Die

Listen: JTL FM – This Summer

Spotify: JTL FM: This Summer

Look, those white linen dungarees you bought in a frustrated, which way is up moment back in the deepest, darkest depths of winter are not going to wear themselves. The breeze won’t catch the light tick of their fabric, and you’ll never savor the aroma of Impossible Burgers grilling as you sip a Stiegl Radler with Hendrick’s over ice and catch someone’s eye across the side yard in the fading light of a warm June evening. This will never happen if you don’t let it. It’s key, in these clown show times, that you take a sloppy, mirthful bite out of your warm weather weekend, and watch the soy leghemoglobin drip down the bun and soak into your pant leg. Because woo! My god, you look good today.

Camila Cabello’s “OMG” could be a contender for the vaunted “Song of the Summer” perch; after all, it was designed and built to seize that gauntlet. In the same way, “Fuego,” from 2018 Eurovision finalist Eleni Foureira, feels purpose-built for elation. Or as the peanut gallery in the GLONO break room put it, “‘Fuego’ takes place in that moment when someone on a rope swing lets go and splashes into the cool water of the secret lake out by the armory, only that instant is stretched out for the entire summer.”

After a round of powerful live shows in support of 2016’s Puberty 2, Mitski has returned with “Geyser,” from her forthcoming fifth full-length. Grace, grab, yearn, riff: this track has everything a hot summer night spent on the roof of a garage needs. Savory new material abounds in the set, from Mitski to the welcome return of Madrid’s own Hinds (“Finally Floating”), the heady grooves of J-Cole’s “KOD,” and “Black Walls (Minimal Oxygen)” from Chromatics, house band at the Bang Bang Bar in Twin Peaks, Wash. And don’t forget to pack your glitter cannon, because Rita Ora is out here writing songs about her ex Cara Delevigne, and her pals Cardi B, Charli XCX, and Bebe Rexha were happy to roll through. Roll J’s, love kush.

What is Summer without throwbacks? May, June, July, and August 2001 called, and they are STILL kickin’ it to “Let Me Blow Ya Mind” from Eve and Gwen. If sixties bossa nova goes better with your cocktail, please take a seat on the patio and tune in Nara Leão’s effortless “Chegança.” And don’t forget about the funky pulse of 1970’s Lagos, Nigeria, either. How could you? Not while the Ify Jerry Krusade is around, you won’t.

Music sounds better in the summer. Laughs are louder, food is better, and white linen never looked so good. So roll your windows down and listen as the Jeep next to you bumps the new Ariana, or Migos and Drake, or Rich the Kid. Swoon to Miguel singing en español. Because like Leon Bridges says, “If It Feels Good (Then It Must Be).”

Continue reading Listen: JTL FM – This Summer

New Lou Barlow video: Love Intervene

Video: Lou Barlow – “Love Intervene”

Lou Barlow - Love Intervene (Official Video)

From the Love Intervene b/w Don’t Like Changes 7-inch, out now on Joyful Noise.

Many, many years ago Johnny Loftus made me a Sebadoh mix because — for whatever reason — I had totally skipped them over at the time. I had always liked Lou Barlow’s songs on the Dinosaur Jr. albums, but I just never followed the thread. Listening to Johnny’s mix I realized what I’d been missing. Lou Barlow is a really good songwriter! And Jason Loewenstein is good too! (Plus he’s a Jason who goes by “Jake” which is exotic and cool.)

Anyway, that’s how I got into Lou Barlow’s stuff. And now he’s a got a new song. And because he’s old school punk rock, he’s releasing it as a seven-inch like a decent human being.

Lou Barlow: web, twitter, amazon, apple, spotify, wiki.

