Although the Amboy Dukes were originally organized in Chicago—which is a bit of an exaggeration because people in Chicago don’t consider Arlington Heights to be Chicago any more than they do Schaumberg—the band is better known as being from Detroit, one of the groups that had its heyday in the late 1960s along with a raft of others, including the MC5, SRC, Frost, Up, and the Bob Seger System (although purists would put “the Last Heard” in place of “System”). The first-named continues to resonate given that it had profound effects on bands that made it to a far greater extent than it ever did; the last-named has become known in relation to the Silver Bullet Band (good for him; bad for music; arguably “East Side Story,” “Heavy Music” and “2 + 2 = ?” are cuts that people should still go to school on; the later stuff: it works well in movie soundtracks).

(A digression: although it began in earnest in the early 1960s, Motown had a more lasting effect on Detroit—and music—than the aforementioned bands. It is incredible to think that out of a studio on West Grand Boulevard in Detroit (now a museum) music from the Supremes, Temptations, Four Tops, Marvin Gaye, Stevie Wonder, Martha and the Vandellas, the Miracles, and others was produced. One might argue that from 1961 to 1971 there was a true musical Renaissance in Detroit, the likes of which has never been bettered.)

The Amboy Dukes had one hit, “Journey to the Center of the Mind,” which was released in 1968 and was the Midwest version of a genre that came to be known as “Psychedelic Rock,” something that should have been left to the likes of Moby Grape.

The most notable sound on “Journey” was the lead guitar playing by Ted Nugent.

It would have probably been better for everyone (with the exception of the Nugent family members) had he decided to hang it up after that searing 3:11 single.

But he is still here.

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