Leigh Marble’s sophomore album Red Tornado opens with an ode to the dirtiest band in the world. Musically and lyrically, Marble pay hommage to the Rolling Stones with a sleazy slide guitar, Hammond organ, and a sly namecheck with “I don’t see no shots of Charlie Watts.” But don’t think for a moment that Marble is a cut-rate Mick Jagger reinventing Exile on Mainstreet on digital gear and ephedrine. No, Marble does for 70s rock what Beck did for anti-folk in the early 90s. There are strange juxtapositions that walk a fine line between the warbly vocalization and stumbling rhythm of Bright Eyes and the hazy lyricism and story telling of Josh Ritter. The fact that I can’t easily pin this kid to the alt.country world who worships at the alter of Gram Parsons and embarrasses itself with self-conscious faux alcoholism is a very good sign.

On “Salt In the Wound,” a song Marble describes as “a memoriam to a number of slow-suicide cases I’ve known in Portland. Frustrated artists that forget their beauty and drink themselves to death”, Marble pulls no emotional punches in his pursuit to speak his mind and let his voice be heard. See what I’m saying?

We suckered Marble into answering our dopey questions and found that he ain’t cut out for farming so took up the lazy life with a guitar and a strong cup of coffee.

Continue reading Leigh Marble: Ten Questions We Ask Everyone →