Happy Birthday is the kind of intentional lo-fi band that reminds you, “Holy shit, there’s a lot of lo-fi bands!” Then you think, “There’s really no need for all of these lo-fi bands!” and you immediately put Happy Birthday on the long list of “Lo-Fi bands that don’t need to be around any more.”
Hailing from Vermont, this trio features some interesting lineage—not the kind that make you think “Sup Pop’s newest hitmakers!” but intriguing nonetheless.
With guitarist Kyle Thomas taking a break from his work with J. Mascis in the stoner-metal band Witch and his own folk musings on Feathers, he joins up with Merrill Garbus’ (Tune Yards) sister, Ruth, and bassist Chris Weisman for a project that sounds great on paper. On closer examination, they should have saved the notepad to write the answer to the question “What kind of band do we want to be?”
There’s conflicting directions on their debut—a few that are appealing, but most that are self-indulgent bullshit.
The good, like “Maxine Teenage Eskimo,” feature Thomas’ thin vocals complimented with nifty Beatlesque harmonies and chord progressions. At barely over two minutes, you’re drawn in and left wanting more. “Girls FM” is another slice of infectious twee-pop that, had they worked on that mission statement before hitting “record,” we could be looking at a nice collection of loserville anthems.
But Thomas isn’t a loser, he just likes playing the role for his advantage. Which means that Happy Birthday is filled with pointless side-steps where he tries his hand at Marc Bolan stomp (“Pink Strawberry Shake”), self-loathing (“Fun”) and temper tantrums (“Zit”).
Not once do you believe that Happy Birthday is more than a sound-collage of the shit he finds amusing or intriguing. Since none of the songs could find a home in any of Thomas’ other projects, he built a name out of the outtakes, tapped a pair of locals to help flesh out the meanderings, and got signed to Sub Pop after less than a half-dozen shows.
I understand that all of this sounds like sour grapes, but it isn’t. While it may be true that I like my “bands” to actually be bands and work more than five shows before they record a fucking demo (which is what this is, mind you), Happy Birthday reeks of amateurism that is intentionally manufactured and marketed as high art.
To explain: the debut from Tune Yards was indeed high art.
Happy Birthday’s debut is a sketchbook of Ligers.
And while Ligers are in fact real, Kyle Thomas doesn’t appear to hold much truth in his newfound project. Happy Birthday, in fact, may be just another stopping point for his restless muse. In the irritating “Zit,” he may have let a bit of honesty slip out in the line: “I was a twenty-something / Doing the folk thing / Now I don’t do anything.”
Ain’t that the truth.