With the exception of both (one always; one frequently) being staged in theaters, the movies and concerts have only slight crossover. Of course, one thing to be kept in mind that both are keenly entrenched in economics, as in “the film industry” and “the music business.” Pull at our emotions though the good ones do, it is still about making a return.
And there is undoubtedly going to be a return to something akin to what had been the case, though in the case of the film industry things may be somewhat different than will be the case vis-à-vis concerts.
After World War II, when life underwent a profound change, with people moving to new places that are now the familiar suburbs, a device that had been around since the late 30s but expensive and not particularly useful came onto its own: the television set. By 1948 there were multiple network broadcasts. Because the movie theaters tended to be in city downtowns and not in the suburbs, there was a decrease in the number of people who went to the movies. They could simply stay home and watch TV.
While television didn’t kill the film industry, as some had feared, there was at least a change in the nature of the execution of movies. There were new approaches to how movies were filmed and shown—as in things like Cinerama—and there were early “blockbusters,” like the Cecil B. DeMille movies that were “epic” in scope.
As time went on there was something of an entente between the two mediums.
In terms of technology, there were repeated efforts to make the movie “experience” more worth going to a building with screens, such as 3D and IMAX. But at the same time there was a huge growth in the number of consumers who were buying increasingly large and capable screens and sound systems that allow them to have something of a wide-screen filmic experience without having to pay $10 for popcorn. Channels like HBO and Showtime brought nearly new releases into homes.
Hollywood struck back with things like the Marvel-based films that are like those of DeMille: Seeing them on something that is measured in feet rather than inches is an experience onto itself.
But then there was COVID and suddenly Hollywood discovered that their outlets were shut down. People were sheltering at home with their massive TV screens. What could they do with their “product”? Disney+ had Hamilton in the can, so it came up with a plan to offer it exclusively on its channel, which led to a huge boost in subscriptions to the service. Then with Mulan it tried to do one better by adding an additional fee to watch it, a Disney+ subscription acting only as a means to get to the ticket window. Somehow they had to get as much ROI as the new prevailing conditions allowed.