Tag Archives: Ringo Starr

Buckingham Out; Ringo Pissed

Fleetwood Mac has apparently given Lindsey Buckingham his walking papers, which is only metaphorically true as Buckingham has reportedly recently sold one of his homes in Brentwood for about $20-million and anyone who has that kind of money doesn’t walk anywhere unless (1) a red carpet is involved or (2) it has something to do with the latest cardio program and it requires a personal trainer.

And realize that while McDonalds’ may have trouble selling Big Macs (which accounts for its recent size-variant offerings of that saucy delicacy), Fleetwood Mac evidentially is sufficiently fungible to get a list of venues as long as your arm for its upcoming tour. Oddly enough, the Big Mac and Fleetwood Mac were both formed in 1967.

It seems that the other members of the band have hired Mike Campbell late of the late Tom Petty and the Heartbreakers and Neil Finn of the best band that will unfairly be remembered as a one-hit wonder, Crowded House.

This has to make Buckingham feel fairly good, as it takes two to replace him. (One assumes, however, that if Campbell and Finn were “hired,” they’re going to be getting a salary, not cubic feet of cash, so the rest of the band members will make out very well, thank you.)

But here is when Ringo gets pissed.

For the past too-many years, Ringo has been touring with the All-Starr Band. (Another good reason why he changed his surname, as “All-Starkey Band” sounds like something Stormy Daniels would be in.)

Ringo’s M.O. has been to hire musicians who have had “hits” but are past their prime, such that he can use them to play their hits so as to minimize the need for an entire set to be based on his meagre catalog. People like Gary Brooker (Procol Harum), Simon Kirke (Bad Company), Colin Hay (Men at Work), Graham Gouldman (10cc). Actually, this is the proverbial double-win because Ringo gets talent and they get to play at venues where corndogs aren’t (necessarily) being sold.

But now there’s Fleetwood Mac vying for talent, hiring musicians like Campbell and Finn.

One can only imagine Ringo dropping one digit from his peace sign when talking with Fleetwood and McVie.

Continue reading Buckingham Out; Ringo Pissed

New Dandy Warhols video: Thick Girls Knock Me Out

Video: The Dandy Warhols – “Thick Girls Knock Me Out (Richard Starkey)”

Gotta love the Dandies. It’s been twenty years since they released The Dandy Warhols Come Down on Capitol Records, and ten years since Capitol dumped them, and they’re still at it. Still pounding away at chuggy, psychedelic garage rock.

This one’s pretty fun, shouting out Paul McCartney’s Kisses On the Bottom and “It Don’t Come Easy” by “that other Beatle.” LOL.

Hook, hooky hook, mama. Look at you slammin’. Indeed. Look at you!

Hey we’ve got a new single called “Thick Girls Knock Me Out (Richard Starkey)” – if you ask my opinion you should plunk down the $1.29 to buy it on iTunes, maybe we can get a pot of coffee outta the deal.

“Thick Girls” is also available on all the premium streaming services (Spotify, Google Play, Amazon, Apple Music, etc), just in case you need it even cheaper than $1.29. Nevertheless play it a lot, put it on repeat, those .004 cents checks really add up ?

Continue reading New Dandy Warhols video: Thick Girls Knock Me Out

Timeline of the early Beatles solo era

George Harrison was the first Beatle to put out a solo project when he released his Wonderwall Music soundtrack on November 1, 1968. At that point, the Beatles were still together and had just wrapped up the recording of the White Album. They would spend the month of January 1969 filming and recording what eventually became Let It Be. By the end of August 1969 Abbey Road was in the can, and the next month John Lennon told the other Beatles, “The group’s over, I’m leaving.” They all kept quiet about it while they renegotiated their record contracts. But Paul McCartney told Life magazine in November 1969, “The Beatles thing is over. It has been exploded, partly by what we have done, and partly by other people. We are individuals, all different.” Nobody seems to have picked up on this at the time though.

It wasn’t until April 1970, when Paul released McCartney, that the world figured out that the Beatles had in fact broken up. By that time, though, there had already been six prior solo albums released and three singles.

When you look at the timeline from the release of Wonderwall Music through the end of 1970, it’s crazy how much stuff they put out.