Continue reading New Lou Barlow video: Love Intervene

Listen: JTL FM ii

Spotify: JTL FM ii

I don’t want nobody hurt, but I made an exception with him.
–Cherry Glazerr

Making a mess is easy when you think you know it all.
–Jessica Lea Mayfield

The color of your mind, you feel it coming right through you.
–Beach House

When you talk to my face you speak politely. I know you’re only following to bite me.
–Tayla

Is she a stripper, a rapper, or a singer? I’m busting bucks in a Bentley Bentayga.
–Cardi B

I don’t want a secret, secret life. I have no idea what I really wanna be.
–Speedy Ortiz

Take over me, I’ll never be the same.
–Ashley Monroe

Major league chemicals make her grave.
–Unknown Mortal Orchestra

So I fall into continents and cars All the sages and stars, I turn all of it to just a su–
–Lorde, Run The Jewels, El-P

It’s not my fault. It’s not my fault like you say it is. It’s not my fault, because I told you long ago that I wouldn’t put up with your bullshit.
–The Regrettes

For all that we know, the heart is pumping rhythms that are not our own.
–Natalie Prass

Even if you got somebody on your mind, it’s alright to be alone sometimes.
–Kacey Musgraves

I don’t wanna worry no more. I just wanna ball like the big leagues. I just want a nice house on the shore. I want a big house like Gatsby.
–Diplo, Lil Yachty, Santigold

Jordan 23, guarantee you’re gonna wanna leave with me.
–Camila Cabello

I remember the first time I was in love. It was only back in 1997.
–MO///

Lean back. Lean back. Lean back.
–Fat Joe, Eminem, Lil Jon, Mase, Remy Ma

You want some me so bad? Come get this body.
–Tinashe, Ty Dolla $ign, French Montana

Continue reading Listen: JTL FM ii

Playlist: History of British Rock (Sire Records, 1976)

I had this cassette in high school. I can’t remember exactly where or why I bought it, but my guess is that it probably came from the Columbia House tape club. Or maybe I bought it at the mall because it had a rare Beatles song on it.

It’s a weird compilation. Released by Sire Records in 1976, it’s not arranged chronologically but it spans from the first single by a British group to reach the American Top 20 (“Silver Threads and Golden Needles” by the Springfields, 1962) through Beatlemania and psychedelia all the way to 1971’s earthy noodlefest, “Layla.”

There’s nothing by the Rolling Stones, the Who, Herman’s Hermits, Hollies, Small Faces, Zombies, Them, Moody Blues, Pretty Things, Spencer Davis Group, or the Yardbirds, and the Beatles song is a goofy throwaway recorded in Hamburg before they had a record deal. Some of the songs never even charted on this side of the pond at all (“Black Magic Woman” by Fleetwood Mac, “Massachusetts” by the Bee Gees). So it’s just a strange listen. But it was my introduction to most of these songs, and to be honest, I haven’t heard many of them since I left home for college.

This comp is a distillation of the four-volume Sire Records series of historical releases issued between 1974 and 1975: History Of British Rock, Vols 1-3 plus Roots of British Rock. Seymour Stein created an ambitious program of double LP packages chronicling rock music’s history. Each original volume contained 28 songs with lots of cool photos and liner notes by Greg Shaw. So my tape was clearly a cheapo knockoff of the original set with no photos or notes. And Sire kept the crappy version in print. Weird!

It’s hard to imagine now, but at the time most of these recordings were otherwise out of print and generally unavailable to the public. Stein told Billboard in 1975: “It is our feeling that rock does need to be available in some sort of historical context for today’s market.” He noticed that jazz and blues “have virtually everything ever recorded available on some sort of collection” and he wanted to do the same for rock and roll.

His plan didn’t last very long. Within a couple years Sire refocused on new music like the Ramones and Talking Heads. This type of historical release would be taken over — and perfected — by Rhino Records.

In fact, shortly after I rescued this tape from the budget bin, Rhino started releasing its nine-disc collection, The British Invasion: The History of British Rock, which seems to have been inspired by the Sire series, by then out of print. The Rhino box was compiled by Harold Bronson and contained 180 British songs that charted in the States. That’s a cool project and all, but my dumb tape was enough for me.

So I recreated it for you to stream…

Continue reading Playlist: History of British Rock (Sire Records, 1976)