Tag Archives: social media

Who The Fuck Is Anyone?

In the end, I guess we’re all just vapor. We dissipate and vanish over time. Some of us linger for a while, like a scent in old clothes, but ultimately we go away. Even the people and things we love the most. Even The Beatles.

It was within a couple of hours of his win for Best New Artist that Justin Vernon found himself the subject of an Internet meme. Or rather, his nom de plume, Bon Iver. It probably wasn’t what he had in mind when he clumsily accepted his award but a good portion of the Twitterverse was asking, “who the fuck is Bon Ivor?” Enough that it’s inspired a Tumblr blog based on many tweeters’ mishearing the name.

While a gang of dopey Twitter geeks wondering who Bonny Bear is and why he beat out J Cole (but really, who is that?)is one thing, there’s something far more disturbing out there. Something that chills my blood and unsettles my soul. There are maybe as many of these dopes asking: Who the Fuck is Paul McCartney?

Now I know that our attentions wane and shift over the years and generational differences can leave gaps and voids between us. But aren’t some things just…known? Aren’t there some facts, events and people who endure and transcend these differences? Surely, Paul Fucking McCartney is one.

It was a few years ago that Sab astonished us all with a report that he was working with an intern who had no idea who Kurt Cobain was. While that was (and is) shocking to me—not only because of Nirvana’s place in the greater cultural hierarchy, but because he hadn’t been dead that long—the idea that ANYONE doesn’t recognize the name of one of only two living Beatles is simply mind blowing.

And yet here we are, watching the constant flow of the Twitter stream wash away the few remaining features of our collective memory. What we’re left with is a fluid and a completely forgettable shape-shift of conversation. And these memories lose their meaning…oh wait, that was the other one.

Turntable.fm: Your Digital Record Party

There was a time when a number of the original GLONO posse lived close to each other, or at least within easy driving distance. Even before the advent of GLONO we gathered together to drink, argue and play music—which caused more drinking and more arguing. We called them record parties and we had them often…until we all started moving away.

Since then we’d all at one point or another tried to recreate the record party via digital means. We created mixes and shared them to argue over via email (and eventually right here on GLONO); we had late night drunken phone calls; we even tried Skype. Nothing compared. We didn’t have the ability to listen to music and argue about it in real-time. We lost the community aspect.

Turntable has changed all of that.

If you’re on this site and you haven’t tried Turntable.fm, you are missing an entire world of awesome. The basic gist is that you have chat rooms that allow you to search and play music that you and your friends can hear and comment on at the same time. Yes, there’s a competitive angle to it in that points you rack up on your DJ skills unlock increasingly ridiculous avatars, but the real beauty is the interaction and community. Finally, we can indulge our music geekiness by one-upping our friends with the perfect follow-up song. And therein lies the danger.

I had to institute a self-imposed restriction on spinning during work hours lest I find myself unemployed. For people like us, this is crack. It is so addictive. I mean, how can you pull yourself away when you KNOW that The Breeders’ cover of “So Sad About Us” is the perfect follow up to The Jam’s “In the City,” which was the perfect follow up to The Who’s “The Kids are Alright” which was the perfect follow up to…you see where this is going.

Like all group settings and social media platforms, Turntable.fm has its own unique social cues and lingo and accepted behaviors, which provide even more opportunities to argue. For instance, the GLONO crew is decidedly split on the meaning and etiquette for awarding points to a song. The options are simple: Awesome or Lame. The more songs you play that are deemed Awesome the more points you accumulate. Too many Lame votes and your song is skipped. It is my position that one should only award Awesome points to those songs that are truly awesome; be that as a reflection on the song itself or its use within the playlist. For instance, it may be  entirely appropriate to award an Awesome point to “Sister Christian,” which is definitely LAME, if used in the context of “Obnoxious 80s Hardrock” or “Uncomfortable movie scenes.” I do not subscribe to the idea that you always Awesome your friends’ picks or you Awesome anything you don’t absolutely hate. Doing that just rewards bad behavior…or worse, bad taste! Alas, there are detractors and that’s part of the fun. We will argue the point and then try to spin songs that support our respective positions.

Regardless, Turntable.fm provides the digital platform we’ve been dreaming of and allows my friends and I to once again engage in the activities that brought us together as a posse in the first place. It’s a digital record party and as long as The Man doesn’t shut it down, we’ll be in attendance. You should join us.


Log into the GLONO room to spin your favorite tunes with us. We’re not all there all the time, but someone’s there a lot of the time.