November 1, 1968: Wonderwall Music (George)
November 11, 1968: Unfinished Music No. 1: Two Virgins (John)
November 22, 1968: The Beatles (White Album) (Beatles)
January 13, 1969: Yellow Submarine (Beatles)
April 11, 1969: “Get Back” (Beatles)
May 30, 1969: “The Ballad of John and Yoko” (Beatles)
May 9, 1969: Unfinished Music No. 2: Life with the Lions (John)
May 9, 1969: Electronic Sound (George)
July 4, 1969: “Give Peace a Chance” (John)
September 26, 1969: Abbey Road (Beatles)
October 6, 1969: “Something”/”Come Together” (Beatles)
October 20, 1969: Wedding Album (John)
October 20, 1969: “Cold Turkey” (John)
December 12, 1969: Live Peace in Toronto 1969 (John)
February 6, 1970: “Instant Karma!” (John)
February 26, 1970: Hey Jude album (Beatles)
March 6, 1970: “Let It Be” single (Beatles)
March 27, 1970: Sentimental Journey (Ringo)
April 17, 1970: McCartney (Paul)
May 8, 1970: Let It Be album (Beatles)
May 11, 1970: “The Long and Winding Road” (Beatles)
September 25, 1970: Beaucoups of Blues album (Ringo)
October 5, 1970: “Beaucoups of Blues” single (Ringo)
November 23, 1970: “My Sweet Lord” (George)
November 27, 1970: All Things Must Pass (George)
December 11, 1970: John Lennon/Plastic Ono Band (John)
December 28, 1970: “Mother” (John)

* When UK and US release dates differ, the earlier of the two is displayed.

Image is a detail of the cover of Electronic Sound, painted by George Harrison.

Ringo Wishes Chicago "Peace & Love"

Ringo Starr in Chicago, July 7, 2008 - Photo by Phil Solomonson Yesterday, July 7, marked the 68th (!!!) birthday for Ringo Starr. When recently asked by Access Hollywood what he wanted for his birthday, the former Beatle replied, “just more peace and love.”

That seemed to spark an idea for the old boy and he elaborated that it would be cool if “at noon, on July 7, if everyone wherever they are could just make the peace sign and say ‘peace and love.'”

Well, Ringo was in Chicago yesterday at the Hard Rock Hotel on Michigan avenue and GLONO had some peeps there to capture the event. We also got a tiny cupcake from the Hard Rock staff to help celebrate Ringo’s big day.

Ringo's birthday cupcake

Peace and love, y’all.

Ringo Starr – Liverpool 8

Ringo Starr - Liverpool 8Ringo StarrLiverpool 8 (Capitol)

I don’t think I’m alone in the assessment that Ringo Starr’s best solo work (1973’s Ringo, 1974’s Goodnight Vienna) are fine works that, while not entirely essential, are worthy documents when considering the Fab Four’s post-Beatle output. With that being said, much of Starr’s solo output, essentially everything since Goodnight Vienna is fairly worthless, and some of that is even downright embarrassing (Ringo The 4th, anyone?).

And I’m sorry, but I’ve always viewed those All Starr Band tours with the same reverence as a county-fair tour, shamefully led by a guy who just happened to be the drummer for the greatest band of all time.

Therefore, to call Liverpool 8 the best Ringo Starr album since Goodnight Vienna isn’t really saying much. But being overly critical of Ringo is a kind of like sucker punching your grandfather: it doesn’t take much to lay him out, so you’re not really proving much.

Continue reading Ringo Starr – Liverpool 8

Ringo Tells Regis to Cram It

I love Ringo. I mean, he’s the most underrated member of the most revered band in rock and roll history and he’s not taking any shit from nobody. According to the AP, the 67 year old (!!!) Ringo walked off the Regis and Kelly show this morning instead of cutting short his performance. Both sides dispute the details but it looks like the show producers told Ringo he had about three minutes of air time for a five minute song. He apparently cut the song down to 3:30 and just couldn’t drop those last 30 seconds. When the producers wouldn’t budge on his time slot, Ringo gave them the finger (or more likely, his famous two-finger salute) and walked off.

Sock it to ’em, Ringo!

T.Rex: Born to Boogie (DVD)

T. Rex: Born To BoogieMarc Bolan & T.RexBorn to Boogie (Sanctuary)

First: Apologies to the PR agent who sent this film to GLONO HQ a few years ago. It’s been peeking out at us from the cluttered bookshelf all these days and nights and we just never got the mustard up to watch it. I don’t exactly know why. We like T.Rex plenty and who doesn’t love a jacked up Ringo Starr from the early 70s? For whatever reason, we just weren’t inspired to watch it…until Saturday night.

In an effort to blow through the brittle cold of a Chicago winter and the recently imposed smoking ban in every public building (including bars and live music venues), we decided to host a Rock and Roll Movie Night for Losers; a sort of viewing party to review our backlog of DVDs and an excuse to drink with Ringo. Born to Boogie seemed a natural for the inaugural night.

If you know anything at all about T.Rex you know that it’s really two guys: Singer, songwriter, guitarist, and chief “Boogie Bopper” Marc Bolan; and percussionist Micky Finn. The rest is a rotating cast of players who supported the variations of T.Rex and Bolan’s fluid musical aspiration until his death at age 29 in 1977. In the few years he reigned the British charts, Bolan aspired to Beatledom heights but inevitably launched the parade of British phenoms whose acts never translated to American audiences. Britain seems fine with that.

Continue reading T.Rex: Born to Boogie (DVD)

Ringo Starr: It Don’t Come Easy

Ringo Starr and his All Starr Band

By Phil Wise

The Today show has a summer-long concert series in which artists perform outdoors at ungodly hours in the early morning. It seems like a nightmare to me, but the series has featured an eclectic mix of acts from ‘NSYNC to Tim McGraw. Not a particularly hip or cutting edge line-up, but this is morning TV.

Today’s featured act was none other than Ringo Starr and his All Starr Band. This year’s band features an equally perplexing mix of artists including Sheila E. Ringo’s been touring with a different line-up in his All Starr band for about a decade and the roster reads like a roll call of Ringo’s AA meeting: Joe Walsh, John Entwhistle, Jack Bruce, Levon Helm, Rick Danko, Todd Rundgren, Nils Lofgren, Dave Edmunds and many more. Now, no doubt this is a stellar line up of seasoned (sometimes seasoned and sautéed) veterans. No doubt they have some war stories to tell that I’d love to be privy to. Hell, some of these guys are bona fide legends. But, how do they play together some 30–plus years after some of them have made an impact on the musical landscape?

The Today show appearance started off with an interview with Ringo by Katie Couric. Despite Ringo always being presented as the affable, cheeky Beatle, he usually comes across in interviews as a bit sour and arrogant. Today was no different. Ringo seemed put-off that he had to appear on TV before noon and even after 35 years of press conferences, junkets and interviews, he still gets miffed when answering the same old questions about the Beatles and when or if the surviving three will reunite. Get with it Ringo, without the Beatles you’re painting houses—Ask Pete Best.

But let’s forgive Ringo his lack of nuance with the media. After all he was never the mouthpiece for the Beatles. He was the drummer and content in that role. So, let’s just look at the band.

Ringo took the mic for a few songs, including a Mattel-like karoke version of Yellow Submarine, and then handed vocal duties over to former Supertramp front man Roger Hodgson. Ringo’s taken plenty of heat for his “vocal stylings” over the years and I’m not going to throw another log onto that fire. Let’s just say that age has not turned a bottle of sour grapes into wine. Hodgson, on the other hand, still has that clear muppet-like voice he had on 70s hits like “The Logical Song” and “Give a Little Bit.” I hate those songs and always have, but if you like them then you wouldn’t be disappointed in their rendition today. But the accompaniment on all of those songs left a bad taste in my mouth. I had immediate flashbacks to a bowling alley “play room” and the smell of diapers and disinfectant-and-cigarette-smoke-smelling shag carpet. The combination of songs I’ve hated since I was three years old and the sweltering Chicago heat sent me into an immediate toxic shock.

But all things must pass and as Katie and Matt led us into a commercial I thought about poor old Ringo and his All Starr band. These are guys who at some point in their careers were at the topper most of the popper most only to end up in a two-bit cover band fronted by a short, angry half-legend. Do they miss the madness of their earlier careers? Are they content in life? And was it better to have been at the top and fallen than to have never seen the view?